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Roll No.________________________________ (In words) [Maximum Marks : 150 Number of Questions in this Booklet : 75
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COMPARATIVE LITERATURE Paper – III Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All questions are compulsory. 1.
In France, the term ‘Comparative Literature’ came into use in the early 19th century in emulation of _____. (A) Cuvier’s Anatamie Compārée (B) Friedrich Schlegel’s Sāmmttiche Werke (C) Dámaso Alonso’s Poesia – Espanola (D) Phillippe Van Tieghem’s Les Influences
2.
Utnapishtim is a character in (A) The Book of Dead (B) Gilgamesh (C) The Old Testament (D) The Aeneid
3.
The aesthetician who assigns to ‘dhvani’ a supreme position in poetry and at the same time emphasizes the significance of ‘Vakrokti’ is ________. (A) Bhavabhuti (B) Asvagho a (C) Bhoja (D) Kuntaka
4.
The idea that the unconscious is structured ‘like a language’, was introduced by _________. (A) Carl Jung (B) Sigmund Freud (C) Jaques Lacan (D) Ferdinand de Saussure
5.
Who, according to Weisstein, was a great influence on Pushkin ? (A) Keats (B) Byron (C) Shelley (D) Wordsworth Paper-III
2
6.
Who has attempted to show Saul Bellow’s awareness of Weltliteratur and to relate his work to European and American traditions ? (A) Peter Demetz (B) Tony Tanner (C) James Boyd (D) D.R. Haggis
7.
The book, Landmarks in French Literature written by Lytton Strachey, sets to compare _______. (A) Shakespeare and Rimbaud (B) Shakespeare and Mallarme (C) Shakespeare and Racine (D) Shakespeare and Beaudalaire
8.
The Colour Purple is a literary text by (A) Alice Walker (B) Toni Morrison (C) Maya Angelou (D) Jean Rhys
9.
Who among the following composed an exhaustive text on Indian dramaturgy ? (A) Patanjali (B) Bhasa (C) Kalidasa (D) Bharata
10.
The person who made a film version of Premchand’s ‘Shatranj Ke Khiladi’ is _______. (A) Sai Paranjpe (B) Satyajit Ray (C) Shyam Benegal (D) Girish Karnad J-72-12
ŸÖã»Ö®ÖÖŸ´ÖÛú ÃÖÖ×ÆüŸµÖ ®ÖÖê™ü :
¯ÖÏ¿®Ö¯Ö¡Ö – III ‡ÃÖ ¯ÖÏ¿®Ö¯Ö¡Ö ´Öë ¯Ö“ÖÆü¢Ö¸ü (75) ²ÖÆãü-×¾ÖÛú»¯ÖßµÖ ¯ÖÏ¿®Ö Æïü … ¯ÖÏŸµÖêÛú ¯ÖÏ¿®Ö Ûêú ¤üÖê (2) †ÓÛú Æïü … ÃÖ³Öß ¯ÖÏ¿®Ö †×®Ö¾ÖÖµÖÔ Æïü …
1.
±ÏúÖÓÃÖ ´Öë ‘ÛÓú¯Ö¸êü×™ü¾Ö ×»Ö™ü¸êü“Ö¸ü’ ¯Ö¤ü ÛúÖ ¯ÖϵÖÖêÝÖ ÛúÖ †Ö¸Óü³Ö 19¾Öà ¿ÖŸÖÖ²¤üß Ûêú †Ö¸Óü׳ÖÛú ÛúÖ»Ö ´Öë ________ Ûêú †®ÖãÛú¸üÞÖ ´Öë Æãü†Ö … (A) ŒµÖã×¾Ö¸ü ÛéúŸÖ ‹®ÖÖ™üÖ´Öß Ûú´¯ÖÖ¸êü (B) ×±Ïú›ü׸üÜÖ ¿»ÖêÝÖê»Ö ÛéúŸÖ ÃÖÖ´™üß¿Ö ¾ÖêÛìú (C) ¤ü´ÖÖÃÖÖê †»ÖÖëÃÖÖê ÛéúŸÖ ¯ÖÖê‹×•ÖµÖÖ ‡Ã¯Ö®ÖÖ»ÖÖê (D) ×±ú×»Ö¯Ö ±úÖ®Ö ™üß‘Öê´Ö ÛéúŸÖ »ÖêÃÖ‡Ó°»Öã‹ÓÃÖê•Ö
2.
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4.
5.
×ÛúÃÖ ÃÖÖï¤üµÖÔ¿ÖÖáÖß ®Öê ‘¬¾Ö×®Ö’ ÛúÖê ÛúÖ¾µÖ ´Öë ÃÖ¾ÖÖì““Ö Ã£ÖÖ®Ö ¯Ö¸ü ¸üÜÖÖ Æîü †Öî¸ü ÃÖÖ£Ö-ÃÖÖ£Ö ‘¾ÖÛÎúÖê׌ŸÖ’ Ûêú ´ÖÆü¢¾Ö ¯Ö¸ü ²Ö»Ö פüµÖÖ Æîü ? (A) ³Ö¾Ö³Öæ×ŸÖ (B) †¿¾Ö‘ÖÖêÂÖ (C) ³ÖÖê•Ö (D) ÛãÓúŸÖÛú µÖÆü ×¾Ö“ÖÖ¸ü, ×Ûú †“ÖêŸÖ®Ö ´Ö®Ö Ûúß ÃÖÓ¸ü“Ö®ÖÖ ‘³ÖÖÂÖÖ Ûêú ÃÖ´ÖÖ®Ö’ ÆüÖêŸÖß Æîü, ×ÛúÃÖÛêú «üÖ¸üÖ ¯ÖÆü»Öß ²ÖÖ¸ü ¾µÖŒŸÖ ×ÛúµÖÖ ÝÖµÖÖ ? (A) ÛúÖ»ÖÔ µÖãÓÝÖ (B) ×ÃÖÝ´ÖÞ›ü ±ÏúÖµÖ›ü (C) •ÖêÛú »ÖÖÛúÖÑ (D) ±ú¤üá®ÖÓ¤ü ¤ü ÃÖÖêõÖã¸ü ¾ÖÖ‡ÃÖÙüÖ‡®Ö Ûêú †®ÖãÃÖÖ¸ü ¯Öã׿Ûú®Ö ¯Ö¸ü ×ÛúÃÖÛúÖ †ŸµÖ׬ÖÛú ¯ÖϳÖÖ¾Ö £ÖÖ ? (A) Ûúß™ËüÃÖ (B) ²ÖÖµÖ¸ü®Ö (C) ¿Öê»Öß (D) ¾Ö›ËüÃÖÔ¾Ö£ÖÔ
J-72-12
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ®Öê µÖÆü ¯ÖϤüÙ¿ÖŸÖ Ûú¸ü®Öê ÛúÖ ¯ÖϵÖÖÃÖ ×ÛúµÖÖ ×Ûú ÃÖÖˆ»Ö ²Öê»ÖÖê ÛúÖê ¾Öê»™ü×»Ö™ü¸êü™æü¸ü Ûúß •ÖÖ®ÖÛúÖ¸üß Æîü †Öî¸ü ˆÃÖÛúß Ûéú×ŸÖ µÖæ¸üÖê¯ÖßµÖ †Öî¸ü †´Öê׸üÛúß ¯Ö¸ü´¯Ö¸üÖ†Öë ÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü ? (A) ¯Öß™ü¸ü ›êü´ÖêŸ•Ö (B) ™üÖê®Öß ™îü®Ö¸ü (C) •Öê´ÃÖ ²¾ÖÖµÖ›ü (D) ›üß. †Ö¸ü. Æîü×ÝÖ•Ö
7.
