~. ,""us '\"yO(..Q\j Question Booklet No.

(Ult'O.

lOP/260/2 (To be filled lip by tire candidate by bille/black /lall-point pen) Roll No.IL._-'-_-'-_-'-_-'-_-'-_..L._..L._-' Roll No. (Write the digits in words)

Serial No. of Answer Sheet ............................................. . Day and Date ................................................................... .

( Signature of Invigilatol' )

INSTRUCTIONS TO CANDIDATES (Use only blueiblacA ball-point pell in the space abmc and on both sides of the Answer Sheet) 1. Within \ 0 minutes of the issue of the Question Booklet. check the Question Booklet to ensure that it contains all the pages in correct sequence and that no page/question is missing. In case or faulty Question Booklet bring it to the notice of the Superintendent/lnvigilators immediately to obtain a fresh Question Booklet. 2. Do not bring any loose paper, written or blank, inside the Examination Hall except the Admit Card

without its envelope. 3. A separate Answer Sheet is given. It should not be foldeti or mutilate{l A second Answer Sheet ~'hall not be provided. Only the Am-wer Sheet will be evaluated. 4. Write your Roll Number and Serial Number of the Ansv.'er Sheet by pen in the space prvided above. 5. On ti,e front page of the Answer Sheet, write by pen your Roll Number in the .wace provided at the top and by darkening the circles at the hottom. Also, wherever applicable, write the Question Booklet Number and the Set Number in appropriate places. 6. No overwriting is allowed in the entrie!)' of Roll No., Que.fition Booklet 110. alld Set 110. ally) 011 OMR sheet ami Roll No. lImi OMR sheet no. on the Queston Booklet. 7. Ally change in the aforesaid entries is to be verified by the invigi/otor, otherwise it will he taken (t.\' unfilirmealls. 8. Each question in this Booklet is followed by fOllr altemative answers. For each question, you are to record the correct option ()II the Answer Sheet by darkening the appropriate circ:le in the corresponding row of the Answer Sheet. by pen as meutiOlled ;11 the guideline ... given Oil the first page of the Answer Sheet. 9. For each question, darken only one circle on the Ans\ver Sbect. If you darken more than one circle or darken a circle partially, the answer will be treated as incorrect. 10. Note that the allswer ollce filled ill ink CWl110t be changed If you do not wish to attempt a question. leave a/l the circles in the corresponding row blank (')Uch question will he G)t'l1rded zero marks). 11. For rough work, lise the inner back page of the title cover and the blank page at the end of this Booklet. 12. Deposit both the Questioll Booklet and the Answer Sheet ut the end of the Test. 13. You are not permitted to leave the Examination Hall until the end ofthc Test. 14. If a candidate attempts to lise any form of unfair means. he/she shall be liable to such punishment as the University may determine and impose on him/her.

ar

Total No. of Printed Pages :32

[~ R&r 1FiI ;r ~ iJ1TiKUT 'f'3 'R fi;iT "" I!'O

lOP/260/2 Noo of Questions: 100

-w-if
Time: 2 Hours fT1'W: 2

'i v /1M. : 300

WIt

Note: (1) Attempt as many questions as you C8.11. Each question carries 3 (Three) marks. One mark will be deducted for each incorrect answer. Zero mark will be awarded for each unattempted question.

31f-rr",," m 'liT"" ~ 'liT >I'l<'! '-li'tl lWron m'l 3 (ICT odljj'lll ~ 31j~R(j m'l '"1 QI'<1i'h ~~I

(2) If more than one alternative answers seem to be approximate to the correct answer, choose the closest one.

