BABES IN TOYLAND: THE MAKING AND SELLING OF A ROCK AND ROLL BAND BY NEAL KARLEN
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From Publishers Weekly Minneapolis grunge rockers Babes in Toyland are neither famous nor critically acclaimed, which is why rock journalist Karlen chose them as subjects for this profile of the day-to-day life and career trajectory of a young band whose fate remains uncertain. He follows the band as it appears variously to be on the cusp of either superstardom or disollution in the volatile world of the rock 'n' roll industry, chronicled here at both its most sordid and most exhilarating moments. The Babes's struggles with overbearing record labels, drug-abusing friends, long tours on a shoestring budget and a precarious future represent the experiences of many young bands. Their story is also of interest because they are one of the first all-female bands to play the kind of loud, angry rock 'n' roll which typically has been claimed by male groups. Karlen's often verbatim record of conversations he heard over three years of following the Babes seems occasionally invasive, yet the band members' willingness to reveal themselves so thoroughly to him lends credibility to his account. Author tour. Copyright 1994 Reed Business Information, Inc. From Library Journal Babes in Toyland is a female grunge-rock trio who, while struggling for steady work on the Minneapolis bar circuit, were signed by Warner Records and suddenly thrust into national renown. Journalist Karlen (New York Times, Rolling Stone) presents the intense, often grueling experiences of this individual band as a microcosm of the MTV-age rock industry. The author describes in sharp detail the rigors, internecine conflicts, tragedies, and triumphs of a 1990s rock group and shows with equal clarity the marketing strategies, schemes, and power struggles of the big business behind the group. Karlen's vigorous craftsmanship, his rich knowledge of the rock scene, and the remarkable intimacy of his investigation combine to make Babes in Toyland a uniquely valuable asset to collections concerned with either the realities of modern music or mass media. Highly recommended. Bill Piekarski, Southwestern Coll. Lib., Chula Vista, Cal. Copyright 1994 Reed Business Information, Inc.
From Booklist The latest "instant" history of a current pop music group is justified by the singular story it tells. In this case, the story is about how the rock-star-making machinery is being applied to a so-called alternative act. Such bands face a dilemma: if they broaden their appeal, they risk being shunned as sell-outs by their original fans; and if they cling to alternative status, they risk poverty and career oblivion. So alternative acts--e.g., R.E.M., the Red Hot Chili Peppers--try to walk a tightrope between popularity and fidelity. The difficulty of maintaining balance is what this book is about. With a major record company contract, Babes in Toyland is under pressure--from the record company, to make a best-selling album; from its fans, to resist commercialism. The attendant conflict occurs under the watchful eyes of the rock press, who are no longer the rapt cheerleaders of the past. Add to this the antipathy between Babes leader Kat Bjelland and rival Courtney Love, plus the novelty of being an all-female band in the still testosterone-soaked world of rock, and you have one spicy pop music stew. Mike Tribby
BABES IN TOYLAND: THE MAKING AND SELLING OF A ROCK AND ROLL BAND BY NEAL KARLEN PDF
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BABES IN TOYLAND: THE MAKING AND SELLING OF A ROCK AND ROLL BAND BY NEAL KARLEN PDF
Babes in Toyland is a rare peek into the glamorous and tough world of rock and roll—an exclusive backstage pass for anyone who has ever fantasized about starting a band, being discovered by a major label, recording an album, and touring the country to play music in front of thousands. Also, with its revealing look at the record business—an industry that makes the rest of show business seem positively tame—this book is as immediate as a new issue of Rolling Stone, as colorful as a good mystery, and as tart and explosive as a top-ten hit. Told with the gritty, up-close feel of a behind-the-scenes documentary film, this is the story of three young women who wanted to play rock and roll like the boys. It follows their coming together in the underground grunge-rock scene in Minneapolis, their early club days, and their discovery by Warner Bros. Records. It tracks their dramatic breakup (and reconfiguration), goes through the often funny, sometimes inspiring, and always emotional recording sessions for their album Fontanelle, and goes stage-side as they film their all-important video for MTV. Veteran journalist Neal Karlen was given unprecedented access to Warners marketing and strategy meetings, where he observed firsthand the star-making machinery that runs the pop music business. From punk rockers in the mosh pit to rock stars in mansions, Babes in Toyland contains revealing snapshots of Kurt Cobain and Courtney Love, Soul Asylum's Dave Pirner, Pearl Jam's Eddie Vedder, and R.E.M.'s Michael Stipe, as well as Beavis and Butt-head, today's most powerful rock critics. Center-stage in this story are the members of Babes in Toyland: Kat Bjelland, the punk-rock poetess who'd dreamed of being a star since she was five years old; Lori Barbero, the dreadlocked drummer and band mother who was best friend to everybody in the alternative music scene; and Maureen Herman, the brainy bassist who struggled to fit in with the group. There's also Tim Carr, the Warner Bros. A & R man who saw in the Babes the talent and drive to make it to the top of the grunge scene. Finally, there's Babes in Toyland's triumphant spot on the 1993 Lollapalooza, the most prestigious tour in rock and roll. In this real-life version of The Commitments, readers will also see how success can do more to damage a band of best friends than failure. ● ● ● ●
Sales Rank: #1542895 in eBooks Published on: 2013-07-24 Released on: 2013-07-24 Format: Kindle eBook
From Publishers Weekly Minneapolis grunge rockers Babes in Toyland are neither famous nor critically acclaimed, which is why rock journalist Karlen chose them as subjects for this profile of the day-to-day life and career trajectory of a young band whose fate remains uncertain. He follows the band as it appears variously to be on the cusp of either superstardom or disollution in the volatile world of the rock 'n' roll industry, chronicled here at both its most sordid and most exhilarating moments. The Babes's struggles with overbearing record labels, drug-abusing friends, long tours on a shoestring budget