×»Ö™üÖê®Ö Ùîü“Öß ×»Ö×ÜÖŸÖ ‘»Öï›ü´ÖÖŒÃÖÔ ‡®Ö ±Ïëú“Ö ×»Ö™ü¸êü“Ö¸ü’ ´Öë ×Ûú®ÖÛêú ²Öß“Ö ŸÖã»Ö®ÖÖŸ´ÖÛú †¬µÖµÖ®Ö ¯ÖÏßÖãŸÖ ×ÛúµÖÖ ÝÖµÖÖ Æîü ? (A) ¿ÖêŒÃÖׯֵָü †Öî¸ü ظü²ÖÖê (B) ¿ÖêŒÃÖׯֵָü †Öî¸ü ´Ö»ÖÖ´Öì (C) ¿ÖêŒÃÖׯֵָü †Öî¸ü ¸êü×ÃÖ®Ö (D) ¿ÖêŒÃÖׯֵָü †Öî¸ü ²ÖÖê¤ü»ÖêµÖ¸ü
8.
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×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ®Öê ³ÖÖ¸üŸÖßµÖ ®ÖÖ™ËüµÖ¿ÖÖÃ¡Ö ¯Ö¸ü ‹Ûú ÃÖã×¾ÖßÖéŸÖ ÝÖÏÓ£Ö Ûúß ¸ü“Ö®ÖÖ Ûúß Æîü ? (A) ¯ÖŸÖÓ•Ö×»Ö (B) ³ÖÖÂÖ (C) ÛúÖ×»Ö¤üÖÃÖ (D) ³Ö¸üŸÖ
10.
¯ÖÏê´Ö“ÖÓ¤ü ÛéúŸÖ ‘¿ÖŸÖ¸Óü•Ö Ûêú ×ÜÖ»ÖÖ›Ìüß’ ÛúÖ ×±ú»´Öß ºþ¯ÖÖÓŸÖ¸üÞÖ ×ÛúÃÖ®Öê ×ÛúµÖÖ ? (A) ÃÖ‡Ô ¯Ö¸üÖÓ•Ö¯Öê (B) ÃÖŸµÖ×•ÖŸÖ ¸êü (C) ¿µÖÖ´Ö ²Öê®ÖêÝÖ»Ö (D) ×ÝÖ¸üß¿Ö Ûú®ÖÖÔ›ü
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÛúÖ ¯ÖÖ¡Ö
(Ûú¸êüŒ™ü¸ü) Æîü ? (A) פü ²ÖãÛú †Öò±ú ›êü›ü (B) ×ÝÖ»ÝÖÖ´Öê¿Ö (C) פü †Öê»›ü ™êüÙüÖ´Öë™ü (D) פü ‹®Öß›ü 3.
6.
3
Paper-III
11.
Chandrashekar Kambar who was honoured this year with the Jnanpeeth Award belongs to the State of ______. (A) Tamil Nadu (B) Kerala (C) Karnataka (D) Andhra Pradesh
12.
Jonathan Dallimore is associated with _______. (A) Cultural Materialism (B) Futurism (C) Reader-Response Theory (D) Structuralist Marxism
13.
In his highly influential essay, “The Work of Art in an Age of Mechanical Reproduction”, Walter Benjamin puts forward his theory of _______. (A) beauty (B) aura (C) truth (D) utility
14.
15.
Gilbert and Gubar’s The Madwoman in the Attic is a “rewrite” of ______. (A) Wuthering Heights (B) Pamela (C) Adam Bede (D) Jane Eyre “Great books, classics and the best that has been written in the world” constitute _______. (A) Comparative Literature (B) World Literature (C) Classical Literature (D) National Literature
16.
According to Ananda K. Coomarasamy the whole of Indian aesthetics hinges on ______. (A) Vakrokti (B) Riti (C) Dhvani (D) Rasa Paper-III
4
17.
The literary work, The Types Approach to Literature (1945) was written by _______. (A) Anna Balakian (B) Irwin Ehrenpreis (C) Irene Behrens (D) Von Wiese
18.
The term ‘mode’ was popularized by _______. (A) Northrop Frye (B) Austin Warren (C) Joel Spingarn (D) Alex Preminger
19.
The essay, “Parody, Travesty and Burlesque : Imitations with a Vengeance” is written by _______. (A) Germain Bree (B) Roy Pascal (C) Harry Weber (D) Ulrich Weisstein
20.
“In thematological studies, the poetic creation is no longer viewed as an independent, self-contained work of art but is seen only in terms of its component parts.” Who says this ? (A) Harry Levin (B) Wolfgang Kayser (C) Julius Wiegand (D) Paul Marker
21.
Who calls the Hundred Years War a ‘motif’ but the Joan of Arc, Stoff, a theme ? (A) Frenzel (B) Etiemble (C) Baldensperger (D) Trousson J-72-12
11.
“ÖÓ¦ü¿ÖêÜÖ¸ü Ûú´²Ö¸ü, ו֮Æëü ‡ÃÖ ¾ÖÂÖÔ Ûêú –ÖÖ®Ö¯Ößšü ¯Öã¸üÃÛúÖ¸ü ÃÖê ÃÖ´´ÖÖ×®ÖŸÖ ×ÛúµÖÖ ÝÖµÖÖ, ×ÛúÃÖ ¯ÖϤêü¿Ö Ûêú ×®Ö¾ÖÖÃÖß Æïü ? (A) ŸÖ×´Ö»Ö®ÖÖ›ãü (B) Ûêú¸ü»Ö (C) Ûú®ÖÖÔ™üÛú (D) †ÖÓ¬ÖÐ ¯ÖϤêü¿Ö
17.
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•ÖÖê®ÖÖ£Ö®Ö ¤üÖ×»Ö´ÖÖê¸ü ×ÛúÃÖÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü ? (A) ÃÖÖÓÃÛéúןÖÛú ³ÖÖîןÖÛúŸÖÖ¾ÖÖ¤ü (B) ³Ö×¾Öµ־ÖÖ¤ü (C) ¯ÖÖšüÛú-†®Öã×ÛÎúµÖÖ ×ÃÖ¨üÖÓŸÖ (D) ÃÖÓ¸ü“Ö®ÖÖ¾ÖÖ¤üß ´ÖÖŒÃÖÔ¾ÖÖ¤ü
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20.