01. This Raga has same name and same swara-s in both North Indian and South Indian Music (1)

Karnod

(2)

Natbharavi

(3)

Hansdhvani

(4)

Todi

~ 'lffiiP:!

aih: <;f~ 'lffiiP:! Wffil
i( 1)

'liTIi'R

(2)

'lGm

(3)

~UfR

(4) ~

02. This Raga does not have R -P Sangati 3) Gaud Malhar (4) Poorvi (1) Miya Malhar (2)Karnod

10P/260/2

~ U'T (1)

i'l ~ - 'pr'rfu ~ ~ t

fil'.!i ~

-

(2) ~

(3)

03. This Raga has Audav Arah - Avaroh (1) Hindol (2) (3) Chhayanat (4)

~ U'T '!i1 (1)

~ ~

3ll1"ro -

(4)

~

Desh Shyamkalyan

t

(2) ~

1%iIc1

~~

(3)

tllQI'1c

04. Raga Chandrakauns has this as Agantuka Swara (1)

S

(2) M

(3)

R

(4)

P

(1)

UT

(2) 11

(3)

~

(4)

'1

05. Bhupali, Deshkar and Shuddhakalyan have this Aroh .

(1)

~, ~~I,*,I\ (1)

UT ~ 1] '1

.

.

SRGPNS

aiR

(2)

SRGPDhS

'!lO&,*,~luI '!i1

'lj(

f.nrt

(3)

SRGPDhS

(4)

SRGPDhS

3ll1"ro t (2)


(3)

Mand

(3)

l1lS

"l

-m

06. Which one is a morning Raga -

(1)

Vibhas

~ U'T qi')-;nn (1)

m"!m

(2) Asavari

t (2)

3mlli1\1

4

(4) Jaijaiwanti

10P/260/2 07. Which pair of Raga-s is different from (1) Patdeep - Bhimpalasi (2) (3) Rageshri - Bageshri (4) qi]onjj WI ~ -

(3)

Wlm - "ilT'lm

$r

q("llm

f'nrr ~
(1)

1fut

q;]

m

Chandrakauns - Malkauns Hindol - Hansdhvani

(2)

08. M Dh N S R S is used in this Raga (1) Pilu (2) Paraj P) 11 '1

-

fl f'fl %-

~ 31"! ~

(1)

oth~rs

~ WI

i! f
(2) "CfGil

(4)

Lalit

(4)

C'ffu
M G R S

(4)

M G R S

1111 ~ tIT

(4)

1111~tIT

(4)

"ilT'lm

Sohini

"IT
(3)

\1'if~;j)

09. Raga Darbari Kanada ends with these notes (1) WI (1)

q- MRS

<(ii\l\l

(2)

~ ..,

Tj - 11

hn

MG R S

(3)

Bffi fl WlT'
(3)

10. This Raga is not suitable for Karun Rasa (1)

PUu

(2)

Adana

(3)

Gurjari Todi

(4)

Vageshri

7TI( WI

(1)

~ m if; aqg'ffi ~

1fut

%-

(2) ~

(3):pffi ~

11. Which one is a seasonal Raga (l)

Gaud Malhar

(2)

Pahadi

(3)

Chhayanat

(4)

Deshkar

5

P.T.O.

10P/260/2

(2) ~

(3)

\91~I'R

(4)

~~Iihl(

(4)

Bahar

(4)

~

(4)

~

12. Which Raga has both Gandhar and both Nishad (I)

Rageshri

(I)

-wtm

(2)

Miya Malhar (3) Jijaiwanti

13. Addha and Tilwada are similar because of (I)

Vilambit Khyal

(2)

Theka

(3)

Matra, division

(4)

To:ppa

~

aih:

(1)

f'l<'1f"'d =<'I

(3)

1Jffi,

[;1"11<> I$1 'Ii) (1~ Hdl Of>! <;;RUT

R'IT'T

t (2)

i>T

(4)

C1:qJ

14. Which Raga is not an Ashray Raga (I)

Miya Ki Todi

(2)

Marwa

(3)

Purvi

(4)

Paraj

(3)

't'if

'Iit.r Ul UTI 3TIW1 UTI "f@ t ( I) fl:rii 'Ii) ~ (2) l1'f(O!T

1ft This Raga is originated from a different thata than rest of the Raga-s-

(I)

Basant

(3)

(2) Paraj

6

Kamod

(4)

Poorvi

10P/260/2

3f"l

wiT Trdt ~ E:m i

(1)

'R'Rf

(2) 'R"r

(3)

-

,",-,fu;

(4)

~

(4)

