CLA Members’ Publications Abudu, Gabriel A. “African Oral Arts in Excilia Saldaña's Kele Kele.” Afro-Hispanic Review 21 (2002): 134-43. ___. “Havana as Poetic and Personal Space in the Works of Nancy Morejón.” Callaloo: A Journal of African Diaspora Arts and Letters 28.4 (Fall 2005): 1012-26. ___. “Toward a Definition of the Self in the Poetry of Georgina Herrera.” Daughters of the Diaspora: Afra-Hispanic Writers. Ed. Miriam DeCosta-Willis. Kingston, Jamaica: Ian Randle, 2003. 157-75. Accilien, Cécile. “Diasporic Bonds: Representations of Women in Marriage in African and Caribbean Francophone Literature.” Diss. Tulane U., 2002. Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64 (2003): 912. ___. “Haitian Creole in a Transnational Context.” Just Below South: Intercultural Performance in the Caribbean and the U.S. South. Ed. Jessica Adams, P. Michael, and Cécile Accilien. Charlottesville, VA: U of Virginia P, 2007. 76-94. ___. Rethinking Marriage in Francophone African and Caribbean Literatures. Lanham, MD: Lexington, 2008. ___, Jessica Adams, and Elmide Meleance, eds. Revolutionary Freedoms: History of Survival, Strength, and Imagination in Haiti. Coconut Creek, FL: Caribbean Studies Press, 2006. ___, Jessica Adams, and P. Michael, eds. Just Below South: Intercultural Performance in the Caribbean and the U.S. South. Charlottesville, VA: U of Virginia P, 2007. ___ and Jowel C. Laguerre. Haitian Creole Phrasebook: Essential Expressions for Communicating in Haiti. Columbus, OH: McGraw-Hill, 2010.

Agee, Joseph A. “Madness and Bliss in the Philosophy of José Ortega y Gasset.” Cuadernos de Aldeeu 17 (2001): 61-70. Alexander, Simone A. James. “From ‘Ghost of a Former Self.’” Langston Hughes Colloquy 3 (2002): 2. ___. “Growing Pains: Constructions of the 'Girl Child/Woman Child' in Jamaica Kincaid's Annie John.” Mango Season: Caribbean Women's Writing 13 (2000): 54-63. ___. “Healing and Reconciliation in Paule Marshall’s The Fisher King.” Network 2000 11 (2003): 11-20. ___. “Kamau Brathwaite: Revisiting the Mother/Land.” ALA Bulletin: A Publication of the African Literature Association 28 (Winter 2001): 66-73. ___. “Kamau Brathwaite: A Selected Bibliographical Update, 1990-2002.” ALA Bulletin: A Publication of the African Literature Association 28 (Winter 2001): 55-65. ___. Mother Imagery in the Novels of Afro-Caribbean Women. Columbia, MO: U of Missouri P, 2000. ___. “The Mystic Return: Reconfiguring Home in Maryse Condé's Heremakhonon.” MAWA Review (June-Dec. 16 2001): 67-84. ___. “Racial and Cultural Categorizations of Language: The Evolution of Kamau Braithwaite's Nation Language in the Fiction of Paule Marshall.” Revista/Review Interamericana 31 (Jan-Dec 2001). ___. “Walking on Thin Ice: The Il/legitimacy of Race and Racial Issues in the Classroom.” The Teacher's Body: Embodiment, Authority, and Identity in the Academy. Ed. Diane P. Freedman and Martha Stoddard Holmes. Albany, NY: State U of New York P, 2003. 105-18.

