A COMICS STUDIES READER FROM BRAND: UNIVERSITY PRESS OF MISSISSIPPI
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A COMICS STUDIES READER FROM BRAND: UNIVERSITY PRESS OF MISSISSIPPI PDF
A Comics Studies Reader From Brand: University Press Of Mississippi When writing can transform your life, when creating can improve you by offering much money, why don't you try it? Are you still very confused of where understanding? Do you still have no suggestion with exactly what you are going to compose? Currently, you will certainly need reading A Comics Studies Reader From Brand: University Press Of Mississippi An excellent writer is a good user at the same time. You can define exactly how you create depending on exactly what publications to read. This A Comics Studies Reader From Brand: University Press Of Mississippi can help you to solve the trouble. It can be one of the appropriate sources to develop your writing skill.
From Booklist While such critically acclaimed graphic novels as Art Spiegelman’s Maus (1986, 1991), Chris Ware’s Jimmy Corrigan (2000), and Alison Bechdel’s Fun Home(2006) established the artistic legitimacy of comics, academic comics scholarship has thriven apace. The 28 essays Heer and Worcester collect reflect the various approaches to writing about comics taken by writers in the burgeoning discipline. Those include the historical in pieces on nineteenth-century graphic storyteller Rodolphe Töpffer and other progenitors of the medium; the formal in esoteric pieces on the craft and art of comics, covering such aspects as the “verbal-visual blend” of words and pictures, the ways artists indicate panel sequencing, and sound representation in Japanese manga; and the critical-analytic in considerations of seminal works by Ware, Spiegelman, and others. Most of the essays focus on American comics, but several examine works from Japan, Mexico, and France, where scholars have deemed comics “the ninth art.” The contributions range in readability from totally accessible to highly rarefied and borderline pedantic. Still, altogether they attest to the artistic importance of a long-neglected medium. --Gordon Flagg Review "The editorial work accomplished by Heer and Worcester is simply impressive. Not only have they managed to gather material that is challenging, well-written, well-thought and that should enable a big leap forward in comics theory and criticism, but the two editors have also succeeded in giving each text the necessary space and context." - Jan Baetens, Image & Narrative "Since academics have helped legitimize comics as an art form to be taken seriously, it only makes sense that an entire book of scholarly essays put illustrated fiction under the microscope. It very well could serve as the required reading for that course I never had the opportunity to ace." Rod Lott, Oklahoma Gazette "Jeet Heer and Kent Worcester have, once again, performed admirably in producing another compendious survey of comics scholarship. Their earlier effort in this vein, Arguing Comics: Literary Masters on a Popular Medium, scanned the historical landscape for essays about comics
written by various literary critics and the like; their current production, A Comics Studies Reader, compiles 28 essays by contemporary scholars and critics. The result is a sort of panorama of current serious thinking about the art of cartooning in all its forms."Robert C. Harvey
From the Publisher A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels.
The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories.
A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use. With contributions from --Thomas Andrae --Martin Barker --Bart Beaty --John Benson --David Carrier --Hillary Chute --Peter Coogan --Annalisa Di Liddo --Ariel Dorfman --Thierry Groensteen --Robert C. Harvey --Charles Hatfield --M. Thomas Inge --Gene Kannenberg, Jr. --David Kasakove --Adam Kern --David Kunzle --Pascal Lefèvre --John Lent --W. J. T. Mitchell --Amy Kiste Nyberg --Fusami Ogi --Robert S. Petersen --Anne Rubenstein --Roger Sabin --Gilbert Seldes --Art Spiegelman --Fredric Wertham
--Joseph Witek
A COMICS STUDIES READER FROM BRAND: UNIVERSITY PRESS OF MISSISSIPPI PDF
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A COMICS STUDIES READER FROM BRAND: UNIVERSITY PRESS OF MISSISSIPPI PDF
A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels. The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories. A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use.
