ENTERPRISING IMAGES: THE GOODRIDGE BROTHERS, AFRICAN AMERICAN PHOTOGRAPHERS, 1847-1922 (GREAT LAKES BOOKS SERIES) BY JOHN VINCENT JEZIERS
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ENTERPRISING IMAGES: THE GOODRIDGE BROTHERS, AFRICAN AMERICAN PHOTOGRAPHERS, 1847-1922 (GREAT LAKES BOOKS SERIES) BY JOHN VINCENT JEZIERS PDF
Your impression of this publication Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers will lead you to obtain what you exactly need. As one of the impressive publications, this book will offer the presence of this leaded Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers to accumulate. Also it is juts soft file; it can be your collective file in gadget and also various other device. The essential is that usage this soft file publication Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers to check out and also take the perks. It is just what we suggest as publication Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers will certainly boost your ideas and also mind. After that, reviewing book will likewise improve your life quality much better by taking good activity in well balanced.
From Library Journal Hidden Witness consists of reproductions of 69 photographs--almost all from attorney Wilson's private collection as well as a few from the Getty Museum's holdings--that depict African Americans in the 1840s, 1850s, and early 1860s. Most of the photos are formal studio portraits, but others are outdoor scenes. The commentary by Wilson accompanying each photo is more personal reaction and interpretation than conventional scholarship. Something of the difficult lives and restrictive environment in which the pre-Emancipation slaves and freedmen existed are revealed through often subtle clues in posing, clothing, sitter's interactions, arrangement of nearby objects, etc. Considering the paucity of visual documentation from the era of American slavery, this collection of photos is an invaluable resource. In contrast, Jezierski (history, Saginaw Valley State Univ.) offers us a thorough, scholarly study of a heretofore little explored aspect of African American cultural history, detailing the lives and careers of a family of black professional photographers who operated studios in Pennsylvania and Michigan. The nearly eight decades in which Glenalvin, Wallace, and William Goodridge practiced literally spans the early history of photography in America. The Goodridge Brothers not only managed to establish themselves and then flourish as professional photographers, they also gained international renown for their expertise in large-format photography. Both books will engage two groups of readers, those interested in African American history and students of the development of photography in America. Recommended for all libraries serving either of those two constituencies. -Eugene C. Burt, Seattle Copyright 2000 Reed Business Information, Inc. From Booklist
The firm Jezierski recounts here intersects American history enough to exert interest beyond its locality of Saginaw, Michigan. Jezierski noted the ubiquity of the Goodridge brothers' studio while assembling photography exhibits about Michigan's logging frenzy in the 1870s. Tracing the firm's lineage, he found the founder was a William Goodridge, born a slave in 1806 in Baltimore, who was apprenticed out to a barber in York, Pennsylvania. William next appears in York's records around 1830, a free man who conducted several businesses, later among them a daguerrotype studio and a freight railroad. Goodridge experienced the sectional crisis as an abolitionist who possibly assisted the Underground Railroad, but it was a different crisis that exiled the Goodridges from York: the conviction of his eldest on a charge of raping a white woman. Paroled, that son and two brothers started over in Saginaw, achieving success and civic leadership (the Goodridges once hosted a Frederick Douglass speech). The author's academic manner may not mean excitement, but the profusely illustrated story he's researched holds intrinsic interest. Gilbert Taylor About the Author John Vincent Jezierski is a professor of history at Saginaw Valley State University.