Alsen, Eberhard. "The Catcher in the Rye." J. D. Salinger. Ed. Harold Bloom. New York, NY: Bloom's Literary Criticism, 2008. 145-173. ___, ed. The New Romanticism: A Collection of Critical Essays. New York, NY: Garland, 2000. ___. "Richard Wright (1908-1960)." African American Authors, 1745-1945: A BioBibliographical Critical Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2000. 488-507. Bailey, Lillie E. Smith. "Tell It Like It Is: African American Students' Written Narratives and Oral Stories in the Composition Classroom." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 67.10 (2007): 3804. Barnes, Paula. “Dorothy West: Harlem Renaissance Writer?” New Voices in the Harlem Renaissance: Essays on Race, Gender, and Literary Discourse. Ed. Australia Tarver and Paula C. Barnes. Madison, NJ: Farleigh Dickinson UP, 2006. ___ and Australia Tarver, eds. New Voices in the Harlem Renaissance: Essays on Race, Gender, and Literary Discourse. Madison, NJ: Farleigh Dickinson UP, 2006. Barnwell, Cherron A. “The Dialogics of Self in the Autobiographies of African-American Public Women: Ida B. Wells, Shirley Chisholm, Angela Davis and Anita Hill.” Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64.3 (2003): 900. ___. “A Prison Abolitionist and Her Literature: Angela Davis.” CLA Journal 48.3 (2005): 308335. ___. “Singin' de Blues: Writing Black Female Survival in I Know Why the Caged Bird Sings.” Langston Hughes Review 19 (2005): 48-60. Baron, Renee. "Caribbean Identity in the Plays of August Wilson and Lynn Nottage." Zora Neale Hurston Forum 20 (2006): 6-21.

Bartlett-Pack, Juluette. “The Plight of Poor Women in Modernity and Tradition in Tess Onwueme's Tell It to Women and Shakara: Dance-Hall Queen.” Urbanization and African Cultures. Ed. Toyin Falola and Steven J. Salm. Durham, NC: Carolina Academic, 2005. 63-79. ___. "Promoting Empowerment for Women: Women between Modernity and Tradition in the Works of Tess Onwueme." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 63.9 (2003): 3190. ___. "Recovering the Past: Transatlantic Migration, Hybrid Identities, and Healing in Tess Onwueme's The Missing Face." Middle Passages and the Healing Place of History: Migration and Identity in Black Women's Literature. Ed. Elizabeth Brown-Guillory. Columbus, OH: Ohio State UP, 2006. 171-182. ___. "Sweetness: A Trap or Freedom in Zulu Sofola's The Sweet Trap." Yoruba Creativity: Fiction, Language, Life and Songs. Ed. Toyin Falola and Ann Genova. Trenton, NJ: Africa World, 2005. 85-94. Baxter, Geneva Hampton. "Narrative of the Life of Frederick Douglass: Its Context, Rhetoric, and Reception." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 62.12 (2002): 4162-4163. Bell, Bernard W. The Contemporary African American Novel: Its Folk Roots and Modern Literary Branches. Amherst, MA: U of Massachusetts P, 2004. Bess, Reginald A. "The Afro-Hispanic 'Slave Narrative' Autobiografía: Literary Text or Historical Document?" Griot: Official Journal of the Southern Conference on AfroAmerican Studies, Inc 19.2 (2000): 34-41.

Bland, Sterling Lecater, Jr. African American Slave Narratives: An Anthology. 3 vols. Westport, CT: Greenwood, 2001. ___. "Fire and Romance: African American Literature since World War II." A Concise Companion to Postwar American Literature and Culture. Ed. Josephine G. Hendin. Malden, MA: Blackwell, 2004. 263-298. ___. Voices of the Fugitives: Runaway Slave Stories and Their Fictions of Self-Creation. Westport, CT: Greenwood, 2000. Blue, Bennis Marie. "Reclaiming a Multicultural Heritage: Race, Identity, and Culture in the Life and Literary Works of Olivia Ward Bush-Banks." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 61.2 (2000): 607. Bogle, Enid and Tony Bolden. Afro-Blue: Improvisations in African American Poetry and Culture. Champaign, IL: U of Illinois P, 2004. Boyd, Debra S. "Gaston Kaboré Interviewed." African Images: Recent Studies and Text in Cinema. Ed. Maureen N. Eke, Kenneth W. Harrow, and Emmanuel Yewah. Trenton, NJ: Africa World, 2000. 31-40. ___. "A Man from the River Niger: Kélétigui Abdourahmane Mariko." Tydskrif vir Letterkunde 42.2 (2005): 149-156. Brice-Finch, Jacqueline. “Edwidge Danticat: Memories of a Maäfa.” MaComère 4 (2001): 14654. ___. “Flat Out.” In Praise of Pedagogy: Poetry, Flash Fiction, and Essays on Composing. Ed. Wendy Bishop and David Starkey. Portland, ME: Calendar Islands, 2000. 122. ___. Rev. of Buxton Spice, by Oonya Kempadoo. WLT 74:1 (Winter 2000): 224.

