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Acting​ ​Teachers​ ​and​ ​Acting​ ​Coaches Therein​ ​lies​ ​the​ ​difference​ ​between​ ​a​ ​teacher​ ​and​ ​a​ ​lecturer.​ ​A​ ​good​ ​lecturer​ ​is​ ​someone​ ​who can​ ​impart​ ​clear​ ​and​ ​useful​ ​knowledge.​ ​A​ ​teacher​ ​is​ ​someone​ ​who​ ​not​ ​only​ ​imparts​ ​clear​ ​and useful​ ​knowledge​ ​but​ ​also​ ​impacts​ ​change.​ ​A​ ​good​ ​teacher​ ​will​ ​not​ ​only​ ​make​ ​good​ ​sense​ ​with their​ ​notes​ ​but​ ​will​ ​also​ ​have​ ​the​ ​ability​ ​to​ ​connect​ ​with​ ​their​ ​students​ ​in​ ​a​ ​way​ ​that​ ​will​ ​facilitate positive​ ​change​ ​in​ ​their​ ​work.​ ​The​ ​best​ ​teachers​ ​are​ ​able​ ​to​ ​get​ ​immediate​ ​improvement​ ​from their​ ​actors.​ ​That’s​ ​what​ ​you’re​ ​looking​ ​for.​ ​Find​ ​one​ ​of​ ​them.

Rehearsing​ ​with​ ​Scene​ ​Partners​ ​Outside​ ​of​ ​Class I​ ​think​ ​rehearsing​ ​with​ ​your​ ​partner​ ​outside​ ​of​ ​class​ ​is​ ​a​ ​bad​ ​idea.​ ​I’m​ ​not​ ​talking​ ​about​ ​running lines​ ​with​ ​someone.​ ​I’m​ ​talking​ ​about​ ​full​ ​blown​ ​rehearsing,​ ​blocking,​ ​props,​ ​etc.​ ​I​ ​can​ ​give​ ​you plenty​ ​of​ ​reasons​ ​why​ ​I​ ​feel​ ​this​ ​way.​ ​Number​ ​one​ ​is​ ​that​ ​you​ ​are​ ​never​ ​given​ ​a​ ​similar

http://www.maggieflaniganstudio.com/acting-classes-nyc/ opportunity​ ​in​ ​a​ ​working​ ​environment.​ ​Professionals​ ​don’t​ ​get​ ​together​ ​to​ ​work​ ​on​ ​scenes​ ​on their​ ​own.​ ​It’s​ ​all​ ​done,​ ​on​ ​stage,​ ​on​ ​set,​ ​in​ ​front​ ​of​ ​the​ ​director​ ​and​ ​crew.

Okay,​ ​but​ ​what​ ​would​ ​it​ ​hurt​ ​if​ ​you​ ​did​ ​it​ ​anyway? The​ ​actors​ ​I’ve​ ​worked​ ​with​ ​who​ ​come​ ​from​ ​a​ ​background​ ​of​ ​rehearsing​ ​on​ ​their​ ​own​ ​with​ ​scene partners​ ​are​ ​frequently​ ​lost​ ​when​ ​they​ ​get​ ​up​ ​in​ ​front​ ​of​ ​people​ ​and​ ​try​ ​to​ ​rehearse​ ​a​ ​scene​ ​for the​ ​first​ ​time,​ ​which​ ​is​ ​exactly​ ​what​ ​you’ll​ ​be​ ​doing​ ​every​ ​time​ ​you​ ​book​ ​a​ ​job.​ ​You​ ​will​ ​have made​ ​the​ ​mistake​ ​of​ ​having​ ​gotten​ ​used​ ​to​ ​working​ ​your​ ​stuff​ ​out​ ​and​ ​getting​ ​comfortable​ ​with your​ ​scene​ ​partner​ ​before​ ​ever​ ​coming​ ​to​ ​the​ ​set.​ ​This​ ​is​ ​a​ ​false​ ​security​ ​you​ ​do​ ​not​ ​want​ ​to nurture. Sets​ ​aren’t​ ​always​ ​quiet​ ​focused​ ​laboratories,​ ​where​ ​concentration​ ​can​ ​be​ ​found​ ​in​ ​abundance. There​ ​are​ ​all​ ​sorts​ ​of​ ​distractions.​ ​You​ ​often​ ​meet​ ​the​ ​star​ ​of​ ​the​ ​show​ ​right​ ​before​ ​you​ ​run​ ​the scene.​ ​As​ ​you’re​ ​running​ ​the​ ​scene​ ​with​ ​the​ ​star​ ​you​ ​just​ ​met,​ ​there​ ​is​ ​generally​ ​a​ ​person​ ​down on​ ​the​ ​ground​ ​placing​ ​colored​ ​bits​ ​of​ ​tape​ ​corresponding​ ​to​ ​where​ ​you​ ​seem​ ​to​ ​stop​ ​in​ ​the scene.​ ​These​ ​bits​ ​of​ ​tape​ ​are​ ​used​ ​as​ ​focal​ ​length​ ​marks​ ​so​ ​they​ ​can​ ​keep​ ​you​ ​in​ ​focus​ ​when they​ ​shoot​ ​the​ ​scene.​ ​In​ ​your​ ​periphery​ ​you​ ​may​ ​notice​ ​a​ ​lot​ ​of​ ​crew​ ​silently​ ​milling​ ​about,​ ​not out​ ​of​ ​disrespect,​ ​they​ ​just​ ​have​ ​to​ ​get​ ​ready​ ​for​ ​this​ ​scene​ ​or​ ​the​ ​next. TV​ ​and​ ​movie​ ​sets​ ​are​ ​always​ ​in​ ​a​ ​battle​ ​with​ ​the​ ​clock.​ ​It​ ​can​ ​all​ ​be​ ​more​ ​than​ ​a​ ​little​ ​distracting and​ ​you​ ​really​ ​can’t​ ​afford​ ​to​ ​be​ ​distracted.​ ​You​ ​need​ ​to​ ​get​ ​used​ ​to​ ​the​ ​way​ ​it’s​ ​going​ ​to​ ​be. Daniel​ ​Day​ ​Lewis​ ​is​ ​not​ ​going​ ​to​ ​invite​ ​you​ ​to​ ​his​ ​house​ ​to​ ​run​ ​the​ ​scene​ ​a​ ​bunch​ ​of​ ​times​ ​and then​ ​drink​ ​wine​ ​with​ ​you​ ​while​ ​you​ ​the​ ​two​ ​of​ ​you​ ​cook​ ​pasta​ ​and​ ​laugh​ ​the​ ​night​ ​away.​ ​He’ll​ ​just show​ ​up​ ​on​ ​set​ ​looking​ ​like​ ​Lincoln,​ ​you’ll​ ​address​ ​him​ ​as​ ​Mr.​ ​President,​ ​and​ ​then​ ​get​ ​on​ ​with​ ​it. Rehearsing​ ​alone​ ​with​ ​your​ ​scene​ ​partner​ ​is​ ​a​ ​lousy​ ​habit.​ ​It​ ​won’t​ ​happen​ ​in​ ​a​ ​professional circumstance.​ ​Avoid​ ​it​ ​whenever​ ​possible.

