HUMANS AND OTHER ANIMALS IN EIGHTEENTH-CENTURY BRITISH CULTURE: REPRESENTATION, HYBRIDITY, ETHICS FROM ROUTLEDGE
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Humans And Other Animals In Eighteenth-Century British Culture: Representation, Hybridity, Ethics From Routledge. Welcome to the very best internet site that offer hundreds sort of book collections. Here, we will offer all books Humans And Other Animals In Eighteenth-Century British Culture: Representation, Hybridity, Ethics From Routledge that you need. The books from famous authors and publishers are supplied. So, you can delight in now to get one by one kind of publication Humans And Other Animals In Eighteenth-Century British Culture: Representation, Hybridity, Ethics From Routledge that you will certainly look. Well, related to guide that you really want, is this Humans And Other Animals In Eighteenth-Century British Culture: Representation, Hybridity, Ethics From Routledge your choice?
Review 'This inspiring and critically sophisticated collection is an important addition to the growing literature on the representation of animals and animal-human relationships. This aspect of eighteenthcentury and Romantic-period culture is subjected to well-informed and highly intelligent speculation from many unusual points of view, and readings of works such as Gulliver's Travels and Frankenstein will be permanently changed by these analyses.' Christine Kenyon-Jones, King's College London, UK '... a rewarding clutch of studies...' Times Literary Supplement '... fascinating collection of essays... a valuable resource for scholars and students interested in the broad sweep of topics here, and for those more specifically focussed on particular seventeenth- and eighteenthcentury authors.' Review of English Studies '... Frank Pameri situates the volume within the interdisciplinary field of animal studies. It would, however, be a shame for those outside this subfield to miss these engaging and provocative essays... These eleven essays detail the intricate tensions between the collective and the specific and between the human and the nonhuman, but they do not stop there. They offer up the boundary that marks human apart from other animals as part of the Enlightnment's classificatory impulse, and in doinfg so, they suggestively place the study of animals in history at the epicenter of a rich body of scholarship. As Palmeri notes, the study of animals has emerged as a subfield of its own, but this is a volume that deserves the attention of a much wider audience.' Journal of British Studies About the Author Professor Frank Palmeri is Professor of English at the University of Miami, and author of Satire in Narrative (1990) and Satire, History, Novel: Narrative Forms, 1665-1815 (2003).
HUMANS AND OTHER ANIMALS IN EIGHTEENTH-CENTURY BRITISH CULTURE: REPRESENTATION, HYBRIDITY, ETHICS FROM ROUTLEDGE PDF
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HUMANS AND OTHER ANIMALS IN EIGHTEENTH-CENTURY BRITISH CULTURE: REPRESENTATION, HYBRIDITY, ETHICS FROM ROUTLEDGE PDF
Combining historical and interpretive work, this collection examines changing perceptions of and relations between human and nonhuman animals in Britain over the long eighteenth century. Persistent questions concern modes of representing animals and animal-human hybrids, as well as the ethical issues raised by the human uses of other animals. From the animal men of Thomas Rowlandson to the part animal-part human creature of Victor Frankenstein, hybridity serves less as a metaphor than as a metonym for the intersections of humans and other animals. The contributors address such recurring questions as the implications of the Enlightenment project of naming and classifying animals, the equating of non-European races and nonhuman animals in early ethnographic texts, and the desire to distinguish the purely human from the entirely nonhuman animal. Gulliver's Travels and works by Mary and Percy Shelley emerge as key texts for this study. The volume will be of interest to scholars and students who work in animal, colonial, gender, and cultural studies; and will appeal to general readers concerned with the representation of animals and their treatment by humans. ● ● ● ● ● ●
Sales Rank: #6008570 in Books Published on: 2006-11-28 Original language: English Dimensions: 9.21" h x .56" w x 6.14" l, 1.15 pounds Binding: Hardcover 244 pages