~

16. This Raga has prominent Rand Dh (1)

Marwa

(2)

Shyamkalyan

(3)

Pahadi

(4)

Deshker

(1)

lJRCIT

(3)

~

(2) ~'lI~ifi",,",lol

17. Which Tala has 10 Ta1i-s and 4 Khali-s (1)

Pancham savari

(2)

Rudra

(3)

Panjabi

(4)

Brahma

(3)

-q-,;n;ft

~ (1)

(ff('f

10

aif<.1'l1 ail<:

cjil~<1ql{l

4

«uf<.1'l1 i -

(2) ~

18. Which Tala a division of three matra-s (1)

Addha

(2)

Kaharava

(3)

Pancham savari

(4)

Aclachautal

(1)

3W;J

(2)

ifi~{ql

19. Raga Lalit questions the Thata system because of (I)

Dh of Marva Thata

(2)

Dh ofPoorvi Thata

(3)

Prominent use of both M

(4)

Omitted P

7

P.T.O.

lOP/260/2

WI (1) (3)

~ "" 0ffiUT

=

'-llG 0!f
it 1lf
'-llG 'f>T '1

T Q"l'sl(\( it m

-

(2)

~ '-llG 'f>T '1

(4)

qf;,fu'1

20. S G M Dh N are not used in Aroh of this Raga -

(1)

Bageshri

(2)

Chandrakauns

(3)

Deshi

(4)

Rageshri

"" WI (1)

it ~ i\ "ffi Tf 11


(2)

'1

R 'f>T m 'lit ~lin -

",,,,,'li\\j

(3)

~

(4)

Wtm

21. Three elements of Indian Music are -

(1)

Sattva, Raja, Tama

(2)

Shuddha, Kamal, Teevra

(3)

Swara, Tala, Pada

(4)

Udatta, Anudatta, Swarita

'lffiil'< Wilo it
-

(1)

~,

0if,

(fll

(2)

'i[&,~, ~

(3 )

«11:,


'l<;

(4)

~,~,~

22. Which pair is not related to Swara (1)

Chal, Achal

(2)

SaIDvadi, anuvadi

(3)

shuddha, Vikrit

(4)

Sthayee, Antara

-'liFnlt ~ 'f>T «11: it ~ 'lit i

-

(1)

'qi'I, ~

(2)

~, 31jql~l

(3)

~,~

(4)

~,3R!U

8

lOP/260/2 23. Shruti - interaval for shadja Grama is -

~ ~"I ~ Iq
'8Yr "1 '\1(1 (1 t -

(I)

4-3-2-4-4-3-2

(2)

4- 4- 3- 3- 4- 2- 2

(3)

3- 4- 3- 2- 4- 4- 2

(4)

2-3-2-4-3-4-4

24. Praman Shruti is the difference between (I)

Shadja Grama Sand shadja Gram N

(2)

Shadja Gram M and Madhyam Gram M

(3)

Shadja Gram P and Madhyam Gram P

(4)

Shadja Gram G and Shadja Gram M

..,.
~

(4)

afu: 11= Jllll 11 ~ Jllll 11 afu: ~ Jllll 11

(2)

Jllll 11

25. Sangeeta Ratnakara deals with -

(I)

15 Gamaka

(2)

25 Murchana

(3)

2010 Swar prastara

(4)

11 Kaku

( 1)

15 l"fI1"I;

(2)

25 't;oJ'11

(3)

2010

(4)

11

«j{Q@{

~

26. Sangeeta Ratnakara is also known as ; (I)

Ashtadhyayi

(2)

Rasapanchadhyayi

(3)

Gitadhyayi

(4)

Saptadhyayi

9

P.T.O.

lOP/260/2

.n ;;n:;rr "fffiT t -

Wfu!

,M Iif; { ~ 'lIT!

