THE BELL JAR (BLOOM'S GUIDES (HARDCOVER)) FROM BLOOMS LITERARY CRITICISM

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THE BELL JAR (BLOOM'S GUIDES (HARDCOVER)) FROM BLOOMS LITERARY CRITICISM PDF

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Review "This series offers scholarly analysis in a highly readable format. Whether the books are used by students to supplement their reading of the works or as a source for research assignments, they would be an outstanding addition to high school libraries."

THE BELL JAR (BLOOM'S GUIDES (HARDCOVER)) FROM BLOOMS LITERARY CRITICISM PDF

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THE BELL JAR (BLOOM'S GUIDES (HARDCOVER)) FROM BLOOMS LITERARY CRITICISM PDF

In this classic coming-of-age novel set in post-World War II America, Esther Greenwood emerges as a double for author Sylvia Plath. This guide also includes an annotated bibliography and an introduction by noted literary scholar Harold Bloom. ● ● ● ● ● ● ●

Sales Rank: #3857466 in Books Published on: 2009-01-01 Original language: English Number of items: 1 Dimensions: 8.60" h x .60" w x 5.70" l, .79 pounds Binding: Hardcover 175 pages

Review "This series offers scholarly analysis in a highly readable format. Whether the books are used by students to supplement their reading of the works or as a source for research assignments, they would be an outstanding addition to high school libraries." Most helpful customer reviews 21 of 23 people found the following review helpful. Hypocritic Oaf By Amazon Customer Bloom's Guide to Sylvia Plath's The Bell Jar was recently published by Chelsea House. There is a special place in my heart for Chelsea House as they are the publisher of my biography on Plath. Any Plath title under one of the many Bloom series published by Chelsea House must be approached carefully - and even then, possibly not at all. (Unless it's my biography!) Bloom really does not care much for Plath. In the four or five publications which he has edited and/or written an introduction, I am left each time thinking the following: 1) Why did I buy this book? and 2) Why does Bloom even bother to include Plath in any series he edits? Fortunately this title was sent to me buy the publisher to review. Unfortunately I cannot recommend it. Bloom's introduction is barely longer than one page. Here are some representative samples: "Though I recall being unable to get very far with it [in 1971], one learns to be more dispassionate as old age augments..." "It seems to me not possible to discover any aesthetic merit in The Bell Jar." "It is always a little painful, for me, to place a worthy but inadequate book in an authentically critical

perspective." "Admirers of The Bell Jar have compared it to Charlotte Bronte's Jane Eyre, a juxtaposition that obliterates Plath's book." If one had not read The Bell Jar, why would they now? And what sort of introduction is this? It should at least resemble or hint upon the later content, no? Most of the book is heinously written and aside from the introduction - cannot have been touched by Bloom. I have little respect for him, but I gather from what I do know that he is likely a better writer than this. There are dozens of mistakes throughout the first 58 pages of the book, which appears to be the only original writing. I don't normally write in books, but I had to write "No" many times when the writer simply got things wrong. The biographical sketch is atrocious. One of my favorites is, "She and Hughes moved to the United States, where Plath taught at Smith College for a while..." For a while! How nonchalant. And the anonymous writer also claims that Plath ingested sleeping pills before committing suicide on February 11, 1963. This was news to me. The biographical sketch may have been written in 1989 as it concludes, "Sylvia Plath's gravestone is in Yorkshire, England, with Ted Hughes's name chipped off, the vandalism most likely carried out by one or several of her enduring fans." I feel like I can be critical of "short" biographies such as this. At two and a half pages I ask, "Why bother?" Following this is a section called "The Story Behind the Story", a "List of Characters", and "Summary and Analysis." "The Story Behind the Story" is expanded and redundant in "Summary and Analysis". Throughout the "Story" and "Summary", the writer states that Buddy Willard attended Yale Medical School. Buddy Willard did not attend medical school at Yale. Esther Greenwood says, "Buddy kissed me again in front of the house steps, and the next fall, when his scholarship to medical school came through, I went there to see him instead of to Yale" (Chapter 5). "Instead of to Yale" implies not at Yale. The essays that follow page 58 are all complete or nearly complete reprints from other sources. It would be worth the effort to track these down as they originally appeared as in this book they are tainted. Each essay is headlined not by the title of the piece, but by a subjective summary or theme. This I found to be quite confusing and distracting. The book closes with a poorly edited and annotated bibliography, a list of works by Plath (hardly complete), and finally the sources for the essays. I really wish I had something nice to say, but I just don't. Like Bloom's first attempt to read The Bell Jar in 1971, I didn't finish this book. It's Valentine's Day, but I'm just not feeling the love. The book will sit on my bookshelf and collect the stuff of Buddy's cadaver's and Esther's poems: dust. 3 of 4 people found the following review helpful. A travesty By Linda L. Gill I have NEVER read a collection of critical essays on a text in which the introduction, written by the editor, proudly announced the text under consideration was a travesty, was really not worth reading at all,and basically made every other novel look like a masterpiece (in this case, Bloom says he would compare The Bell Jar to Jane Eyre, but Jane Eyre was so superior to The Bell Jar

that the former would effectively reduce The Bell Jar to the function of toilet paper. I have loved Jane Eyre since a teen and did my doctoral dissertation on the Brontes. Plath and Charlotte Bronte are literary sisters. Obviously, Bloom at least unconsciously recognizes this or he wouldn't have brought up the comparison in the first place). Bloom actually starts his introduction to his collection by stating that when he first tried to read The Bell Jar when it came out (yes, he's of Plath's age, and one would, therefore, think he would be keenly sensitive to and aware of the cultural, patriarchal and ideological power structures in which gifted, sensitive and intelligent woman like Plathe had to function) couldn't get through it, it was such dreadful read, but since Plath's poems and novel have become a part of popular and intellectual culture, he managed to drag his way through the novel 30 years later to collect critical essays on it. He then tells us nothing about the essays he collected on the novel except for the one essay which trashes the novel. I would have thought Bloom was doing a bit of literary whoring, making a few bucks to supplement the tragically low pay of most professors,, but Bloom has gotten rich in writing about his love affair with Shakespeare, so why collect essays on a text he clearly hates? Why did he decide he should trash a text that has resonated with so many readers (even Bloom had to admit this fact). Why not just write another love poem to Shakespeare and let those who understand Plath's rage at a a stifling patriarchal society, her battle with depression and desire to write what was true and real, collect and write about the good, the bad and the real in Plath? Shame on you Harold Bloom. I a sorry I added to your coffers by purchasing the book. See all 2 customer reviews...

THE BELL JAR (BLOOM'S GUIDES (HARDCOVER)) FROM BLOOMS LITERARY CRITICISM PDF

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