Review 'This inspiring and critically sophisticated collection is an important addition to the growing literature on the representation of animals and animal-human relationships. This aspect of eighteenthcentury and Romantic-period culture is subjected to well-informed and highly intelligent speculation from many unusual points of view, and readings of works such as Gulliver's Travels and Frankenstein will be permanently changed by these analyses.' Christine Kenyon-Jones, King's College London, UK '... a rewarding clutch of studies...' Times Literary Supplement '... fascinating collection of essays... a valuable resource for scholars and students interested in the broad sweep of topics here, and for those more specifically focussed on particular seventeenth- and eighteenthcentury authors.' Review of English Studies '... Frank Pameri situates the volume within the interdisciplinary field of animal studies. It would, however, be a shame for those outside this subfield to miss these engaging and provocative essays... These eleven essays detail the intricate tensions between the collective and the specific and between the human and the nonhuman, but they do not stop there. They offer up the boundary that marks human apart from other animals as part of the Enlightnment's classificatory impulse, and in doinfg so, they suggestively place the study of animals in history at the epicenter of a rich body of scholarship. As Palmeri notes, the study of animals has emerged as a subfield of its own, but this is a volume that deserves the attention of a much wider audience.' Journal of British Studies
About the Author Professor Frank Palmeri is Professor of English at the University of Miami, and author of Satire in Narrative (1990) and Satire, History, Novel: Narrative Forms, 1665-1815 (2003). Most helpful customer reviews 1 of 1 people found the following review helpful. Great Addition to Animal Studies By C. Tarbell Animal studies is a relatively recent field in which the relationship between humans and animals is explored across multiple disciplines. Reasons for this seemingly sudden interest in animal studies are perhaps, according to the essays compiled by Frank Palmeri in Humans and Other Animals: Eighteenth Century British Culture, not so sudden and recent. It would appear, from at least half of these essays if not more, that humans have been reflecting upon their complicated relationship with animals for quite some time. One cannot help but think that the field of animal studies is of particular importance in today's world. With the current relationship between human and animal being potentially more harmful than ever--factory farming, animal extinction, human sovereignty over animals etc.-- humans need to reevaluate their position in relation to the animal. And while the historical aspect of Palmeri's book is of tremendous interest, the real benefit of reading a book like Palmeri's, and studying a period like the 18th century is looking for connections and possible solutions for today's problems. The book is separated into an introduction and eleven chapters by different authors. Palmeri pens the introduction, and as is typical with a collection of theoretical texts like this, he gives a brief summary of the argument of the author and a bit of context surrounding the text(s) the author is examining. All of this is preceded by a Palmeri's discussion on the importance of animal studies and the typical representation of animals in literature, with an emphasis on the 18th century. This historical contextualization is brief, but works well enough when reading the essays later on. For instance, Palmeri makes sure to point out that animals were (are) often represented in fables or satire; highly anthropomorphized, their job is to teach a human lesson or mock some trait of the human. This, even when the intentions are noble (a lady's domestication of her lap dog for instance), is potentially harmful, as it puts animal in the position of Other--which, for many reasons could be problematic. As mentioned, the essays vary in their approach to the human-animal relationship. Some, like Ming's essay discuss it through a theological lens, while other theorists like Michie, Malcolmson, and Hinds look at 18th century culture and work (specifically Gulliver's Travels) as a way of implicitly drawing comparisons to a modern world. Others, like Palmeri and Chapin critique the actual form and the way in which animals are depicted in literature. Palmeri explores what he calls the "fable" and the issues anthropomorphization of the animal creates. Yet, this is contrasted, when Meyer looks at 18th Century artist Thomas Rowaldson, and how anthropomorphism can perhaps strengthen the reflexivity of the human by focusing on physical similarities. Although all of the essays presented here are worth reading (except maybe Hinds essay which attempts to make a connection between Pynchon's Mason & Dixon and 18th Century British social classes), there are some standout essays that I feel deserve more than passing praise. Stephanie Rowe's essay on Frankenstein looks first at the lives of the Shelleys and their advocacy of a vegetarian diet. Rowe explores how the Shelley way of life contributed to the development of Frankenstein. According to Rowe, Frankenstein's monster is a mash up of multiple, discarded animal parts brought to life. Many (including myself) have probably assumed the parts that make