___ and Akua Duku Anokye. Get it Together: Readings About African-American Life. Upper Saddle River, NJ: Longman, 2002. Brown-Guillory, Elizabeth. "'Feet, Don't Fail Me Now': Place and Displacement in Black Women's Plays from the United States, South Africa, and England.” College Language Association Journal 59.4 (June 2006): 383-405. ___ ed. Middle Passages and the Healing Place of History: Migration and Identity in Black Women's Literature. Columbus, OH: Ohio State UP, 2006. ___. "Place and Displacement in Djanet Sears's Harlem Duet and The Adventures of a Black Girl in Search of God." Middle Passages and the Healing Place of History: Migration and Identity in Black Women's Literature. Ed. Elizabeth Brown-Guillory. Columbus, OH: Ohio State UP, 2006. 155-170. Bryan, Violet Harrington. "Conflicting Identities in the Women of Ama Ata Aidoo's Drama and Fiction." Middle Passages and the Healing Place of History: Migration and Identity in Black Women's Literature. Ed. Elizabeth Brown-Guillory. Columbus, OH: Ohio State UP, 2006. 15-31. ___. “Marcus Christian’s Treatment of Les Gens de Couloir Libre.” Creole: The History and Legacy of Louisiana’s Free People of Color. Ed. Sybil Kein. Baton Rouge, LA: LSU Press, 2000. ___. Rev. of The Road from Pompey's Head: The Life and Work of Hamilton Basso, by Inez Hollander Lake. American Literature 73.1 (March 2001): 205-206. Bryant, Jacqueline, ed. Gwendolyn Brooks’ “Maud Martha”: A Critical Collection. Chicago: Third World Press, 2002.

___. "The Literary Foremother: An Embodiment of the Rhetoric of Freedom." African American Rhetoric(s): Interdisciplinary Perspectives. Ed. Elaine B. Richardson and Ronald L. Jackson II. Carbondale, IL: Southern Illinois UP, 2004. 73-85. Butler, Robert J. "Bibliography Essay: Probing the Lower Frequencies: Fifty Years of Ellison Criticism." A Historical Guide to Ralph Ellison. Ed. Steven C. Tracy. Oxford, England: Oxford UP, 2004. 233-260. ___, Toru Kiuchi, and Yoshinobu Hakutani, eds. The Critical Response in Japan to African American Writers. New York, NY: Peter Lang, 2003. Carr, Darryl B. Dickson. African American Satire: The Sacredly Profane Novel. Columbia, MO: U of Missouri P, 2001. ___. The Columbia Guide to Contemporary African American Fiction. New York, NY: Columbia UP, 2005. ___. "George S. Schuyler" and "Theophilus Lewis." The Encyclopedia of the Harlem Renaissance. Ed. Cary Wintz and Paul Finkelman. New York, NY: Routledge, 2004. ___. "Introduction." Ebony Rising: Short Fiction from the Greater Harlem Renaissance Era, 1912-1940. Ed. Craig Gable. Bloomington, IN: Indiana UP, 2004. xxi-xlii. ___. "'Now You Shall See How a Slave was Made a Man': Gendering Frederick Douglass's Struggles with Christianity." The Puritan Origins of American Sex: Religion, Sexuality and National Identity in American Culture. Ed. Tracy Fessenden, Nicholas F. Radel and Magdalena J. Zaborowska. New York, NY: Routledge, 2000. 127-44. ___. Rev. of The African American Male, Writing, and Difference: A Polycentric Approach to African American Literature, Criticism, and History, by W. Lawrence Hogue. CLA Journal 46:4 (June 2003).