†¬µÖµÖ®ÖÖë ´Öë ÛúÖ¾µÖÖŸ´ÖÛú ¸ü“Ö®ÖÖ†Öë ÛúÖê ÛúÖ¾µÖ Ûúß ‹Ûú þ֟ÖÓ¡Ö ‹¾ÖÓ Ã¾Ö¯ÖæÞÖÔ Ûéú×ŸÖ Ûêú ºþ¯Ö ´Öë ®ÖÆüà ²Ö×»Ûú ˆÃÖÛêú ÃÖÓ‘Ö™üÛú †ÓÝÖÖë Ûêú ºþ¯Ö ´Öë, ¤êüÜÖÖ •ÖÖŸÖÖ Æîü” – µÖÆü ×ÛúÃÖÛúÖ Ûú£Ö®Ö Æîü ? (A) Æîü¸üß »Öê×¾Ö®Ö (B) ¾Öã»±úÝÖïÝÖ Ûîú•Ö¸ü (C) •Öã×»ÖµÖÃÖ ×¾ÖÝÖë›ü (D) ¯ÖÖò»Ö ´ÖÖÛÔú¸ü
21.
ÃÖÖî ¾ÖÂÖÔ ¯ÖµÖÕŸÖ “Ö»Ö®Öê ¾ÖÖ»Öê µÖã¨ü ÛúÖê ‘´ÖÖê×™ü±ú’ †Öî¸ü •ÖÖê®Ö †Öò±ú †ÖÛÔú ÛúÖê ‘Ã™üÖî±ú’, ‹Ûú ‘£Öß´Ö’ ×ÛúÃÖ®Öê ÛúÆüÖ Æîü ? (A) ±Ïëú•Öê»Ö (B) ‡×™ü‹Ó²Ö»Öü (C) ²ÖÖ»›êü®ÖïÖÝÖÔ¸ü (D) ™çüÃÖÖë
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†Ö®Ö®¤ü Ûêú. Ûæú´ÖÖ¸üþÖÖ´Öß Ûêú †®ÖãÃÖÖ¸ü ÃÖ´ÖÝÖÏ ³ÖÖ¸üŸÖßµÖ ÃÖÖï¤üµÖÔ¿ÖÖÃ¡Ö ______ ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ Æîü … (A) ¾ÖÛÎúÖê׌ŸÖ (B) ¸üß×ŸÖ (C) ¬¾Ö×®Ö (D) ¸üÃÖ
ÛúÖê »ÖÖêÛúׯÖ쵅 ×ÛúÃÖ®Öê ²Ö®ÖÖµÖÖ ? ®ÖÖ£ÖÐÖì¯Ö ±ÏúÖ‡Ô †Ö×Ùü®Ö ¾ÖÖ¸êü®Ö •ÖÖê‹»Ö ØïÖÝÖ®ÖÔ ‹»ÖêŒÃÖ ¯ÖÏêØ´ÖÝÖ¸ü
‘¯Öî¸üÖê›üß, ™Òîü¾ÖêÙüß ‹êÞ›ü ²Ö»ÖìÃÛú : ‡×´Ö™êü¿Ö®ÃÖ ¾ÖëÝÖëÃÖ’ ×ÛúÃÖÛêú «üÖ¸üÖ ×»Ö×ÜÖŸÖ ×®Ö²ÖÓ¬Ö Æîü ? (A)
×ÝÖ»²Ö™Ôü ŸÖ£ÖÖ ÝÖã²Ö¸ü ÛéúŸÖ ‘פü ´Öî›ü¾Öã´Öê®Ö ‡®Ö פü ‹×™üÛú’ ×ÛúÃÖÛúÖ ¯Öã®Ö»ÖìÜÖ®Ö Æîü ? (A) ¾Öã¤üظüÝÖ ÆüÖ‡™ËüÃÖ (B) ¯ÖÖ´Öê»ÖÖ (C) †Ö¤ü´Ö ²Öß›ü (D) •Öê®Ö †ÖµÖ¸ü
J-72-12
‘פü
“×¾ÖÂÖµÖ¾ÖßÖã¯Ö¸üÛú
Paper-III
22.
Satyajit Ray’s “Sonar Kella” is a film based on a story by ______.
27.
The basic tenets of European Renaissance are found in ______. (A) Virgil’s The Aeneid (B) Dante’s The Divine Comedy (C) Machiavelli’s The Prince (D) Vittorio’s Saul
28.
‘Haiku’ is a traditional Japanese (A) fable (B) poem (C) one-act play (D) short story
29.
According to Rene Wellek, ‘Universal Literature’ are the terms that compete with the meaning of _______. (A) Comparative Literature (B) Classical Literature (C) General Literature (D) National Literature
30.
The tradition of the picaresque novel in Europe was born during the (A) Medieval period (B) Renaissance period (C) Romantic period (D) Neo-classical period
31.
Hermeneutics is the study of (A) spirituality (B) linguistics (C) theory (D) interpretation
32.
Phenomenology is a philosophy associated with (A) J.P. Sartre (B) I. Kant (C) M. Heidegger (D) P. Hazard
33.
Which of the following texts does not contain a flood episode ? (A) Gilgamesh (B) The Golden Ass (Apuleius) (C) The Old Testament (D) Metamorphoses (Ovid) J-72-12
(A) Rabindranath Tagore (B)
Premchand
(C)
Satyajit Ray
(D) Bankim Chandra Chattopadhyay 23.
Orlando Furioso was written by _______. (A) Miguel Cervantes (B)
Ludovico Ariosto
(C)
Giovanni Boccaccio
(D) Niccolo Machiavelli 24.
The basic discourse of orientalism was presented by _______. (A) Edward Said (B)
William Jones
(C)
A.W. Schlegel
(D) Hermann Hesse 25.
In ‘Free Translation’ or ‘paraphrasing’ (A) matter is more important than the language. (B)
language is more important than the matter.
(C)
rhythm is the most important factor.
(D) cultural specificity is not taken into account. 26.
The first Greek New Testament was published by (A) G. Chapman (B)
D. Erasmus
(C)
G. Steiner
(D) J. Denham Paper-III
6
22.
23.
ÃÖŸµÖ×•ÖŸÖ ¸üÖµÖ Ûúß ×±ú»´Ö ‘ÃÖÖê®ÖÖ¸ü Ûêú»»ÖÖ’ ×ÛúÃÖÛúß ÛúÆüÖ®Öß ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ Æîü ? (A) ¸ü¾Öß®¦ü®ÖÖ£Ö ™îüÝÖÖê¸ü (B) ¯ÖÏê´Ö“Ö®¤ü (C) ÃÖŸµÖ×•ÖŸÖ ¸êü (D) ²ÖÓ×Ûú´Ö “ÖÓ¦ü “Ö¼üÖê¯ÖÖ¬µÖÖµÖ
(B) (C) (D) 24.
25.
†Öê׸ü‹Þ™ü×»Ö•´Ö ÛúÖ ´Öæ»Ö³ÖæŸÖ ×¾Ö´Ö¿ÖÔ ×ÛúÃÖ®Öê ¯ÖÏßÖãŸÖ ×ÛúµÖÖ ? (A) ‹›ü¾Ö›Ôü ÃÖ‡Ô¤ü (B) ×¾Ö×»ÖµÖ´Ö •ÖÖëÃÖ (C) ‹. ›ü²Ö»µÖæ. ¿»ÖêÝÖê»Ö (D) Æü´ÖÔ®Ö ÆêüÃÖ ‘´ÖãŒŸÖ (A) (B) (C) (D)
26.