(1)

il1l!1uw:il

(2)

{lflcj>jluw:il

(3)

"1ftaTuw:il

(4)

~uw:il

it

27. Bharata describes Chatussarana under this name (1)

Swaradarshana

(2)

Shrutinidarshana

(3)

Nadanirupana

(4)

Sarananiru pana

(4)
28. Which Raga is not found in folk songs -

(1)

Virindavani Sarang

(2)

Pahadi

(3)

Mand

(4)

Chhayanat

(2)

~

qi\-;f "fIT WT ct\if;'nffi il ~ ~ (1)

~;;ICi;fl

(3)

'lis

mt>T

29. Which folk instrument is also popular in classical music (1)

Dholak

(2)

Nagara

(3)

Flute

(4)

Ravanhanttha

qi\-;f "fIT ,,11 if; Ci IiQ ~II <'ll ~ Wila il (1)

_

.n ct\ if; flI ~ t -

(2) ~

(3)

10

~

10P/260/2 30. Who is 'Vaggeyakar'? (1)

the composer

(2)

the lyricist

(3)

the singer

(4)

the lyricist - composer - performer

~I'~~"'R

'h'l'l %-

(1)

~'i1
(2)

q;fcr

(3 )

l]fl['fi"

(4)

q;fcr -

~'ild"'l{

am: tioqQ*ljRt"'df

31. 'Toory - Tritaya - Chaturyam' means expert in this art -

(1)

Singing

(2)

Playing the instrument

(3)

Dancing

(4)

All three

'~

- fur'l

(1)

'IT'R

"11\14« a:roffit ~ ~ (2)

CI1G'!

i! Q"luldl (3) '1
(4)


32. Merit of Vocalist is (1)

Kmpita

(2)

Ayattakantha

(3)

Bheeta

(4)

Laya - tala - kala - gyana

l]fl['fi" " "

TT %-

(1)

",rAJd

(2)

a:ri~'d",ua

(3)

>fu!

(4)

<'I'l -

11

(IT('! -

~

-

OIR

P.T.O.

10P/260/2 33. 'Vitala' is (1)

demerit of vocalist

(2)

demerit of student

(3)

demerit of poet

(4)

merit of instrument

,~,t-

(I)

~'IiT ~

(3)

fuq

'liT

~

34. 'Natya Kutapa' means ( I)

a group of students

(2)

a group of dancers

(3)

a group of stage performers

(4)

a group of singers

''1I81'fdY' 31'lfu -

( I)

fcm!f$i\'liTW!"

(2)

~'liTW!"

(3)


(4)

~ 'liT W!"

(3)

12 Kaku

(3)

12

35. Bharata describes this ( I) '1B

( I)

6 Kaku

(2) 2 Kaku

"'t ~ quf.j M 6

'Iil'f

(4)

4 Kaku

(4)

4 'Iil'f

t-

(2) 2

'Iil'f

'Iil'f

36. 'Kshetra Kaku' is (I)

field

(2)

sound related with performer's body

(3)

composition about farmer

(4)

sound of musical instrument used bf farmers

12

10P/260/2

'0,"*!iI~ ' ' ..." (I)

~

(2)

'1iC'11'li1( il;

(3)

it ~'fi! D'flT r'hB 111 mu m f't;it "IR

(4)

'ITfu: it ~'fi! '''If.!

r'hBI'I

~ 'll'!l

ott "lR

37. This is a kind of Rupakalapti (I)

Sthayee

(2)

Sthaya

(3)

Pratigrahanika

(4)

Anagat

f<'m (I)

~

%-

(2) ~

(4)

31'1I'I(I~

(4)

Trital

(4)

~

38. Simple quadruple of Western Music is similar to (I)

Jhaptal

(2) Ektal

(3)

'IT~ Wfto 'liT r{l"1("1 'H1§q("l ~ WIR (I)

~q(ll("l

(2)

'!!h(ll("l

Dhamar

t-

(3)

=

39. Seven Tala system is in (I)

Odissy Sangeet

(2)

Western Music

(3)

North Indian Music

(4)

South Indian music

=(ffiq~~%

-

(I)

~

(2)

'IT 1.m'<

(3)

=

(4)

<;f'&JUT 'lffiltq Wfto

Wfto 'lffiltq Wfto 13

Wfto

P.T.O.