___. Rev. of Down by the Riverside: Readings in African American Religion, ed. Larry G. Murphy. Journal of Southern Religion 4 (2002). ___. "'Why Am I Called Upon to Speak Here To-day?': The Role of the Jeremiad in African American Political Rhetoric from Frederick Douglass to Malcolm X." Nineteenth Century Prose 27.2 (Fall 2000): 100-17. Carson, Warren J. "Manhood, Musicality, and Male Bonding in Just Above My Head." ReViewing James Baldwin: Things Not Seen. Ed. D. Quentin Miller. Philadelphia, PA: Temple UP, 2000. 215-232. ___. “Plenty Ventured, Plenty Gained: African American Literary Scholarship and the New Century.” The Southern Literary Journal 36.1 (Fall 2003): 146-152. ___. Rev. of Ancestors and Others: New and Selected Stories. Appalachian Heritage 38.3 (Summer 2010): 98. ___. Rev. of The Logan Topographies. Appalachian Heritage 36.3 (Summer 2008): 104-105. ___. “Southern Obsession, Southern Delight: New Perspectives on Race and Place in Southern Literature.” The Southern Literary Journal 37.2 (Spring 2005): 152-155. Carter, June C. D. "A Degree Above: A Study of Translations of Qur'an 4:34; Exegesis on It, and Its Influence on the Gender Position of African-American Muslim Women." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 64.7 (2004): 2429-2430. Carter, Linda M. "Langston Hughes (1902-1967)." African American Autobiographers: A Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2002. 197-207.

___. "Wallace Thurman (1902-1934)." African American Authors, 1745-1945: A BioBibliographical Critical Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2000. 387-395. ___. "William Wells Brown (1814-1884)." African American Autobiographers: A Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2002. 56-60. Chander, Harish. "Briton Hammon (late 1720s)." African American Authors, 1745-1945: A BioBibliographical Critical Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2000. 205-208. ___. "Frederick Douglass (1818-1895)." African American Authors, 1745-1945: A BioBibliographical Critical Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2000. 108-120. ___. "Frederick Douglass (1818-1895)." African American Autobiographers: A Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2002. 95-109. ___. "Rudolph Fisher (1897-1934)." African American Authors, 1745-1945: A BioBibliographical Critical Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2000. 161-169. ___. "Sutton Elbert Griggs (1872-1933)." African American Autobiographers: A Sourcebook. Ed. Emmanuel S. Nelson. Westport, CT: Greenwood, 2002. 166-170. Chavis, Kim T. "The Foundation of an Apparel Factory: Culture's Place Becomes a Practiced Space." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 66.2 (2005): 582. Cheung, Floyd. “Early Chinese American Autobiography: Reconsidering the Works of Yan Phou Lee and Ying Wing.” Recovered Legacies: Authority and Identity in Early Asian

American Literature. Ed. Keith Lawrence and Floyd Cheung. Philadelphia, PA: Temple UP, 2005. 24-40. ___. "Negative Attraction: The Politics of Interracial Romance in The Replacement Killers." Americana: The Journal of American Popular Culture (1900-present) 1.2 (2002). ___. "Performing Exclusion and Resistance: Anti-Chinese League and Chee Kung Tong Parades in Territorial Arizona." TDR: The Drama Review: A Journal of Performance Studies 46.1 [T173] (2002): 39-59. ___. “Political Resistance, Cultural Appropriation, and the Performance of Manhood in Yung Wing’s My Life in China and America (1909).” Form and Transformation in Asian American Literature. Ed. Zhou Aiaojing and Samina Najimi. Seattle, WA: U of Washington P, 2005. 77-100. ___. "Reclaiming Mobility: Japanese American Travel Writing after the Internment." Studies in Travel Writing 12.2 (2008): 136-165. ___. "Tsiang's 'Chinaman, Laundryman.'" Explicator 61.4 (2003): 226-229. ___ and Keith Lawrence, eds. Recovered Legacies: Authority and Identity in Early Asian American Literature. Philadelphia, PA: Temple UP, 2005. ___ and Bill E. Peterson. "Psychology and Asian American Literature: Application of the LifeStory Model of Identity to No-No Boy." CR: The New Centennial Review 6.2 (2006): 191-214. Clark, Keith. Black Manhood in James Baldwin, Ernest J. Gaines and August Wilson. Urbana, IL: U of Illinois P, 2004. ___, ed. Contemporary Black Men’s Fiction and Drama. Champaign, IL: U of Illinois P, 2001.