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Sales Rank: #277882 in Books Brand: Brand: University Press of Mississippi Published on: 2008-11-06 Original language: English Number of items: 1 Dimensions: 9.20" h x 1.00" w x 6.10" l, 1.45 pounds Binding: Paperback 380 pages
Features ●
Used Book in Good Condition
From Booklist While such critically acclaimed graphic novels as Art Spiegelman’s Maus (1986, 1991), Chris Ware’s Jimmy Corrigan (2000), and Alison Bechdel’s Fun Home(2006) established the artistic legitimacy of comics, academic comics scholarship has thriven apace. The 28 essays Heer and Worcester collect reflect the various approaches to writing about comics taken by writers in the burgeoning discipline. Those include the historical in pieces on nineteenth-century graphic storyteller Rodolphe Töpffer and other progenitors of the medium; the formal in esoteric pieces on the craft and art of comics, covering such aspects as the “verbal-visual blend” of words and pictures, the ways artists indicate panel sequencing, and sound representation in Japanese manga; and the critical-analytic in considerations of seminal works by Ware, Spiegelman, and others. Most of the essays focus on American comics, but several examine works from Japan, Mexico, and France, where scholars have deemed comics “the ninth art.” The contributions range in readability from totally accessible to highly rarefied and borderline pedantic. Still, altogether they attest to the artistic importance of a long-neglected medium. --Gordon Flagg
Review "The editorial work accomplished by Heer and Worcester is simply impressive. Not only have they managed to gather material that is challenging, well-written, well-thought and that should enable a big leap forward in comics theory and criticism, but the two editors have also succeeded in giving each text the necessary space and context." - Jan Baetens, Image & Narrative "Since academics have helped legitimize comics as an art form to be taken seriously, it only makes sense that an entire book of scholarly essays put illustrated fiction under the microscope. It very well could serve as the required reading for that course I never had the opportunity to ace." Rod Lott, Oklahoma Gazette "Jeet Heer and Kent Worcester have, once again, performed admirably in producing another compendious survey of comics scholarship. Their earlier effort in this vein, Arguing Comics: Literary Masters on a Popular Medium, scanned the historical landscape for essays about comics written by various literary critics and the like; their current production, A Comics Studies Reader, compiles 28 essays by contemporary scholars and critics. The result is a sort of panorama of current serious thinking about the art of cartooning in all its forms."Robert C. Harvey
From the Publisher A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels.
The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories.
A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use. With contributions from --Thomas Andrae --Martin Barker --Bart Beaty --John Benson --David Carrier --Hillary Chute --Peter Coogan --Annalisa Di Liddo --Ariel Dorfman --Thierry Groensteen --Robert C. Harvey --Charles Hatfield --M. Thomas Inge --Gene Kannenberg, Jr.
--David Kasakove --Adam Kern --David Kunzle --Pascal Lefèvre --John Lent --W. J. T. Mitchell --Amy Kiste Nyberg --Fusami Ogi --Robert S. Petersen --Anne Rubenstein --Roger Sabin --Gilbert Seldes --Art Spiegelman --Fredric Wertham --Joseph Witek Most helpful customer reviews 6 of 25 people found the following review helpful. Inspiring pop cultural studies By Karna Mustaqim At last, comics studies got its own legitimate places in between the study of culture, pop-art, and visual aesthetics. 5 of 6 people found the following review helpful. Starting point By Matko Vladanovic There's really not much to say here apart from what you most probably already know. This is a reader and as such it does what every reader out there does - offers a variety of texts on a certain topic. You might have already guessed (if you're the sort of person who reads the title of the book that you want to buy) what that topic is. Now, this is not the place for lengthy discussion about every article that has been published within these covers (most of them are reprints or excerpts from other books of the same authors), there are specialized pages out there for that sort of work, so I'll skip that part because I'm a relatively sane person. I'll just put down few remarks which you might find useful. Or not, but hey, you never can tell. Anyhow, this reader offers good introduction to the field of modern-day comics studies. Texts vary from discussions about the history of the medium, discussions about formal characteristics of the medium, interpretations and in-depth analysis of various works from a variety of theoretical backgrounds. Authors heavily rely on the Scott McCloud's "Understanding Comics" (in a polemic sort of way; some authors are in agreement with McCloud's definitions, some try to either change, adapt or refute them) and though one might argue that editors chose contributions about some of the most well-known comics out there, ignoring the underground movements and comics that do not come from the largest markets in the world, reader actually offers quite a nice overview of various traditions that are currently present and kicking. Bibliography is quite extensive and every interested scholar will find plenty information if it happens that some of the topics that are discussed here catch his attention. There is a lack of quality reproduction of comics themselves though, which is quite important considering the nature of comics as a primarily visual medium. One can speculate about reasons for this omission (main one
probably being the cost of the full-color reproduction which would undoubtedly influence the final price of already expensive product), one might even understand them though one can't fail to notice them and feel a certain regret. Since comics studies is relatively new academic endeavor this reader should come in handy if you plan to introduce a similar course in your own academic institution or if you're just an independent scholar trying to get a grasp about comics and their place in contemporary Art. Authors of the contributions come from various backgrounds and though some of them read as a fairly conventional fan-made research (types of which one can find all over the internet if one looks for it long enough), majority of them write in familiar academic discourse that reads clearly, is well researched, and well executed. Overall, this is the title for both the professors and students alike, one that should definitely be a part of your own University library or the private library of your own. 0 of 0 people found the following review helpful. Good if you can get through it. By Scott Niswander A little dense sometimes, but it's really good to think about comics on a deeper level. See all 3 customer reviews...
