http://www.maggieflaniganstudio.com/acting-classes-nyc/
Get Educated About Your Education All I’m suggesting (as previously stated) is to become educated about your education. This is such a problem because acting is often talked about in mysterious terms. Sometimes it feels like it’s spoken of in almost religious terms. People ascribe to being “Meisner” actors, to being followers of this or that “guru.” They feel anointed in their presence. This teacher studied with Sandy, or that teacher taught blah blah blah.
Classes are small performances for these teachers, where their own psyches and that of our shared humanity is discussed in terms that would make a monk blush. People yell, they cry, and unfortunately it’s not always left on stage. It’s falsely taken for granted that this is acceptable and even expected for an acting class. It’s supposed to be intense, in your face, people are supposed to break and be born again. For some people, they can’t imagine an acting class in
http://www.maggieflaniganstudio.com/acting-classes-nyc/ any other way. For some, this is the way they recognize a class as a really good class. Stuff seems to be happening. The air is electric. A storm is brewing. Look out world, here we come! Of course stuff should be happening, but is stuff really happening if it always seems to happen? Also, it conveniently seems to happen when people are auditing, on the hour, every hour? Someone is hitting a wall, almost in tears, and the teacher seizes the opportunity to enlighten them. The teacher seems to have epiphanies by the minute. He’s just so inspired. My point is that although you may have attended a class where you genuinely witnessed a breakthrough, I find that hard to believe in every instance. Many classes seem to have a dynamic that makes these “breakthroughs” almost commonplace. I don’t think it’s a good barometer for selecting a class. More salient to me are the things that can be easily observed during a class. Notice if the class is really listening to their teacher. Notice if they’re really watching the other scene. Notice their feedback and whether it is clearly defined in a shared language. Notice if they’re working/booking! Notice if the teacher is really taking in the student. Notice if the teacher is sometimes unsure about what to say (that can be a good thing!) Notice if they seem thoughtful. In Conclusion I don’t recommend getting lost for hours on the internet looking for that class that will make your career. For a moment, I thought looking through previous “Backstage” acting class winners might be a great place to start. Of course, the three negative experiences I discussed were all Backstage winners. However, so is my current studio that I truly value. I simply haven’t found any pure resource for finding a class on the internet (though I challenge you to link me to one.) Being able to audit, as stated before, is a great safeguard, but come armed with questions and an ability to observe the qualities you deem important. If you commit to a class and find it is not doing you any good, don’t hesitate to leave. Something that is working great for others may not work great for you. Respect yourself and your point of view. Acting, after all, is not a pure science. Good luck! You’re going to need it, but I hope slightly less with these precautions.
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