Clowney, Earle D. ___, et al. "Fostering Graduate Diversity: A Roundtable." ADE Bulletin 128 (2001): 32-38. Coleman, James W. Black Male Fiction and the Legacy of Caliban. Lexington, KY: UP of Kentucky, 2001. ___. Faithful Vision: Treatments of the Sacred, Spiritual, and Supernatural in Twentieth-Century African American Fiction. Baton Rouge, LA: Louisiana State UP, 2009. ___. Writing Blackness: John Edgar Wideman’s Art and Experimentation. Baton Rouge, LA: Louisiana State UP, 2010. Coleman, Kendric. "Power, Money, and Sex(uality): The Black Masculine Paradigm." Dissertation Abstracts International, Section A: The Humanities and Social Sciences 66.2 (2005): 591. Cooper, Grace. "The Mythical Mermaid: A Part of Black Heritage." Sankofa: A Journal of African Children's and Young Adult Literature 1 (2002): 46-52. Cowherd, Carrie. "The Wings of Atalanta: Classical Influences in The Souls of Black Folk." The Souls of Black Folk One Hundred Years Later. Ed. Dolan Hubbard. Columbia, MO: U of Missouri P, 2003. 284-297. Dandridge, Rita B. Black Women’s Activism: Reading African American Women’s Historical Romances. New York, NY: Peter Lang, 2004. Davenport, Doris. "Katharine Newman in the After World(s) or MELUS Goes to Hell; Katharine Newman in dopo World(s) o MELUS va ad Inferno; Katharine Newman en después de World(s) o de MELUS va al infierno." MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 29.3-4 (2004): 548-553. ___. Madness Like Morning Glories: Poems. Baton Rouge, LA: Louisiana State UP, 2005.

___. Sometimes I Wonder: Poems. Frederick, MD: PublishAmerica, 2010. ___, et al. "2004 North Carolina Writers Conference Honors Sally Buckner." Pembroke Magazine 37 (2005): 264-273. Davis, Cynthia. "Jamette Carnival and Afro-Caribbean Influences on the Work of Jean Rhys." Anthurium: A Caribbean Studies Journal 3.2 (2005). ___. "The Landscape of the Text: Locating Zora Neale Hurston in the Ecocritical Canon." Florida Studies Proceedings of the 2005 Annual Meeting of the Florida College English Association. Newcastle upon Tyne, England: Cambridge Scholars, 2006. 149-156. ___ and Verner D. Mitchell, eds. Where the Wild Grape Grows: Selected Writings, 1930-1950. Amherst, MA: U of Massachusetts P, 2005. Davis, James J. “From Where I Sit: The Standards and University Instruction.” Forum on Standards for Foreign Language Learning, Part 2, ADFL Bulletin 31.2 (Winter 2000): 61-63. ___. “A Personal Perspective on the Humanism of Manuel Zapata Olivella.” Afro-Hispanic Review 21.1 (Spring 2002): 115-16. ___. “Reflections on the History and Future of Foreign Language Education at Historically Black Colleges and Universities.” Reflecting on the Past to Shape the Future (2000): 6798. ___. Rev. of Without Hatred or Fears: Jorge Artel and the Struggle for Black Literary Expression in Colombia, by Lawrence E. Prescott. Afro-Hispanic Review 20.2 (Fall 2001): 66-67.