µÖæ¸üÖê¯ÖßµÖ ¯Öã®Ö•ÖÖÔÝÖ¸üÞÖ Ûêú †Ö¬ÖÖ¸ü³ÖæŸÖ ×ÃÖ¨üÖÓŸÖ ×ÛúÃÖ´Öë ×´Ö»ÖŸÖê Æïü ? (A) ¾ÖÙ•Ö»Ö ÛéúŸÖ ‘פü ‹®Öß›ü’ (B) ¤üÖÓŸÖê ÛéúŸÖ ‘פü ×›ü¾ÖÖ‡®Ö ÛúÖò´Öê›üß’ (C) ´Öî×ÛúµÖÖ¾Öê»Öß ÛéúŸÖ ‘פü دÖÏÃÖ’ (D) ×¾Ö™üÖê׸üµÖÖê ÛéúŸÖ ‘ÃÖÖî»Ö’
28.
‘ÆüÖ‡Ûæú’ •ÖÖ¯ÖÖ®Öß ¯ÖÖ¸ü´¯Ö׸üÛú ________ Æîü … (A) ®ÖßןÖÛú£ÖÖ (B) Ûú×¾ÖŸÖÖ (C) ‹ÛúÖÓÛúß (D) »Ö‘ÖãÛú£ÖÖ
29.
¸êü®Öê ¾Öê»ÖêÛú Ûêú †®ÖãÃÖÖ¸ü ‘µÖæ×®Ö¾ÖÃÖÔ»Ö ×»Ö™ü¸êü“Ö¸ü’ ‹êÃÖê ¯Ö¤ü Æïü ו֮ÖÛúÖ †£ÖÔ _______ Ûêú †£ÖÔ Ûêú ×®ÖÛú™ü Æîü … (A) ÛÓú¯Öê¸êü×™ü¾Ö ×»Ö™ü¸êü“Ö¸ü (ŸÖã»Ö®ÖÖŸ´ÖÛú ÃÖÖ×ÆüŸµÖ) (B) Œ»ÖÖ×ÃÖÛú»Ö ×»Ö™ü¸êü“Ö¸ü (¿ÖÖáÖßµÖ ÃÖÖ×ÆüŸµÖ) (C) •Ö®Ö¸ü»Ö ×»Ö™ü¸êü“Ö¸ü (ÃÖÖ´ÖÖ®µÖ ÃÖÖ×ÆüŸµÖ) (D) ®Öê¿Ö®Ö»Ö ×»Ö™ü¸êü“Ö¸ü (¸üÖ™ÒüßµÖ ÃÖÖ×ÆüŸµÖ)
30.
µÖæ¸üÖê¯Ö ´Öë µÖÖµÖÖ¾Ö¸ü ˆ¯Ö®µÖÖÃÖÖë Ûúß ¯Ö¸ü´¯Ö¸üÖ ×ÛúÃÖ ÛúÖ»Ö ´Öë ¯ÖÏ“Ö×»ÖŸÖ £Öß ? (A) ´Ö¬µÖÛúÖ»Ö (B) ¯Öã®Ö•ÖÖÔÝÖ¸üÞÖ ÛúÖ»Ö (C) ¸üÖê´ÖÖÓÃÖ ÛúÖ»Ö (D) ®Ö¾Ö-¿ÖÖáÖßµÖ ÛúÖ»Ö
31.
¿ÖÖáÖÖ£ÖÔ ´Öß´ÖÖÓÃÖÖ ×ÛúÃÖÛúÖ †¬µÖµÖ®Ö Æîü ? (A) †¬µÖÖŸ´Ö (B) ³ÖÖÂÖÖ×¾Ö–ÖÖ®Ö (C) ×ÃÖ¨üÖÓŸÖ (D) †£ÖÔ ×®ÖÞÖÔµÖ
32.
±êú®ÖÖê´Öê®ÖÖê»ÖÖò•Öß ÛúÖ ¤ü¿ÖÔ®Ö ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖÃÖê ÃÖÓ²ÖÓ×¬ÖŸÖ Æîü ? (A) •Öê.¯Öß. ÃÖÖ¡ÖÔ (B) †Ö‡Ô. ÛúÖÓ™ü (C) ‹´Ö. ÆüÖ‡›êüÝÖ¸ü (D) ¯Öß. Æü•ÖÖ›Ôü
33.
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ Ûéú×ŸÖ ´Öë ²ÖÖœÌü ÛúÖ ¾ÖÞÖÔ®Ö ®ÖÆüà Æîü ? (A) ×ÝÖ»ÝÖ´Öê¿Ö (B) פü ÝÖÖê»›êü®Ö ‹êÃÖ (†¯Öã×»ÖµÖÃÖ) (C) פü †Öê»›ü ™êüÙüÖ´Öë™ü (D) ´Öê™üÖ´ÖÖ±úÖì×ÃÖ•Ö (†Öê×´Ö›ü)
‘†Öê¸ü»ÖÖÓ›üÖê (A)
°µÖã׸üµÖÖê•ÖÖê’ ÛúÖ »ÖêÜÖÛú ÛúÖî®Ö £ÖÖ ? ×´ÖÝÖã‹»Ö ÃÖê¾ÖÖÕ™üß•Ö »Öã¤üÖê×¾ÖÛúÖê †×¸†ÖòßÖÖê וֆÖê¾ÖÖ®Öß ²ÖÖêÛúÖדֵÖÖê ×®ÖÛúÖê»ÖÖê ´Öî×ÛúµÖÖ¾Öê»Öß
27.
†®Öã¾ÖÖ¤ü’ µÖÖ ³ÖÖ¾ÖÖ®Öã¾ÖÖ¤ü ´Öë : ×¾ÖÂÖµÖ ¾ÖßÖã, ³ÖÖÂÖÖ ÃÖê †×¬ÖÛú ´ÖÆü¢¾Ö¯ÖæÞÖÔ ÆüÖêŸÖß Æîü … ³ÖÖÂÖÖ, ×¾ÖÂÖµÖ¾ÖßÖã ÃÖê †×¬ÖÛú ´ÖÆü¢¾Ö¯ÖæÞÖÔ ÆüÖêŸÖß Æîü … »ÖµÖ ÃÖ¾ÖÖÔ׬ÖÛú ´ÖÆü¢¾Ö¯ÖæÞÖÔ ŸÖ¢¾Ö ÆüÖêŸÖß Æîü … ÃÖÖÓÃÛéúןÖÛú ¾Öî׿Ö™ËüµÖ ¯Ö¸ü ×¾Ö“ÖÖ¸ü ®ÖÆüà ×ÛúµÖÖ •ÖÖŸÖÖ …
¯ÖÏ£Ö´Ö µÖæ®ÖÖ®Öß ®µÖæ ™êüÙüÖ´ÖêÞ™ü ÛúÖê ×ÛúÃÖ®Öê ¯ÖÏÛúÖ×¿ÖŸÖ ×ÛúµÖÖ ? (A) •Öß. “Öî¯Ö´Öî®Ö (B) ›üß. ‡¸üÖôÖÃÖ (C) •Öß. ÙüÖ‡®Ö¸ü (D) •Öê. ›ëüÆü´Ö
J-72-12
7
Paper-III
34.