Yeah,​ ​but​ ​still,​ ​what​ ​would​ ​it​ ​hurt​ ​if​ ​you​ ​did​ ​it​ ​anyway? The​ ​worst​ ​part​ ​of​ ​working​ ​without​ ​a​ ​director​ ​is​ ​the​ ​need​ ​for​ ​the​ ​actors​ ​to​ ​watch​ ​themselves.​ ​If there​ ​is​ ​no​ ​one​ ​to​ ​assess​ ​the​ ​situation​ ​for​ ​you,​ ​you​ ​will​ ​need​ ​to​ ​do​ ​it​ ​yourself.​ ​You’ll​ ​have​ ​to​ ​pay attention​ ​to​ ​your​ ​behavior​ ​in​ ​a​ ​way​ ​that​ ​you​ ​wouldn’t​ ​in​ ​life.​ ​You’ll​ ​end​ ​up​ ​subtly​ ​directing​ ​each

http://www.maggieflaniganstudio.com/acting-classes-nyc/ other​ ​and​ ​yourself.​ ​This​ ​is​ ​not​ ​genuine​ ​human​ ​behavior.​ ​We​ ​are​ ​certainly​ ​conscious​ ​of​ ​most​ ​of our​ ​behavior​ ​in​ ​life,​ ​but​ ​two​ ​actors​ ​in​ ​the​ ​scene​ ​by​ ​themselves​ ​will​ ​have​ ​to​ ​be​ ​extra​ ​vigilant.​ ​This will​ ​necessitate​ ​concerning​ ​yourself​ ​with​ ​details​ ​a​ ​real​ ​person​ ​would​ ​never​ ​concern​ ​himself​ ​with. This​ ​will​ ​become​ ​a​ ​bad​ ​habit​ ​and​ ​will​ ​lead​ ​to​ ​the​ ​actor​ ​always​ ​bringing​ ​a​ ​little​ ​bit​ ​of​ ​false behavior​ ​into​ ​his​ ​work.​ ​You​ ​want​ ​to​ ​be​ ​in​ ​an​ ​environment​ ​that’ll​ ​allow​ ​you​ ​to​ ​most​ ​honestly pursue​ ​the​ ​needs​ ​of​ ​your​ ​character.​ ​Always​ ​rehearsing​ ​in​ ​front​ ​of​ ​a​ ​teacher​ ​or​ ​director​ ​can​ ​solve this​ ​problem. CONTACT​ ​DETAILS:

Maggie​ ​Flanigan​ ​Studio

Website:​ ​http://www.maggieflaniganstudio.com Google​ ​Sites:​ ​http://www.maggieflaniganstudio.com/acting-classes-nyc/ Google​ ​Folder​ ​http://goo.gl/g98CCc Twitter:​ ​https://twitter.com/actingclasses1

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http://www.maggieflaniganstudio.com/acting-classes-nyc/ Acting​ ​Classes​ ​For​ ​Beginners​ ​NYC Acting​ ​Classes​ ​For​ ​Adults​ ​NYC NYC​ ​Acting​ ​Classes Acting​ ​Workshops​ ​NYC Drama​ ​Classes​ ​Near​ ​Me​ ​NYC Acting​ ​Lessons​ ​Near​ ​Me​ ​NYC Act​ ​For​ ​Kids​ ​NYC Acting​ ​School​ ​New​ ​York Acting​ ​Workshops​ ​NYC Voice​ ​Acting​ ​School​ ​NYC Act​ ​Training​ ​NYC Colleges​ ​For​ ​Acting​ ​NYC

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