10P/260/2 40. Mayamalav gaund mela is similar to . (1)

Marava Thata

(2)

Gaudmalhar Raga

(3)

Bhairv Thata

(4)

Mand Raga

(2)

,nS~'''\;1(
(4)

11ts
~1
-.:mqj

*'"

t-

'IR 'IR

41. Bhairavi is similar to (1)

Hanumat Todi

(2)

Nat Bhairvi

(3)

Pantuvarali

(4)

Gurjan Todi

~-wit~~i(1) ~ ~ (2) 'fl ~ 42. Ramamatya's Swaramelakalanidhi deals with (1)

15 Mela -s

(2)

12 Mela -s (3)

M ~ I("! ~ ;<1, it
15

i\"<;1

(2)

72 Mela

-5

il ~ 'R flr.m: f.<>
-

12

i\"<;1

(3)

7~ i\"<;1

(4) 20 Mela-s

(4)

20 i\"<;1

43. Who wrote Sadragachandrodaya (1 )

Kumbhakarna

(2)

Sharngadeva

(3)

Vidyaranya

(4 )

Pundarika Vitthala

\l~I'IT.I'1i)~
-

( 1)

!j>'Iuf

(2)

~IIW~q

(3)

fqtlRoq

(4)

~,~{j ~

14

10P/260/2 44. Matanga used this word for first time -

(1)

Prabandha

1l
(2) Raga

~ ~ 'lOT

m

Gandharva

(4)

Swara

(3)

'1i"fCI

(4)

""(

M -

(2) 'l'T

>f'I'>l

(3)

45. Bhav Bhatt was in the court of (1)

Raja Anup Sing of Bikaner

(2)

Maharaja Mansing of Gwalior

(3)

Maharaja Savai Jaisingh of Jaipur

(4)

Raja Bhavsingh of Bhavnagar

'IlCf ~ ~ (1"1<;("1<

ii i\ -

= 31'rlPi"

(1)

«!Iif>I~d"

(3)

~ ~ ~"I(I"II ~ "I~rB"

(2)

Tqf<'l~( ~ ~"I(I"II ~HniG

(4)

'l
~

=

~

46. Rasik priya - the commentary of Geet Govind, is written by (1)

Jaidev

(2)

Rana Kumbha

(3)

Acharya Brihaspati

(4)

Rasik bihari

'I[(l'nf'l'<;

qij ~ ~ fSr:rr ~ &1"

(1)

~

(3)

31JTW!

"l,,,xlf
f
(2)

1]TTj i

(4)

~~

47. Teentala and Chautala has follO\ving ratio -

([10111[(1 (1)

am: ~ ii f-i"if<'lf@d 31:['m! i -

1:2

(2)

2:3

(3)

15

3:4

(4)

4::,

P.T.O.

10P/260/2 48. Rupakam Tala of Karnataka system has (1)

5 Matra

(2) 8 Matra

q;4i~q; ~ if; "qq;,\
5

=

(2) 8

(3)

6 Matra

(4)

7Matra

(3)

6

=

(4)

7=

t-

=

49. Which one is the name of a Tala as well as composition (1)

Brahma

(2)

Tilwada

(3)

Adachautala

(4)

Dadara

(1)

-.r;;!

(4)

Gl<:U

50. Which one is not similar with Tritala (1)

Dhamar

( 1)

'fl'!l<:

(2) Tilwada

(3)

Punjabi

(4)

Jata

(3)

~

(4)

'""

51. Dedhgun (3 in 2 matra) sets naturally with this pair -

(1)

Dadara, Ektala

(2)

Trital, Jhaptala

(3)

Rupak, Kaharawa

(4)

Jhaptala, Pancham savari

( 1 ) Gl<:U , ,
(2)

f;raR'[ , 'it q<11 i!I

"""", q;~{ql

(4)

'itqdli!l, 4i1Wlq1U

(3)

16

10P/260/2 52. Which relates with Karnataka Tala Panddhati (1) Sankeerna (2) Sampoorna (3) Sanyukta

(4)

Shadav

(4)

'lTG'f

(4)

6 Matra

5 lWIT

(4)

6 lWIT

54. N S P Dh - P is the phrase for this Raga (1) Deshi (2) Deshkar (3) Desh

(4)