A COMICS STUDIES READER FROM BRAND: UNIVERSITY PRESS OF MISSISSIPPI PDF
Yeah, reading a book A Comics Studies Reader From Brand: University Press Of Mississippi can add your good friends checklists. This is among the formulas for you to be effective. As known, success does not indicate that you have fantastic things. Understanding and also understanding more compared to other will provide each success. Beside, the notification and perception of this A Comics Studies Reader From Brand: University Press Of Mississippi can be taken and also picked to act. From Booklist While such critically acclaimed graphic novels as Art Spiegelman’s Maus (1986, 1991), Chris Ware’s Jimmy Corrigan (2000), and Alison Bechdel’s Fun Home(2006) established the artistic legitimacy of comics, academic comics scholarship has thriven apace. The 28 essays Heer and Worcester collect reflect the various approaches to writing about comics taken by writers in the burgeoning discipline. Those include the historical in pieces on nineteenth-century graphic storyteller Rodolphe Töpffer and other progenitors of the medium; the formal in esoteric pieces on the craft and art of comics, covering such aspects as the “verbal-visual blend” of words and pictures, the ways artists indicate panel sequencing, and sound representation in Japanese manga; and the critical-analytic in considerations of seminal works by Ware, Spiegelman, and others. Most of the essays focus on American comics, but several examine works from Japan, Mexico, and France, where scholars have deemed comics “the ninth art.” The contributions range in readability from totally accessible to highly rarefied and borderline pedantic. Still, altogether they attest to the artistic importance of a long-neglected medium. --Gordon Flagg Review "The editorial work accomplished by Heer and Worcester is simply impressive. Not only have they managed to gather material that is challenging, well-written, well-thought and that should enable a big leap forward in comics theory and criticism, but the two editors have also succeeded in giving each text the necessary space and context." - Jan Baetens, Image & Narrative "Since academics have helped legitimize comics as an art form to be taken seriously, it only makes sense that an entire book of scholarly essays put illustrated fiction under the microscope. It very well could serve as the required reading for that course I never had the opportunity to ace." Rod Lott, Oklahoma Gazette "Jeet Heer and Kent Worcester have, once again, performed admirably in producing another compendious survey of comics scholarship. Their earlier effort in this vein, Arguing Comics: Literary Masters on a Popular Medium, scanned the historical landscape for essays about comics written by various literary critics and the like; their current production, A Comics Studies Reader, compiles 28 essays by contemporary scholars and critics. The result is a sort of panorama of current serious thinking about the art of cartooning in all its forms."Robert C. Harvey
From the Publisher
A Comics Studies Reader offers the best of the new comics scholarship in nearly thirty essays on a wide variety of such comics forms as gag cartoons, editorial cartoons, comic strips, comic books, manga, and graphic novels.
The anthology covers the pioneering work of Rodolphe Töpffer, the Disney comics of Carl Barks, and the graphic novels of Art Spiegelman and Chris Ware, as well as Peanuts, romance comics, and superheroes. It explores the stylistic achievements of manga, the international anti-comics campaign, and power and class in Mexican comic books and English illustrated stories.
A Comics Studies Reader introduces readers to the major debates and points of reference that continue to shape the field. It will interest anyone who wants to delve deeper into the world of comics and is ideal for classroom use. With contributions from --Thomas Andrae --Martin Barker --Bart Beaty --John Benson --David Carrier --Hillary Chute --Peter Coogan --Annalisa Di Liddo --Ariel Dorfman --Thierry Groensteen --Robert C. Harvey --Charles Hatfield --M. Thomas Inge --Gene Kannenberg, Jr. --David Kasakove --Adam Kern --David Kunzle --Pascal Lefèvre --John Lent --W. J. T. Mitchell --Amy Kiste Nyberg --Fusami Ogi --Robert S. Petersen --Anne Rubenstein --Roger Sabin --Gilbert Seldes --Art Spiegelman --Fredric Wertham --Joseph Witek
A Comics Studies Reader From Brand: University Press Of Mississippi When writing can transform your life, when creating can improve you by offering much money, why don't you try it? Are you still very confused of where understanding? Do you still have no suggestion with exactly
what you are going to compose? Currently, you will certainly need reading A Comics Studies Reader From Brand: University Press Of Mississippi An excellent writer is a good user at the same time. You can define exactly how you create depending on exactly what publications to read. This A Comics Studies Reader From Brand: University Press Of Mississippi can help you to solve the trouble. It can be one of the appropriate sources to develop your writing skill.