What is an ‘epinicia’ ? (A) A song of lamentation
40.
Hardayalu Singh’s Dvaityavansha in Ravana Mahakavya was inspired by (A) Ramacaritamanas (B) Valmiki’s Ramayana (C) Meghnadvadh Kavya (D) Ram ki Shaktipuja
41.
Ratnavali is an example of (A) Bhana (B) Natika (C) Prahasana (D) Kavya
42.
The notion of ‘closet drama’ was initiated by (A) Seneca (B) Sophocles (C) Aristophanes (D) Molière
43.
The Varkari poets were so called because (A) they were Vaisnavas. (B) they undertook an annual pilgrimage. (C) they went to war. (D) they used to write protest poetry.
44.
Tulsidas wrote the Ramacaritamanas in (A) Awadhi (B) Brajbhasha (C) Hindawi (D) Maithili
45.
‘Bezbaroar Kal’ is considered a distinct literary period in the history of (A) Bangla literature (B) Ahomiya literature (C) Oriya literature (D) Gujarati literature
(B) A love song (C) A victory song (D) A song of longing 35.
“Toba Tek Singh” is written by _____. (A) Ismat Chughtai (B) Sadat Hasan Manto (C) Kishan Chander (D) Vaidehi
36.
Which work of Thomas Mann is based on an Indian source ? (A) The Magic Mountain (B) The Holy Sinner (C) The Transposed Heads (D) The Beloved Returns
37.
Which among the following epics contains the most number of lines ? (A) The Ramayana (B) The Mahabharata (C) The Iliad (D) The Odyssey
38.
Die leiden des jungen Werther is (A) an epistolary novel (B) a historical novel (C) a mystery novel (D) a heroic novel
39.
Who wrote Dhvanyaloka Locanam ? (A) Ānandavardhana (B) Bharata (C) Abhinavagupta (D) Bhāsa
Paper-III
8
J-72-12
34.
35.
‘‹×¯Ö×®Ö×ÃÖµÖÖ’ ŒµÖÖ Æîü ? (A) (B) (C) (D)
¿ÖÖêÛú ÝÖßŸÖ ¯ÖÏÞÖµÖ ÝÖßŸÖ ×¾Ö•ÖµÖ ÝÖÖ®Ö ˆŸÛÓúšüÖ ÝÖߟÖ
“ŸÖÖê²ÖÖ
™êüÛú ØÃÖÆü” ÛúÖ »ÖêÜÖÛú ÛúÖî®Ö Æîü ? ‡Ã´ÖŸÖ “ÖãÝÖŸÖ‡Ô ÃÖ¤üÖŸÖ ÆüÃÖ®Ö ´ÖÞ™üÖê ×Ûú¿Ö®Ö “Ö®¤ü¸ü ¾Öî¤êüÆüß
(A) (B) (C) (D) 36.
37.
38.
39.
40.
Æü¸ü¤üµÖÖ»Öã ØÃÖÆü Ûúß Ûéú×ŸÖ ‘«îüŸµÖ¾ÖÓ¿Ö ‡®Ö ¸üÖ¾ÖÞÖ ´ÖÆüÖÛúÖ¾µÖ’ ×ÛúÃÖÃÖê †®Öã¯ÖÏê׸üŸÖ Æîü ? (A) ¸üÖ´Ö“Ö׸üŸÖ´ÖÖ®ÖÃÖ (B) ¾ÖÖ»´Öß×Ûú ¸üÖ´ÖÖµÖÞÖ (C) ´Öê‘Ö®ÖÖ¤ü¾Ö¬Ö ÛúÖ¾µÖ (D) ¸üÖ´Ö Ûúß ¿Ö׌ŸÖ¯Öæ•ÖÖ
41.
¸üŸ®ÖÖ¾Ö»Öß ×ÛúÃÖÛúÖ ˆ¤üÖÆü¸üÞÖ Æîü ? (A) ³ÖÖÞÖ (B) ®ÖÖ×™üÛúÖ (C) ¯ÖÏÆüÃÖ®Ö (D) ÛúÖ¾µÖ
42.
‘Œ»ÖÖî•Öê™ü
×ÛúµÖÖ ?
™üÖê´ÖÃÖ ´ÖÖ®Ö Ûúß ×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖß Ûéú×ŸÖ ³ÖÖ¸üŸÖßµÖ ÄÖÖêŸÖ ¯Ö¸ü †Ö¬ÖÖ׸üŸÖ Æîü ? (A) פü ´ÖîוÖÛú ´ÖÖˆÞ™êü®Ö (B) פü ÆüÖê»Öß ×ÃÖ®Ö¸ü (C) פü ™ÒüÖÓïÖÖê•›ü Æêü›ËüÃÖ (D) פü ײֻ־›ü ׸ü™ü®ÖÔËÃÖ
(A) (B) (C) (D)
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ´ÖÆüÖÛúÖ¾µÖ ´Öë ÃÖ²ÖÃÖê †×¬ÖÛú ¯ÖÓ׌ŸÖµÖÖÑ Æïü ? (A) פü ¸üÖ´ÖÖµÖÞÖ (B) פü ´ÖÆüÖ³ÖÖ¸üŸÖ (C) פü ‡×»ÖµÖ›ü (D) פü †Öê×›üÃÖß
‘¬¾Ö®µÖÖ»ÖÖêÛú
J-72-12
»ÖÖê“Ö®Ö´ÖË’ ÛúÖ »ÖêÜÖÛú ÛúÖî®Ö Æîü ? †Ö®Ö®¤ü¾Ö¬ÖÔ®Ö ³Ö¸üŸÖ †×³Ö®Ö¾ÖÝÖã¯ŸÖ ³ÖÖÂÖ 9
ÃÖê®ÖêÛúÖ ÃÖÖê±úÖê׌»ÖÃÖ ‹×¸üÙüÖê±ëúÃÖ ´ÖÖê×»ÖµÖ¸ü
43.
¾ÖÖÛÔú¸üß Ûú×¾ÖµÖÖë ÛúÖê ¾ÖÖÛÔú¸üß ÛúÆüÖ ÝÖµÖÖ ŒµÖÖë×Ûú : (A) ¾Öê ¾ÖîÂÞÖ¾Ö £Öê … (B) ¾Öê ¾ÖÖÙÂÖÛú ŸÖߣÖÔµÖÖ¡ÖÖ Ûú¸üŸÖê £Öê … (C) ¾Öê µÖã¨ü-¸üŸÖ £Öê … (D) ¾Öê ×¾Ö¸üÖê¬Ö ¯ÖÏÛú™ü Ûú¸ü®Öê Ûêú ×»Ö‹ Ûú×¾ÖŸÖÖ‹Ñ ×»ÖÜÖŸÖê £Öê …
44.
ŸÖã»ÖÃÖߤüÖÃÖ ®Öê ¸üÖ´Ö“Ö׸üŸÖ´ÖÖ®ÖÃÖ _______ ´Öë ×»ÖÜÖÖ £ÖÖ … (A) †¾Ö¬Öß (B) ²Öé•Ö³ÖÖÂÖÖ (C) ØÆü¤ü¾Öß (D) ´Öî×£Ö»Öß
45.