___, and Dolan Hubbard. “The College Language Association.” Organizing Black America: An Encyclopedia of African-American Associations. Ed. Nina Mjagkij. New York, NY: Garland, 2000. 159-62. Davis, Thadious M. Games of Property: Law, Race, Sender and Faulkner’s Go Down, Moses. Durham, NC: Duke UP, 2003. ___. "History's Place Markers in Memory: 1954 and 1999." What Democracy Looks Like: A New Critical Realism for a Post-Seattle World. Ed. Amy Schrager Lang. New Brunswick, NJ: Rutgers UP, 2006. 193-204. ___. "Race Cards: Trumping and Troping in Constructing Whiteness." Faulkner at 100: Retrospect and Prospect. Ed. Ann J. Abadie. Jackson, MS: UP of Mississippi, 2000. 165179. ___. "Reclaiming the South." Bridging Southern Cultures: An Interdisciplinary Approach. Ed. John Lowe. Baton Rouge, LA: Louisiana State UP, 2005. 57-74. ___. "The Signifying Abstraction: Reading 'the Negro' in Absalom, Absalom!" William Faulkner's Absalom, Absalom! Ed. Fred Hobson. Oxford, England: Oxford UP, 2003. 69106. ___. Southscapes: Geographies of Race, Region, and Literature. Chapel Hill, NC: University of NC Press, 2011. ___ et al. "African American Review at 40: A Retrospective." African American Review 41.1 (2007): 5-15. DeCosta-Willis, Miriam, ed. Blacks in Hispanic Literature: Critical Essays. Baltimore, MD: Black Classic Press, 2011.

___. “Can(n)on Fodder: Afro-Hispanic Literature, Heretical Texts, and the Polemics of CanonFormation.” Afro-Hispanic Review 19.2 (Fall 2001): 30-39. ___, ed. Daughters of the Diaspora: Afra-Hispanic Writers. Kingston, Jamaica: Ian Randle, Publishers Ltd., 2003. ___. “Meditations on History: The Middle Passage in the Afro-Hispanic Literary Imagination.” Afro-Hispanic Review 22.1 (Spring 2003): 3-12. ___. Notable Black Memphians. Amherst, NY: Cambria, 2008. ___. “Sandra Maria Esteves’s Nuyorican Poetics: The Signifying Difference.” Afro-Hispanic Review 23.2 (Fall 2004): 3-12. Deena, Seodial Frank H. Canonization, Colonization, Decolonization: A Comparative Study of Political and Critical Works by Minority Writers. New York, NY: Peter Lang, 2001. ___. "Colonial and Canonical Control over Third World Writers." Postcolonial Discourse: A Study of Contemporary Literature. Ed. R.K. Dhawan. New Delhi, India: Prestige, 1999. 78-111. Rpt. in Commonwealth Novel in English 9-10 (2001): 68-109. ___. "Colonialism and Capitalism: 'The Love of Money is the Root of All Evil' in Jean Rhys' Wide Sargasso Sea." From Around the Globe: Secular Authors and Biblical Perspectives. Ed. Seodial Frank H. Deena and Karoline Szatek. Lanham, MD: UP of America, 2007. 279-286. ___. Situating Caribbean Literature and Criticism in Multicultural and Postcolonial Studies. New York, NY: Peter Lang, 2009. ___. "Synonymy of Multiculturalism and Postcolonialism through Globalization." Latitude 63° North: Proceedings of the 8th International Region and Nation Literature Conference,

