IMAGES: ICONOGRAPHY OF MUSIC IN AFRICAN-AMERICAN CULTURE (1770S1920S) (GARLAND REFERENCE LIBRARY OF THE HUMANITIES) BY EILEEN J. SOUTHER

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IMAGES: ICONOGRAPHY OF MUSIC IN AFRICAN-AMERICAN CULTURE (1770S-1920S) (GARLAND REFERENCE LIBRARY OF THE HUMANITIES) BY EILEEN J. SOUTHER PDF

The existence of the online publication or soft file of the Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther will certainly ease people to obtain the book. It will certainly also save even more time to just search the title or author or publisher to obtain up until your publication Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther is disclosed. After that, you could visit the web link download to check out that is supplied by this site. So, this will certainly be a very good time to begin enjoying this publication Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther to read. Consistently great time with book Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther, consistently good time with cash to invest!

From Booklist Music and African American studies professors Southern and Wright previously collaborated on an annotated bibliography of African-American Traditions in Song, Sermon, Tale, and Dance, 1660s1920 (1990). Here, they reproduce 260 genre pictures of black Americans "in their own private social world," with an emphasis on expressive culture. Their analysis blends musicology, ethnomusicology, musical iconography, and art history. Works are grouped chronologically (colonial and Federalist, antebellum, and postbellum eras) and by themes (e.g., "The African Legacy" or "The Black Preacher as an Institution"). Artists represented include familiar names like Thomas Eakins and Winslow Homer as well as now forgotten figures; all but one were white Americans or Europeans. A valuable visual supplement to more traditional histories of the period. Mary Carroll Copyright © American Library Association. All rights reserved Review "The importance of this work thus extends beyond musicians to sociologists and Americanists...The work of two major figures in music history, this volume is recommended for upper-division undergraduates and above." -Choice "Must Read." -Today's Books "A valuable visual supplement to more traditional histories of the period." -Booklist

About the Author Eileen Southern is Professor Emerita of Music and Afro-American Studies at Harvard University. She is the author or editor of several books on African-American music, including The Music of Black Americans: A History, Readings in Black American Music, and Biographical Dictionary of Afro-American and African Musicians. She lives in Queens, NY. Josephine Wright is Professor of Music and Black Studies at the College of Wooster in Ohio. She is coeditor (with Samuel A. Floyd, Jr.) of New Perspectives on Music: Essays in Honor of Eileen Southern, and coauthor (with Eileen Southern) of African-American Traditions in Song, Sermon, Tale, and Dance: 1600s-1920: An Annotated Bibliography. She lives in Wooster, OH.

IMAGES: ICONOGRAPHY OF MUSIC IN AFRICAN-AMERICAN CULTURE (1770S-1920S) (GARLAND REFERENCE LIBRARY OF THE HUMANITIES) BY EILEEN J. SOUTHER PDF

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IMAGES: ICONOGRAPHY OF MUSIC IN AFRICAN-AMERICAN CULTURE (1770S-1920S) (GARLAND REFERENCE LIBRARY OF THE HUMANITIES) BY EILEEN J. SOUTHER PDF

This lavishly illustrated book brings together for the first time a significant body of imagery devoted to the traditional culture of the African-American slave. ● ● ● ● ● ● ●

Sales Rank: #3005836 in Books Published on: 2000-11-28 Original language: English Number of items: 1 Dimensions: 10.00" h x 7.00" w x .75" l, 1.82 pounds Binding: Hardcover 288 pages

From Booklist Music and African American studies professors Southern and Wright previously collaborated on an annotated bibliography of African-American Traditions in Song, Sermon, Tale, and Dance, 1660s1920 (1990). Here, they reproduce 260 genre pictures of black Americans "in their own private social world," with an emphasis on expressive culture. Their analysis blends musicology, ethnomusicology, musical iconography, and art history. Works are grouped chronologically (colonial and Federalist, antebellum, and postbellum eras) and by themes (e.g., "The African Legacy" or "The Black Preacher as an Institution"). Artists represented include familiar names like Thomas Eakins and Winslow Homer as well as now forgotten figures; all but one were white Americans or Europeans. A valuable visual supplement to more traditional histories of the period. Mary Carroll Copyright © American Library Association. All rights reserved Review "The importance of this work thus extends beyond musicians to sociologists and Americanists...The work of two major figures in music history, this volume is recommended for upper-division undergraduates and above." -Choice "Must Read." -Today's Books "A valuable visual supplement to more traditional histories of the period." -Booklist About the Author Eileen Southern is Professor Emerita of Music and Afro-American Studies at Harvard University. She is the author or editor of several books on African-American music, including The Music of Black Americans: A History, Readings in Black American Music, and Biographical Dictionary of Afro-American and African Musicians. She lives in Queens, NY.

Josephine Wright is Professor of Music and Black Studies at the College of Wooster in Ohio. She is coeditor (with Samuel A. Floyd, Jr.) of New Perspectives on Music: Essays in Honor of Eileen Southern, and coauthor (with Eileen Southern) of African-American Traditions in Song, Sermon, Tale, and Dance: 1600s-1920: An Annotated Bibliography. She lives in Wooster, OH. Most helpful customer reviews See all customer reviews...

IMAGES: ICONOGRAPHY OF MUSIC IN AFRICAN-AMERICAN CULTURE (1770S-1920S) (GARLAND REFERENCE LIBRARY OF THE HUMANITIES) BY EILEEN J. SOUTHER PDF

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Southern, and coauthor (with Eileen Southern) of African-American Traditions in Song, Sermon, Tale, and Dance: 1600s-1920: An Annotated Bibliography. She lives in Wooster, OH.

The existence of the online publication or soft file of the Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther will certainly ease people to obtain the book. It will certainly also save even more time to just search the title or author or publisher to obtain up until your publication Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther is disclosed. After that, you could visit the web link download to check out that is supplied by this site. So, this will certainly be a very good time to begin enjoying this publication Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther to read. Consistently great time with book Images: Iconography Of Music In African-American Culture (1770s-1920s) (Garland Reference Library Of The Humanities) By Eileen J. Souther, consistently good time with cash to invest!

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