Ûêú ‡×ŸÖÆüÖÃÖ ´Öë ‘²Öê•Ö²Ö¹ý†Ö¸ü ÛúÖ»Ö’ ÛúÖê ‹Ûú ¯Öé£ÖÛËú ÛúÖ»ÖÖ¾Ö×¬Ö ´ÖÖ®ÖÖ •ÖÖŸÖÖ Æîü … (A) ²ÖÓÝÖ»ÖÖ ÃÖÖ×ÆüŸµÖ (B) †ÆüÖê×´ÖµÖÖ ÃÖÖ×ÆüŸµÖ (C) ˆ×›ÌüµÖÖ ÃÖÖ×ÆüŸµÖ (D) ÝÖã•Ö¸üÖŸÖß ÃÖÖ×ÆüŸµÖ
›üß »ÖÖ‡›êü®Ö ›êüÃÖ µÖãÓÝÖê®Ö ¾Öê£ÖÔ¸ü ‹Ûú _______ Æîü … (A) ‹Ûú ¯Ö¡ÖÖŸ´ÖÛú ˆ¯Ö®µÖÖÃÖ (B) ‹Ûú ‹êןÖÆüÖ×ÃÖÛú ˆ¯Ö®µÖÖÃÖ (C) ‹Ûú ¸üÆüõָ֯üÛú ˆ¯Ö®µÖÖÃÖ (D) ¾Ö߸ü ¸üÃÖ ¯ÖϬÖÖ®Ö ˆ¯Ö®µÖÖÃÖ
(A) (B) (C) (D)
›ÒüÖ´ÖÖ’ Ûúß ¬ÖÖ¸üÞÖÖ ÛúÖ ¯ÖϾ֟ÖÔ®Ö ×ÛúÃÖ®Öê
______
Paper-III
46.
Indian literary history, according to which scholar, can be seen in terms of periodic and at the same time recurring cycles ? (A) Swapan Majumdar (B) Amiya Dev (C) Ganesh Devy (D) Sisir Kumar Das
47.
The idea of the Nirguna Brahma and the Saguna Brahma is asserted in (A) The Valmiki Ramayana (B) The Ramacaritamanas (C) The Krittibas Ramayana (D) The Old Javanese Ramayana
48.
49.
50.
The romantic renaissance in Kerala, said to be the result of Kerala’s contact with the West, also started with the translation of the Sanskrit text ______. (A) Jayadeva’s Gita Govinda (B) Bharavi’s Kiratarjuniya (C) Kalidasa’s Sakuntalam (D) Bhasa’s Sapnavasabdatta Hindi Sahitya ka Itihas, a crucial work in the making of the borders of Hindi, was written by _______. (A) Suryakant Tripathi ‘Nirala’ (B) Namvar Singh (C) Ramachandra Shukla (D) Mahavir Prasad Dwivedi Identify the set that has the correct chronological order : (A) Cervantes, Voltaire, Günter Grass, Mark Twain (B) Cervantes, Voltaire, Mark Twain, Günter Grass (C) Voltaire, Cervantes, Mark Twain, Günter Grass (D) Voltaire, Mark Twain, Cervantes, Günter Grass
Paper-III
10
51.
Match the terms in List – I with the one’s in List – II and choose the right code from the codes given below : List – I List – II (a) Racine (i) Romanticism (b) Lamartine (ii) Realism (c) Chekhov (iii) Expressionism (d) Kaiser (iv) Neo-classicism Codes : (a) (b) (c) (d) (A) (i) (ii) (iii) (iv) (B) (ii) (iii) (iv) (i) (C) (iv) (ii) (i) (iii) (D) (iv) (i) (ii) (iii)
52.
“Sanskrit has a wonderful structure more perfect than Greek, more copious than the Latin …” Identify the author of this statement. (A) T.B. Macaulay (B) Sir William Jones (C) J.J. Clarke (D) Lord Bentinck
53.
Name the comparatist who says that the two-way relationship of ‘emitter’ and ‘receiver’ is essential to any understanding of literary fortunes. (A) Harry Levin (B) S.S. Prawer (C) Graham Hough (D) C.L. Waterhouse
54.
Identify the true statement : (A) The first volume of Marcel Proust’s Remembrance of Things Past is entitled Swann’s Way. (B) Marcel Proust wrote a novel in many volumes entitled Swann’s Way. (C) Marcel Proust imitated James Joyce when he wrote in the stream of consciousness manner. (D) Dorothy Richardson inspired Marcel Proust to write Swann’s Way. J-72-12
46.
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ×ÛúÃÖ ×¾Ö«üÖ®Ö Ûêú †®ÖãÃÖÖ¸ü ³ÖÖ¸üŸÖßµÖ ÃÖÖ×ÆüןµÖÛú ‡×ŸÖÆüÖÃÖ ÛúÖê ÛúÖ»Ö¯Ö¸üÛú ÆüÖê®Öê Ûêú ÃÖÖ£Ö Æüß ¯Öã®Ö¸üÖ¾ÖŸÖá “ÖÛÎú Ûêú ºþ¯Ö ´Öë ¤êüÜÖÖ •ÖÖ ÃÖÛúŸÖÖ Æîü ? (A) Ã¾Ö¯Ö®Ö ´Ö•Öã´Ö¤üÖ¸ü (B) †×´ÖµÖ ¤êü¾Ö (C) ÝÖÞÖê¿Ö ¤êü¾Öß (D) ׿Ö׿ָü Ûãú´ÖÖ¸ü ¤üÖÃÖ
47.
×®ÖÝÖãÔÞÖ ŸÖ£ÖÖ ÃÖÝÖãÞÖ ²ÖÎÉ Ûêú ×¾Ö“ÖÖ¸ü ¯Ö¸ü _______ ´Öë ²Ö»Ö ×¤üµÖÖ ÝÖµÖÖ Æîü … (A) ¾ÖÖ»´Öß×Ûú ¸üÖ´ÖÖµÖÞÖ (B) ¸üÖ´Ö“Ö׸üŸÖ´ÖÖ®ÖÃÖ (C) ÛéúןֲÖÖÃÖ ¸üÖ´ÖÖµÖÞÖ (D) ¯ÖÏÖ“Öß®Ö •ÖÖ¾ÖÖ Ûúß ¸üÖ´ÖÖµÖÞÖ
48.
49.
50.
51.