Mand

(4)

=

ifi'1!?:ifi
wttut

it

f
t-

~

(3)

~

53. Khandajati Laghu, in Karnataka Tala, has (1) 3 Matra (2) 4 Matra (3) 5 Matra ifi'1kifi
if

3 lWIT

R-m'ir 'Of (I)

@os"llfd ~ 'I>T liR (2)

4 lWIT

(3)

'< ~ UlJ 'I>T ~

~

t -

t-

(2) ~~Iifil(

(3)

~

55. This phrase is used in Chhayanat, Kamod, Gaud sarang " ,.,.", (I) P - P - S - S - S S S S S R S, (2) M - G - M- Dh - N S N S - S1 1-:;- -,. "'. (3) !VI - G - !VI - Dh M Dh N S - N R S (4) G-M-P-N-SSSSNNSS ~

01~HG, ~, ,fi1>fll{'1

. .

i\ ~ ~

'I>T

m mt

-

-m - -m - -m-m-m-m -m't-m:'! -'I - '1 - R- -m R-m - -m -tr -'1 'I '1 R-m - R't -m'I - '< -R -m -m -m -m RR-m -m

(1)

'< - '< -

(2)

'I -

(3)

-,\ -

(4)

1] -

1]

17

P.T.O.

10P/260/2 56. Which one is a common name for an instrument and a Tala (I) qm (I)

Narad

(2)

(3)

Durga

Rudra

(4)

Saraswati

3ih (lWf iii fui\ "3"'1 qf, I'd 1lll m w t

-

~

~m:qffi

(4)

""

(2) ~

(3)

57. Which God is not related to music (1)

Indra

(2) Vishnu

(3)

Krishna

(4)

Shankara

(1)

R

(2) ~

(3)

¥"1

(4)

~

(4)

Jhaptal

(4)

;;I4dld

(4)

~14.-j
58. Which Tala has T.irki! Dhi (1)

Jhumara

Na Dhi 1 Dhi Na y • (2) Matta (3) Adachautal 1

RHfilic 11\ 111 11\ 111\ 11 f'I>B (lWf il t i4. (1) 1IfR1 (2) 1N (3) ~

59. Which Tala is used in a style other than Khyal (1)

Tilwada

(2)

Rupak

(3)

Ektala

(4)

Deepchandi

(1)

fdZ1ql$1

(3)

Q!l'dlZ1

(2)

~

60. Which classical vocalist did not sing for films (1)

D. V. Paluskar

(2)

Bade Gulam Ali Khan

(3)

Balwant Rai Bhatt

(4)

Parveen Sultana

18

10P/260/2 f'l;B ~ II ~ ~ ( 1)

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(4)

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61. What is common in Darburi and Pooriya -

(1)

Raganga

(2)

Thata

(3)

Swar - Samvad

(4)

Peaceful Alap in Mandra Spatak

<(iml am: 'lft'rr ii 1l.'f' W1R 'FIT t (1)


(3)

B'R

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62. S - M sangati is not used in (1) Kedar (3) Malkauns
1]


~ ~~

(2)

'lR

(4)

~ ~

(2)

Bahar

(4)

Ramkali

'liT

~

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iffil -

(1)

~

(2)

'1Qn:

(3)

AI(1ohh"l

(4)

(IAOhcll

63. The author of Sangeet Chintamani is -

(1)

Acharya Brihaspati

(2)

Chintamani Mishra

(3)

Lalmani Mishra

(4)

Nayak Baiju

Wfur

fil'iiIAfUl

(1)

~ ~Hqf[l

(2)

fil'iiIAfUl

(3)

(11(1AfUl

(4)

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iI; ~

t -

fi:r"'lT

19

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64. Thakur cJaidev Singh learnt music from (1) Vishnu Narayan Bhatkhande (2) Shrikrishna Hari Hirlekar (3) alauddin Khan (4) Kri shmrao Shankar Pandit

"t

...m -wfu! fu8:lT "lIT'
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(1)

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(2)

~

(3)

3F'Ildi]'1

-ciI

(4)