ENTERPRISING IMAGES: THE GOODRIDGE BROTHERS, AFRICAN AMERICAN PHOTOGRAPHERS, 1847-1922 (GREAT LAKES BOOKS SERIES) BY JOHN VINCENT JEZIERS PDF
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ENTERPRISING IMAGES: THE GOODRIDGE BROTHERS, AFRICAN AMERICAN PHOTOGRAPHERS, 1847-1922 (GREAT LAKES BOOKS SERIES) BY JOHN VINCENT JEZIERS PDF
From its beginnings in York, Pennsylvania, in 1847, until the death of Wallace L. Goodridge in Saginaw, Michigan, in 1922, the Goodridge Brothers Studio was the most significant and enduring African American photographic establishment in North America. In Enterprising Images, John Vincent Jezierski tells the story of one of America's first families of photography, documenting the history of the Goodridge studio for three-quarters of a century. The existence of more than one thousand Goodridge photographs in all formats and the family's professional and personal activism enrich the portrait that emerges of this extraordinary family. Weaving photographic and regional history with the narrative of a family whose lives paralleled the social and political happenings of the country, Jezierski provides the reader with a complex family biography for those interested in regional and African American, as well as photographic, history. ● ● ● ● ● ● ● ● ● ●
Sales Rank: #2161918 in Books Color: Purple Brand: Brand: Wayne State University Press Published on: 2000-06-01 Released on: 2000-06-01 Original language: English Number of items: 1 Dimensions: 11.00" h x 1.00" w x 8.50" l, 2.83 pounds Binding: Hardcover 368 pages
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Used Book in Good Condition
From Library Journal Hidden Witness consists of reproductions of 69 photographs--almost all from attorney Wilson's private collection as well as a few from the Getty Museum's holdings--that depict African Americans in the 1840s, 1850s, and early 1860s. Most of the photos are formal studio portraits, but others are outdoor scenes. The commentary by Wilson accompanying each photo is more personal reaction and interpretation than conventional scholarship. Something of the difficult lives and restrictive environment in which the pre-Emancipation slaves and freedmen existed are revealed through often subtle clues in posing, clothing, sitter's interactions, arrangement of nearby objects, etc. Considering the paucity of visual documentation from the era of American slavery, this collection of photos is an invaluable resource. In contrast, Jezierski (history, Saginaw Valley State Univ.) offers us a thorough, scholarly study of a heretofore little explored aspect of African American cultural history, detailing the lives and careers of a family of black professional photographers who operated studios in Pennsylvania and Michigan. The nearly eight decades in
which Glenalvin, Wallace, and William Goodridge practiced literally spans the early history of photography in America. The Goodridge Brothers not only managed to establish themselves and then flourish as professional photographers, they also gained international renown for their expertise in large-format photography. Both books will engage two groups of readers, those interested in African American history and students of the development of photography in America. Recommended for all libraries serving either of those two constituencies. -Eugene C. Burt, Seattle Copyright 2000 Reed Business Information, Inc. From Booklist The firm Jezierski recounts here intersects American history enough to exert interest beyond its locality of Saginaw, Michigan. Jezierski noted the ubiquity of the Goodridge brothers' studio while assembling photography exhibits about Michigan's logging frenzy in the 1870s. Tracing the firm's lineage, he found the founder was a William Goodridge, born a slave in 1806 in Baltimore, who was apprenticed out to a barber in York, Pennsylvania. William next appears in York's records around 1830, a free man who conducted several businesses, later among them a daguerrotype studio and a freight railroad. Goodridge experienced the sectional crisis as an abolitionist who possibly assisted the Underground Railroad, but it was a different crisis that exiled the Goodridges from York: the conviction of his eldest on a charge of raping a white woman. Paroled, that son and two brothers started over in Saginaw, achieving success and civic leadership (the Goodridges once hosted a Frederick Douglass speech). The author's academic manner may not mean excitement, but the profusely illustrated story he's researched holds intrinsic interest. Gilbert Taylor About the Author John Vincent Jezierski is a professor of history at Saginaw Valley State University. Most helpful customer reviews 1 of 1 people found the following review helpful. Jonah Z By Jonah Z Jeszierski worked about ten years on this book. It is a fascinating volume richly illustrated about one of the leading abolitionists and workers on the Underground Railroad, plus his entire famiy which became pioneers in photography. The first chapter tells the story of William C. Goodridge and his wife, Evalina, and the next chapters tell of his sons who went to Saginaw, Michigan and made some of the first photographs.Georg R.Sheets talks a good deal about this family in his books about York County, Pennsylvania. See all 1 customer reviews...
ENTERPRISING IMAGES: THE GOODRIDGE BROTHERS, AFRICAN AMERICAN PHOTOGRAPHERS, 1847-1922 (GREAT LAKES BOOKS SERIES) BY JOHN VINCENT JEZIERS PDF
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studio and a freight railroad. Goodridge experienced the sectional crisis as an abolitionist who possibly assisted the Underground Railroad, but it was a different crisis that exiled the Goodridges from York: the conviction of his eldest on a charge of raping a white woman. Paroled, that son and two brothers started over in Saginaw, achieving success and civic leadership (the Goodridges once hosted a Frederick Douglass speech). The author's academic manner may not mean excitement, but the profusely illustrated story he's researched holds intrinsic interest. Gilbert Taylor About the Author John Vincent Jezierski is a professor of history at Saginaw Valley State University.
Your impression of this publication Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers will lead you to obtain what you exactly need. As one of the impressive publications, this book will offer the presence of this leaded Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers to accumulate. Also it is juts soft file; it can be your collective file in gadget and also various other device. The essential is that usage this soft file publication Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers to check out and also take the perks. It is just what we suggest as publication Enterprising Images: The Goodridge Brothers, African American Photographers, 1847-1922 (Great Lakes Books Series) By John Vincent Jeziers will certainly boost your ideas and also mind. After that, reviewing book will likewise improve your life quality much better by taking good activity in well balanced.