(A) (B) (C) (D)
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Ûúß ÃÖÓ¸ü“Ö®ÖÖ †¤Ëü³ÖãŸÖ Æîü, ÝÖÏßÛú ÃÖê †×¬ÖÛú ¯Ö׸ü¯ÖæÞÖÔ Æîü, »Öî×™ü®Ö ÃÖê †×¬ÖÛú ÃÖ´¯Ö®®Ö Æîü....” – µÖÆü ×ÛúÃÖÛúÖ Ûú£Ö®Ö Æîü ? (A) ™üß.²Öß. ´ÖêÛúÖò»Öê (B) ÃÖ¸ü ×¾Ö×»ÖµÖ´Ö •ÖÖê®ÃÖ (C) •Öê.•Öê. Œ»ÖÖÛÔú (D) »ÖÖò›Ôü ²ÖëØ™üÛú
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µÖÆü Ûú£Ö®Ö ×ÛúÃÖ ŸÖã»Ö®ÖÖ¾ÖÖ¤üß ÛúÖ Æîü ×Ûú ÃÖÖ×ÆüןµÖÛú Ûéú×ŸÖ Ûúß ÜµÖÖ×ŸÖ ÛúÖê ÃÖ´Ö—Ö®Öê Ûêú ×»Ö‹ ‘ÃÖÓ¯ÖÏêÂÖÛú’ †Öî¸ü ‘¯ÖÏÖ¯ÖÛú’ Ûêú ²Öß“Ö ×«ü´ÖÖÝÖá ÃÖÓ²ÖÓ¬Ö †Ö¾Ö¿µÖÛú Æîü ? (A) Æîü¸üß »Öê×¾Ö®Ö (B) ‹ÃÖ. ‹ÃÖ. ¯ÖÏÖ¾Ö¸ü (C) ÝÖÏÖÆü´Ö ÆüÖò±ú (D) ÃÖß. ‹»Ö. ¾ÖÖ™ü¸üÆüÖˆÃÖ
54.
×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÃÖê ÛúÖî®Ö ÃÖÖ Ûú£Ö®Ö ÃÖÆüß Æîü ? (A) ´ÖÖÃÖÔ»Ö ¯ÖÏãÙü Ûúß ¯ÖãßÖÛú ׸ü´Öê´²ÖÎëÃÖ †Öò±ú Ø£ÖÝÃÖ ¯ÖÖÙü Ûêú ¯ÖÏ£Ö´Ö †¬µÖÖµÖ ÛúÖ ¿ÖßÂÖÔÛú þÖÖ®ÃÖ ¾Öê Æîü … (B) ´ÖÖÃÖÔ»Ö ¯ÖÏãÙü ®Öê þÖÖ®ÃÖ ¾Öê ¿ÖßÂÖÔÛú Ûêú †ÓŸÖÝÖÔŸÖ ‹Ûú ²ÖÆãüÜÖÞ›üßµÖ ˆ¯Ö®µÖÖÃÖ ×»ÖÜÖÖ Æî …ü (C) “ÖêŸÖ®ÖÖ ¯ÖϾÖÖÆü Ûúß ¿Öî»Öß ´Öë ×»ÖÜÖŸÖê ÃÖ´ÖµÖ ´ÖÖÃÖÔ»Ö ¯ÖÏãÙü ®Öê •Öê´ÃÖ •¾ÖÖµÖÃÖ ÛúÖ †®ÖãÛú¸üÞÖ ×ÛúµÖÖ … (D) ´ÖÖÃÖÔ»Ö ¯ÖÏãÙü ÛúÖê þÖÖ®ÃÖ ¾Öê ×»ÖÜÖ®Öê Ûêú ×»Ö‹ ›üÖê¸üÖê£Öß ×¸ü“Ö›ÔËüÃÖ®Ö ®Öê †®Öã¯ÖÏê׸üŸÖ ×ÛúµÖÖ … Paper-III
55.
56.
57.
58.
60.
Identify the true statement from the following : (A) Neo-classicism originated in Germany. (B) The Neo-classical “movement” in literature had its origins in France and from there it spread to countries like England and Germany. (C) Neo-classicism was confined to France. (D) Neo-classicism came to England via Germany.
61.
Erich Auerbach
(C)
Plato
The prominent scientific work of the 19th century that profoundly influenced contemporary literature was _______. (A) The Origin of Species
The Renaissance and particularly the baroque style, according to Wellek and Warren, flooded the whole of Eastern Europe, but hardly touched _______. (A) Rome (B) Poland (C) Russia (D) Greece
(B)
Principia Mathematica
(C)
Dialogue on the Two Greatest Systems
(D) Civilization and its Discontents 62.
Thomas Wolfe’s book Look Homeward, Angel celebrates ______ culture. (A) German (B) Russian (C) Greek (D) Roman
Which of the following is not a north American author ? (A) Hemingway (B)
Saul Bellow
(C)
Salinger
(D) Garcia Marquez
“The early practitioners of Comparative Literature were folklorists… who studied the origins of literature, its diversification in oral literary forms and its emergence into the early epic, drama and lyric.” Who says this ? (A) Wellek and Warren (B) Remak and Weisstein (C) Baldensperger and Balakian (D) Pollock and Leibnitz
63.
Which member of the Harlem Renaissance authored the book, Shakespeare in Harlem ? (A) Zora Neale Hurston (B)
Longston Hughes
(C)
Countee Cullen
(D) James Weldon Johnson
“The literary historian must be a critic even in order to be an historian.” Identify the author of the statement. (A) Benedetto Croce (B) Van Tieghem (C) Norman Foerster (D) Hans Naumann
Paper-III
(B)
(D) Longinus
64. 59.
Who is the author of Mimesis ? (A) Aristotle
Mäori writers have played an important role in the cultural renaissance in _______. (A) Australia (B)
South Africa
(C)
New Zealand
(D) Jamaica 12
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×®Ö´®Ö×»Ö×ÜÖŸÖ Ûú£Ö®ÖÖë ´Öë ÃÖê ÛúÖî®Ö ÃÖÖ Ûú£Ö®Ö ÃÖÆüß Æîü ? (A) ®Ö¾Ö¿ÖÖáÖßµÖ¾ÖÖ¤ü ÛúÖ †Ö¸Óü³Ö •Ö´ÖÔ®Öß ´Öë Æãü†Ö … (B) ÃÖÖ×ÆüŸµÖ ´Öë ®Ö¾Ö¿ÖÖáÖßµÖ¾ÖÖ¤ü †ÖÓ¤üÖê»Ö®Ö ±ÏúÖÓÃÖ ´Öë ¯ÖÏÖ¸ü´³Ö Æãü†Ö †Öî¸ü ¾ÖÆüÖÑ ÃÖê †®µÖ ¤êü¿ÖÖë, •ÖîÃÖê ‡ÓÝ»Öï›ü †Öî¸ü •Ö´ÖÔ®Öß ´Öë ±îú»ÖÖ … (C) ®Ö¾Ö¿ÖÖáÖßµÖ¾ÖÖ¤ü ±ÏúÖÓÃÖ ŸÖÛú ÃÖß×´ÖŸÖ ¸üÆüÖ … (D) ®Ö¾Ö¿ÖÖáÖßµÖ¾ÖÖ¤ü ‡ÓÝ»Öï›ü ´Öë •Ö´ÖÔ®Öß ÃÖê †ÖµÖÖ …
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™üÖê´ÖÃÖ ¾Öã»±ú Ûúß ¯ÖãßÖÛú »ÖãÛú ÆüÖê´Ö¾ÖÖ›Ôü, ‹ë•Öê»Ö ´Öë ______ ÃÖÓÃÛéú×ŸÖ Ûúß ¯ÖÏ¿ÖÓÃÖÖ Ûúß ÝÖ‡Ô Æîü … (A) •Ö´ÖÔ®Ö (B) ºþÃÖß (C) µÖæ®ÖÖ®Öß (D) ¸üÖê´Ö®Ö
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´Öë, ŸÖã»Ö®ÖÖŸ´ÖÛú ÃÖÖ×ÆüŸµÖ ´Öë »ÖÖêÛú¾ÖÖŸÖÖÔÛúÖ¸ü ÃÖÓ»ÖÝ®Ö £Öê … ו֮ÆüÖë®Öê ÃÖÖ×ÆüŸµÖ Ûêú ˆ¤ËüÝÖ´Ö, ´ÖÖî×ÜÖÛú ×¾Ö¬ÖÖ†Öë ´Öë ‡ÃÖÛúß ×¾Ö×¾Ö¬ÖŸÖÖ ŸÖ£ÖÖ †Ö¸Óü³Ö Ûêú ´ÖÆüÖÛúÖ¾µÖÖë, ®ÖÖ™üÛú †Öî¸ü ÝÖßŸÖ ´Öë ‡ÃÖÛêú †Ö×¾Ö³ÖÖÔ¾Ö ÛúÖ †¬µÖµÖ®Ö ×ÛúµÖÖ £ÖÖ” - µÖÆü ×ÛúÃÖÛúÖ Ûú£Ö®Ö Æîü ? (A) ¾Öê»ÖêÛú ŸÖ£ÖÖ ¾ÖÖ¸êü®Ö (B) ¸üß´ÖÖòÛú ŸÖ£ÖÖ ¾ÖÖ‡ÃÖÙüÖ‡®Ö (C) ²ÖÖ»›êü®ÖïÖÝÖÔ¸ü ŸÖ£ÖÖ ²ÖÖ»ÖÖ×ÛúµÖ®Ö (D) ¯ÖÖê»ÖÖòÛú ŸÖ£ÖÖ ×»Öײ®Ö•Ö “‡×ŸÖÆüÖÃÖÛúÖ¸ü
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×´Ö´Öê×ÃÖÃÖ ÛúÖ »ÖêÜÖÛú ÛúÖî®Ö Æîü ? (A) †¸üßÖæ (B) ‹×¸üÜÖ †Öò¸ü²ÖÖÜÖ (C) ¯»Öæ™üÖê (D) »ÖÖÓ•ÖÖ‡®ÖÃÖ
61.