Ostersund, Sweden 2-6 August 2000. Östersund, Sweden: Mid-Sweden University College, 2002. 89-112. ___. "Urban Racism Causes Bigger's Irrationality." Readings on Native Son. Ed. Hayley R. Mitchell. San Diego, CA: Greenhaven, 2000. 133-141. ___ and Karoline Szatek, eds. From Around the Globe: Secular Authors and Biblical Perspectives. Lanham, MD: UP of America, 2007. Demirtürk, Lâle. "Charting the Terrain of Black Urban Subjects: The African American Great Migration Novel." (City in (Culture) in City). Izmir, Turkey: Department of American Culture and Literature and Department of English Language and Literature, Ege University, 2005. 97-105. Diala-Ogamba, Blessing. "Music as Social Poetry: A Critical Evaluation of Fela Anikulapo Kuti's Afro-Beat Lyrics." Langston Hughes Review 21 (2007): 30-38. Dieke, Ikenna. "Wilson Harris and Derek Walcott: Transfiguring the Antillean (West Indian) Woman." Griot: Official Journal of the Southern Conference on Afro-American Studies, Inc 26.1 (2007): 13-19. Dorris, Ronald. “Dead Trees” and “Queen Etoufee.” Network 2000 13 (2005): 28-31. ___. “Dilla.” Network 2000 10 (2002): 7. ___. “The Empty Tomb.” Network 2000 8 (Winter/Spring 2001): 3. ___. “Guardians of Legacy: Bontemps and Hughes.” Langston Hughes Colloquy 3 (2002): 3. ___. “An Interview with Alvin Aubert.” Xavier Review 21.2 (2001): 9-21. ___. “Jean Toomer’s America: Commentary on Profiteering.” Langston Hughes Colloquy 6 (2005): 1.

___. “Jessie Fauset: Mentor and Patron of the Harlem Renaissance.” Langston Hughes Colloquy 4 (2003): 4. ___. “Sacred Relics in Cane and Home to Harlem.” Network 2000 13 (2005): 2-6. ___. “Voices in the New South Africa.” Network 2000 11 (2003): 4-6. Dorsey, David. J. Gaines. Paper edition. Baton Rouge, LA: Louisiana State UP, 2003. ___. Voices from the Quarters: The Fiction of Ernest J. Gaines. Baton Rouge, LA: Louisiana State UP, 2002. Duboin, Corinne. “A New Voice in African American Literature: An Interview with Dawn Turner Trice.” Sources 11 (Autumn 2002): 115-27. ___. “‘J’ecris la ville eclectique’: Regards antillais sur la cite multiculturelle.” La ville plurielle dans la fiction antillaise anglophone. Toulouse: Presses Universitaires du Mirail, 2000. 7-23. ___. “Le sens de l’espace, l’espace des sense dans Home to Harlem de Claude McKay.” La ville plurielle dan la fiction antillaise Anglophone. Toulouse: Presses Universitaires du Mirail, 2000. 69-93. ___, and Eeric Tabuteau, eds. La ville plulrielle dans la fiction antillaise anglophone: Images de l’interculturel. Toulouse: Presses Universitaires du Mirail, 2000. Eckard, Paula Gallant. "Ellen Foster: Survival in the New South." Five Owls 17.3 (2004): 61-63. ___. Maternal Body and Voice in Toni Morrison, Bobbi Ann Mason, and Lee Smith. Columbia, MO: U of Missouri P, 2001. ___. "What Lies Beneath: Myth, Memory, and Obsession." North Carolina Literary Review 12 (2003): 137-140.

Escoffery, Bertha T., et al. "Fostering Graduate Diversity: A Roundtable." ADE Bulletin 128 (2001): 32-38. Ferguson, SallyAnn H., ed. The Colonel’s Dream. New Milford, CT: Toby P, 2004. ___, ed. Nineteenth-Century Black Women's Literary Emergence: Evolutionary Spirituality, Sexuality, and Identity: An Anthology. New York, NY: Peter Lang, 2008. ___. "Remembering Katharine Newman." MELUS: The Journal of the Society for the Study of the Multi-Ethnic Literature of the United States 29.3-4 (2004): 542-545. ___, ed. Selected Writings: Complete Texts with Introduction, Historical Contexts, Critical Essays. Boston: Houghton Mifflin, 2001. Fetrow, Fred M. "The Comic Vision of Robert Hayden: A Brief Remembrance." The Heritage Series of Black Poetry, 1962-1975: A Research Compendium. Ed. Lauri Ramey. Burlington, VT: Ashgate, 2007. 185-190. ___. “Demonizing the Devil: the Postlapsarian World of Zora Neal Hurston's ‘Sweat.’” From Around the Globe: Secular Authors and Biblical Perspectives. Ed. Seodial Frank H. Deena and Karoline Szatek. Lanham, MD: UP of America, 2007. 273-278. Fontenot, Chester. “Du Bois's ‘Of the Coming of John,’ Toomer's ‘Kabnis,’ and the Dilemma of Self-Representation.” The Souls of Black Folk One Hundred Years Later. Ed. Dolan Hubbard. Columbia, MO: U of Missouri P, 2003. 130-160. ___ and Mary J. Keller, eds. Re-Cognizing W. E. B. Du Bois in the Twenty-First Century: Essays on W. E. B. Du Bois. Macon, GA: Mercer UP, 2007. ___, Mary Alice Morgan, and Sarah Gardner, eds. W. E. B. Du Bois and Race. Macon, GA: Mercer UP, 2001.