1''''I{ICl ~
ffi f%<%{

65. Karnatak musicians perform this (1 )

Kriti

(2)

Dhrupad

(3)

Tappa

(4)

Rajakhani Gat

'h'1k'h fi'nd'hl{

-,it ~ ~ i' -

( 1)

-q;f(r

(2)

';\'R

(3)

c:un

(4)

{"II@oil T[(f

66. Gandharva Mahavidyalaya was founded by (1 )

Savai Gandharva

(2)

Kumar Gandharya

(3)

V. D. Paluskar

(4)

V. N. Bhatkhande

1JP1Cf

'l~lfcml(,]'1 ~ &m f\'11~d ~3lT -

(1 )

~1JP1Cf

(2)

FR~

(3)

mo f<;o

(4)

fcro. 110

q
"llct@OG

67. Bharat Ratna is not awarded to (1 )

Kishan Maharaj

(2)

Bhimsen Joshi

(3)

M. S. Subbulakshmi

(4)

Bismillah Khan

20

10P/260/2

'Iffil ""

~ >IGR Wn 1J'1T i

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(1)

~ ~~I{I,"

(2)

~m~

(3)

"Q!lo ~o ~~

(4)

fq\1fq&lI~-@

68. This composition is not the base of a film song -

(1) (3)

Mana tu Kaha na dhir dharat ab - Ye.man Bol re papihara - Miya Malhar Prem Ki mar katar - sohini

(4)

Banat banau bana nahi ave - Paorvi

(2)

>im '1i1 3lT'TR '!lIT i lR1 It 'Iil% 'I >fu: 1'ffiI 31'1 - "f'R 11lR ~ - flif,,;fi 'l'l

69. Which Thumari is also famous as a film song (1) Bansuriya kaune guman bhari (2)

Babul mera naihar chuto jay

(3)

Bajuband KhulKhul jaye Ndiya dhira baho na

(4)

m mS'ffi ~ >im if; ~ if >!fu;& i (1)

o:rtifl:~1 q;f.) :p:rR

(3)

~I"[~'j~

.ro

WI ~

Wi "IT'l

(2)

'lT~ >1m ~

(4)

1Wn.w ~ 'I

(3)

Raga

70. Jeevaswar is a kind of (1)

Sthayee

(2) Jati

21

(4)

Gamak

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71. Names for composition are (1) sthayee, Antara, Sanchari (3) Prabandh, Vatu, Rupak

(4)

(3)

,TTl

(2) (4)

Shuddha, Kamal, Teevra Drut, Mdhya, Vilambit

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72. Sangeet Research Academi is situated in (1) Mumbai (2) Delhi (3) Kolkata

fq <'if", d

(4)

Chennai

'f1(,I"hldl

(4)

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73. Maulabaksh founded his music school at (1) Baroda (2) Lucknow (3) Gwalior

(4)

Reeva

(4)

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~

>lI01'l'f'i1 (1)

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~

f'l'1I0'l

(2)

(3)

'!i\ ~ '!i\

W,-Hdi

(3)

rqfu-m

o

~

74. Rajasthan Sangeet Sansthan is in this city -

(1)

Jodhpur

~

(2) Ajmer

Wiru m>1R ~ "'M i! -t

(1);oj)11'p:

(3)

Udaipur

(4)

Jaipur

(3)

3~~:l'

(4)

~

-

(2) ~

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75. Vaggeyakar of Hindi Geet Ramayan is (1 )

Arun Kumar Sen

(2)

Kumar Gandharva

(3)

Jasraj

(4)

D. V. Paluskar

fiRi\

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(1 )

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(2)

(3)

"I,HI"I

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t-

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(4)

76. 'Vande Mataram' was composed in Raga Desh by -

(1)

Ravindranath Thakur

(2)

Bankimchandra Chattopadhyaya

(3)

K. C. Dey

(4)

Omkarnath Thakur

(1)

(oft""'1I"!