ˆ®®ÖßÃÖ¾Öà ¿ÖŸÖÖ²¤üß Ûúß ‹Ûú ÃÖã×¾ÖܵÖÖŸÖ ¾Öî–ÖÖ×®ÖÛú Ûéú×ŸÖ ×•ÖÃÖ®Öê ÃÖ´ÖÃÖÖ´Ö×µÖÛú ÃÖÖ×ÆüŸµÖ ÛúÖê †ŸµÖ׬ÖÛú ¯ÖϳÖÖ×¾ÖŸÖ ×ÛúµÖÖ : (A) פü †Öê׸ü×•Ö®Ö †Öò±ú ïÖß×ÃÖ•Ö (B) دÖÏ×ÃÖׯֵÖÖ ´Öî£Öê´Öê×™üÛúÖ (C) ›üÖµÖ»ÖÖòÝÖ †Öò®Ö פü ™æü ÝÖÏê™êüÙü ×ÃÖÙü´ÃÖ (D) ×ÃÖ×¾Ö»ÖÖ‡•Öê¿Ö®Ö ‹Þ›ü ‡™ËüÃÖ ×›üÃÛúÖÓ™ëü™ËüÃÖ
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×®Ö´®Ö×»Ö×ÜÖŸÖ ´Öë ÛúÖî®Ö ‹Ûú ®ÖÖê£ÖÔ †´Öê׸üÛú®Ö »ÖêÜÖÛú ®ÖÆüà Æîü ? (A) ÆêüØ´ÖݾÖê (B) ÃÖÖò»Ö ²Öê»ÖÖê (C) ÃÖÖØ»ÖÝÖ¸ü (D) ÝÖÖÙ¿ÖµÖÖ ´ÖÖÛìú•Ö
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ÆüÖ»Öì´Ö ¯Öã®Ö•ÖÖÔÝÖ¸üÞÖ Ûêú ×ÛúÃÖ ÃÖ¤üÃµÖ ®Öê ¿ÖêŒÃÖׯֵָü ‡®Ö ÆüÖ»Öì´Ö ®ÖÖ´ÖÛú ¯ÖãßÖÛú ×»ÖÜÖß ? (A) •ÖÖê¸üÖ ®Öᯙ ÆüÃÖÔ™ü®Ö (B) »ÖÖÓÝÃÖ™ü®Ö Êæ•Ö (C) ÛÓúŸÖß Ûãú»Öê®Ö (D) •Öê´ÃÖ ¾Öê»›ü®Ö •ÖÖò®ÖÃÖ®Ö
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´ÖÖ¾ÖÖê¸üß »ÖêÜÖÛúÖë ®Öê _______ ´Öë ÃÖÖÓÃÛéúןÖÛú ¯Öã®Ö•ÖÖÔÝÖ¸üÞÖ ´Öë ´ÖÆü¢¾Ö¯ÖæÞÖÔ ³Öæ×´ÖÛúÖ ×®Ö³ÖÖ‡Ô … (A) †ÖòÙÒêü×»ÖµÖÖ (B) ¤ü×õÖÞÖ †±ÏúßÛúÖ (C) ®µÖæ•Öß»Öï›ü (D) •Ö´ÖÖ‡ÛúÖ Paper-III
65.
Identify the popular performing art form which is not from India. (A) Tamasha (B) Jatra (C) Kabuki (D) Nautanki
66.
August Strindberg’s play The Ghost Sonata is modelled on a piece by _____. (A) Beethoven (B) Bach (C) Mozart (D) Brahms
67.
Utilitarianism was castigated in the following novel : (A) Vanity Fair (B) Hard Times (C) Middlemarch (D) Far from the Madding Crowd
68.
69.
70.
Walter Veit’s essay, “Topics in Comparative Literature” has appeared in ______. (A) Literary History (B) Comparative Literary Studies (C) Jadavpur Journal of Comparative Literature (D) New Literary History With reference to his novel, A Wilderness of Mirrors, Max Frisch coined the term, ______. (A) exponential pattern (B) patternless pattern (C) experimental pattern (D) experiential pattern The study of thematology has been resurrected by _______. (A) Trousson, Goethe and Tieghem (B) Trousson, Frenzel and Levin (C) Levin, Wellek and Warren (D) Goethe, Etiemble and Weisstein
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71.
Identify the author of the statement : “Themes, like symbols… are polysemous : that is, they can be endowed with different meanings in the face of differing situations. This is what makes an enquiry into their permutations an adventure into the history of ideas.” (A) Ulrich Weisstein (B) Harry Levin (C) Benedetto Croce (D) David Mayer
72.
The only references in the Theory of Literature to thematology are found in the chapter entitled _______. (A) Literary Genres (B) Evaluation (C) Literary History (D) Literature and Ideas
73.
Identify the comedy following plays : (A) The Miser (B) Phaedra (C) Andromache (D) Le Cid
74.
Who wrote La Vita Nuova ? (A) Petrarch (B) Dante (C) Boccaccio (D) Chretien de Troyes
75.
The first printing press in Europe was set up by ______. (A) Gutenberg (B) Caxton (C) Sir Thomas More (D) Erasmus
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