Foster, Frances Smith. “African American Literary Study, Now and Then and Again.” PMLA Special Millennium Issue 115:7 (Dec. 2000): 1965-67. ___. “After words; Or, Whistling ‘Dixie’ on the Front Porch of My Southern Home.” The Southern Quarterly 45.3 (Spring 2008): 177-184. ___, ed. Behind the Scenes: Thirty Years a Slave and Four Years in the White House, by Elizabeth Keckley. Champaign, IL: U of Illinois P, 2002. ___. "Continuities with the Past/Blueprints for the Future: Scholarly, Professional, and Activist Strategies for the New Century." Legacy: A Journal of American Women Writers 19.1 (2002): 10-13. ___. "Creative Collaboration: As African American as Sweet Potato Pie." Post-Bellum, PreHarlem: African American Literature and Culture. Ed. Barbara McCaskill and Caroline Gebhard. New York, NY: New York UP, 2006. 17-33. ___. “Frances Ellen Watkins Harper (1825-1911).” Kindred Hands: Letters on Writing by British and American Women Authors, 1865-1935. Ed. Jennifer Cognard-Black and Elizabeth MacLeod Walls. Iowa City: University of Iowa Press, 2006: 43-57. ___. “Genealogies of Our Concerns, Early [African] American Print Culture, and Transcending Tough Times.” American Literary History 22.2 (Summer 2010): 368-380. ___. "How Do You Solve a Problem Like Theresa?" African American Review 40.4 (2006): 631645. ___. "'Hurry Up, Please. It's Time,' Said the White Rabbit as S/he Followed Bre'r Rabbit into Briar Patch." Legacy: A Journal of American Women Writers 24.2 (2007): 322-330. ___. “An Interesting Narrative of the (Somewhat) Surprising Development of African American Print Culture.” American Literary History 17.4 (Winter 2005): 714-740.

___. “Looking Back is Tricky Business.” Narrative 18.1 (January 2010): 19-28. ___, ed. Love and Marriage in Early African America: An Anthology. Lebanon, NH: University Press of New England, 2007. ___. "A Narrative of the Interesting Origins and (Somewhat) Surprising Developments of African-American Print Culture." American Literary History 17.4 (2005): 714-740. ___. "Not So Final Reflections, But a Beginning." PMLA: Publications of the Modern Language Association of America 115.5 (2000): 1251-1253. ___. "The Personal Is Political, the Past Has Potential, and Other Thoughts on Studying Women's Literature-Then and Now." Tulsa Studies in Women's Literature 26.1 (2007): 29-38. ___. "Professing the McKay Way." African American Review 40.1 (2006): 6-9. ___. "Race, Region and the Politics of Slavery's Memory." Holding Their Own: Perspectives on the Multi-Ethnic Literatures of the United States. Tübingen, Germany: Stauffenburg, 2000. 261-273. ___. “Regenerating and Redeeming American Literary Studies.” English Language Notes 44.1 (Spring 2006): 271-274. ___. “‘Til Death or Distance Do Us Part: Marriage Ideals and Family in Antebellum African America.” The Journal of the Interdenominational Theological Center 32.1-2 (Fall 2004, Spring 2005): 133-150. ___. Til Death or Distance Do Us Part: Love and Marriage in African America. New York: Oxford University Press, 2010.

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