(3)

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77. The sign of Dhruv Tal in Karnatak Music is : <1i1k'li (1)

Wltct it ~ q;r q<1f ~ t :

10

(2)

1011

(3)

100

(4)

1100

78. A Music University is not in this city -

(1)

Khairagarh

(2)

Gwalior

(3)

Lucknow

(4)

Rampur

23

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(3)

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(4)


79. Omkarnath Thakur is the author of (1)

Rag Vigyan

(2)

Kramik Pustak Mlika

(3)

Sangeetanjali

(4)

Sangeet Visharad

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(1)

wr~

(2)

~ ~ ~1fc1'1i

(3)

fi'ndi"lfc1

(4)

Wful

f'PII(~

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Indian Music (1)

M.S. Gopalkrishnan

(2)

N. Rajam

(3)

M.S. Subbulakshmi

(4)

M. R. Gautam

(1 )

11:'1 0

(2)

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~

(4)

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3W 0

(3)11:'10

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Intensity

'lr<; qi\

(1 )

(2) Vibration

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(3)

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(3)

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echo

(2)

singing tc!gether

(3)

drum

(4)

wind insti-ument

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(2)

"ill'! "ill'! TJT'lT

(3)

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83. Melody is (1 )

single note progression

(2)

triple note progression

(3)

notes arranged with rythm

(4)

rythmic arrangement

= ,

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(1 )

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(3)

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IS

(2)

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fu •

~ "" Uh 8 q;]

(4)

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related to

(1 )

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(2)

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(3)

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(4)

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or sound

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( 1)

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(2)

ir"R m

(3)

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(4)

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85. Who belongs to Gwalior Gharana ( 1)

Ajay Chakravary

(2)

Laxman Krishnarao Pandit

(3)

Rashid Khan

(4)

Dinkar Kwkini

25

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86. Raja Mansing University of Music

Motion

Fine Arts established in this year-

(1)

2005 at Bhopal

(2)

2000 at Indore

(3)

2003 at Reva

(4)

2008 at Gwa1ior


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2005,~

il 2003, U
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2000, ~

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2008, 'qlr<1~(

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87. Which one is different from others (1 )

Gundecha Brothers

(2)

Nom Tom Alap

(3)

Rudraveena

(4 )

Thumari

(2)

if"
(4)

9;'!ft

3FHI<.j] 'il (1 ) (3)

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88. D. D. Bharati i, for (1)

Promoting Indian Cultural Heritage

(2)

Promoting Indian Industry

(3)

(4)

Promoting Ntional sports

Promoting Health

26

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(3)

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(3)

300

(4)

(3)

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(4)

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90. Frequency of Pancham is -

(1 )

270

(2) 360

4800

9l. Ratio between Sand R is -

w 3TId (1 )

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-

(2)

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92. Samvadini is the Indian marne of this (1) (3)

Guitar Piano

(2) (4)

27

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Melodious voice

(2)

Long steady breath

(3)

Speedy tana

(4)

Slow Composition

(2)

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(4)

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(1)

Charurlal Mishra

(2)

Chamanlal Mishra

(3)

Chhedilal Mishra

(4)

Chhannulal Mishra

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(1)

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(1)

Llmani Mishra

(2)

Vinayachandra Maudgalya

(3)

Pradeep

(4)

A. K. sen

28

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96. Which Raga is named after a city / place ( 1)

Multani

(2)

Mikauns

(3)

Jhainjhoti

(4 )

Mlya ki Todi

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(1 )

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(2)

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(3)

f~~l<'.l

(4)

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97. This raga has only

one Madhyam .

(1 )

Marubihag

(2)

Shyamkalyan

(3)

Mand

(4)

Paraj

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t-

(1 )

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(2)

~t!II1ChrlIOI

(3)

~

(4)

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98. A. 1. R. broadcsts National Programme of Music on (1)

Monday, Tuesday

(2)

S"turday. Sunday

(3)

Sunday, Monday

(4)

Thursday, Fr iday

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(3)

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(4)

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(1) (3)

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100. Who wrote our National Anthem Jana Gana Mana Adhinayaka Jaya He' (1) Ravindra Natha Thakur (2) Bankimchandra Chattopadhyaya (3) Sarojini Naidu (4) Bharatendu Harishchandra

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