up Frankenstein's monster are discarded human remains, yet Rowe's disputes this. Her evidence here seems to be based on a lack of any specification on Shelley's part, rather than any concrete evidence. Donna Haraway's cyborg theory and the discussion of hybridity are looked at alongside Frankenstein. Rowe argues Shelley's deliberate choice to hybridize Frankenstein's monster-putting animal parts together to create something that resembles a human--creates emotions of guilt, sympathy, and pity in the reader. Because Frankenstein's monster looks human, the monster acts as a mirror to the human; the human sees himself in the face of the monster. Something happens where they realize that they suddenly feel a deep empathy for something not human. This idea (from feminism) that the best evidence comes from experience (standpoint theory), has carried over into animal studies; and while, this doesn't work in the same way (animals cannot relate to humans their experience without human interpretation), standpoint theorists believe a reflexivity created via anthropomorphizing an animal is perhaps an alternative. Another highlight of Palmeri's collection is an essay by Richard Nash, which discusses at length the naming and domestication of animals by humans. He, like Rowe, discusses Haraway and looks at how naming may be another way of hybridizing or at least an anthropomorphizing of the animal. Nash looks at Robinson Crusoe, and Crusoe's decision to name only some of his animals. Crusoe names his parrot and his slave Friday (who, let's face it, Crusoe views as little more than an animal), but he does not bother to name his dog or his goats. Nash argues that the naming is a way of letting certain animals pass into Crusoe's domain and as a way of giving them some limited agency. Nash argues that domestication and naming are ways to perhaps strengthen our consideration for the animal's position; after all, it is more difficult to slaughter a pig after you have named it after your great uncle, Malachi. Palmeri's book is specific and will appeal to those looking to further their studies of either 18th century England, animal studies, or both. Be warned that context is rarely given for the pieces being discussed. When someone like Levinas or Haraway are brought into an argument, it is expected that the reader will be familiar. I don't see this as being an issue, as I imagine this book will probably not appeal much to the general public or the person with a casual interest in the topic. ? See all 1 customer reviews...
HUMANS AND OTHER ANIMALS IN EIGHTEENTH-CENTURY BRITISH CULTURE: REPRESENTATION, HYBRIDITY, ETHICS FROM ROUTLEDGE PDF
Again, reviewing routine will constantly offer useful perks for you. You could not should spend numerous times to read guide Humans And Other Animals In Eighteenth-Century British Culture: Representation, Hybridity, Ethics From Routledge Merely alloted several times in our extra or costfree times while having dish or in your workplace to review. This Humans And Other Animals In Eighteenth-Century British Culture: Representation, Hybridity, Ethics From Routledge will show you brand-new thing that you could do now. It will help you to boost the top quality of your life. Occasion it is simply a fun book Humans And Other Animals In Eighteenth-Century British Culture: Representation, Hybridity, Ethics From Routledge, you can be healthier as well as much more enjoyable to delight in reading. Review 'This inspiring and critically sophisticated collection is an important addition to the growing literature on the representation of animals and animal-human relationships. This aspect of eighteenthcentury and Romantic-period culture is subjected to well-informed and highly intelligent speculation from many unusual points of view, and readings of works such as Gulliver's Travels and Frankenstein will be permanently changed by these analyses.' Christine Kenyon-Jones, King's College London, UK '... a rewarding clutch of studies...' Times Literary Supplement '... fascinating collection of essays... a valuable resource for scholars and students interested in the broad sweep of topics here, and for those more specifically focussed on particular seventeenth- and eighteenthcentury authors.' Review of English Studies '... Frank Pameri situates the volume within the interdisciplinary field of animal studies. It would, however, be a shame for those outside this subfield to miss these engaging and provocative essays... These eleven essays detail the intricate tensions between the collective and the specific and between the human and the nonhuman, but they do not stop there. They offer up the boundary that marks human apart from other animals as part of the Enlightnment's classificatory impulse, and in doinfg so, they suggestively place the study of animals in history at the epicenter of a rich body of scholarship. As Palmeri notes, the study of animals has emerged as a subfield of its own, but this is a volume that deserves the attention of a much wider audience.' Journal of British Studies About the Author Professor Frank Palmeri is Professor of English at the University of Miami, and author of Satire in Narrative (1990) and Satire, History, Novel: Narrative Forms, 1665-1815 (2003).
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