and a precarious future represent the experiences of many young bands. Their story is also of interest because they are one of the first all-female bands to play the kind of loud, angry rock 'n' roll which typically has been claimed by male groups. Karlen's often verbatim record of conversations he heard over three years of following the Babes seems occasionally invasive, yet the band members' willingness to reveal themselves so thoroughly to him lends credibility to his account. Author tour. Copyright 1994 Reed Business Information, Inc. From Library Journal Babes in Toyland is a female grunge-rock trio who, while struggling for steady work on the Minneapolis bar circuit, were signed by Warner Records and suddenly thrust into national renown. Journalist Karlen (New York Times, Rolling Stone) presents the intense, often grueling experiences of this individual band as a microcosm of the MTV-age rock industry. The author describes in sharp detail the rigors, internecine conflicts, tragedies, and triumphs of a 1990s rock group and shows with equal clarity the marketing strategies, schemes, and power struggles of the big business behind the group. Karlen's vigorous craftsmanship, his rich knowledge of the rock scene, and the remarkable intimacy of his investigation combine to make Babes in Toyland a uniquely valuable asset to collections concerned with either the realities of modern music or mass media. Highly recommended. Bill Piekarski, Southwestern Coll. Lib., Chula Vista, Cal. Copyright 1994 Reed Business Information, Inc. From Booklist The latest "instant" history of a current pop music group is justified by the singular story it tells. In this case, the story is about how the rock-star-making machinery is being applied to a so-called alternative act. Such bands face a dilemma: if they broaden their appeal, they risk being shunned as sell-outs by their original fans; and if they cling to alternative status, they risk poverty and career oblivion. So alternative acts--e.g., R.E.M., the Red Hot Chili Peppers--try to walk a tightrope between popularity and fidelity. The difficulty of maintaining balance is what this book is about. With a major record company contract, Babes in Toyland is under pressure--from the record company, to make a best-selling album; from its fans, to resist commercialism. The attendant conflict occurs under the watchful eyes of the rock press, who are no longer the rapt cheerleaders of the past. Add to this the antipathy between Babes leader Kat Bjelland and rival Courtney Love, plus the novelty of being an all-female band in the still testosterone-soaked world of rock, and you have one spicy pop music stew. Mike Tribby Most helpful customer reviews 1 of 1 people found the following review helpful. The Real and True story of an all Grrl Band By yasminkhan1959 Karlen knows the band, the music, the history of rock and how to write a very engaging account of the making and selling of a rock band. He achieves a balance between background information and its relevance to the story of BIT. Sometimes he digresses quite a bit to make the point. Be patient, though, because you will be rewarded. I came away from this book enriched with the development of the Riot Grrl movement, Billie Holliday, and the difficulties Jewish executives have faced in the entertainment business. All of it
handled intelligently with enough research to round out the story and it's effects on BIT. I highly recommend as a companion book the fictional tale of Molly Montgomery in "Guitar Girl" by Sarra Manning. One complements the other so well. Each book provides an in-depth look at the music business by journalists who have seen it as it happens. Reading them side-by-side will be an adventure and learning experience you don't want to miss. 7 of 7 people found the following review helpful. Pioneers in Guyville By A Customer Babes in Toyland didn't last, but Karlen's book records their place in music history in a way that's both respectful and passionate. The book is objective--Karlen keeps himself out of the way--yet clearly sympathetic to the members of the band, who suffer various setbacks and trials (not to mention extremely dubious boyfriends) along the extremely difficult road of constant low-budget touring, signing with a major label and producing their first album. After reading this book, I was amazed that any band whose members aren't independently wealthy can make it at all. Kudos to the Babes, scattered though they are now, and to Karlen for patiently and fairly taking the time to show the perspective of everyone involved--from a bandmember's initially skeptical father (the passages about that relationship are among the most moving in the book) to the tireless A&R guy to the roadies--in a process that obviously isn't easy for anyone. 5 of 5 people found the following review helpful. Best book I've read on rock music business By A Customer I'm a musician, and when my girlfriend gave me this book I wasn't sure if I'd like it...I always kind of didn't like the band Babes in Toyland, but when I started reading it I found out it wasn't really even about them (though it was interesting to see how Courtney Love kind of borrowed Kat the lead singer's shrieking act) but really this kind of story of how the music business really works...how a band gets signed by a major label, how that can be terrible or good, how you get on MTV. Anyway, I learned a lot and I'd recommend it highly to any musician, or anybody interested in the business. See all 9 customer reviews...
BABES IN TOYLAND: THE MAKING AND SELLING OF A ROCK AND ROLL BAND BY NEAL KARLEN PDF
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as sell-outs by their original fans; and if they cling to alternative status, they risk poverty and career oblivion. So alternative acts--e.g., R.E.M., the Red Hot Chili Peppers--try to walk a tightrope between popularity and fidelity. The difficulty of maintaining balance is what this book is about. With a major record company contract, Babes in Toyland is under pressure--from the record company, to make a best-selling album; from its fans, to resist commercialism. The attendant conflict occurs under the watchful eyes of the rock press, who are no longer the rapt cheerleaders of the past. Add to this the antipathy between Babes leader Kat Bjelland and rival Courtney Love, plus the novelty of being an all-female band in the still testosterone-soaked world of rock, and you have one spicy pop music stew. Mike Tribby
If you ally require such a referred Babes In Toyland: The Making And Selling Of A Rock And Roll Band By Neal Karlen publication that will give you worth, get the very best seller from us currently from many popular publishers. If you want to amusing books, many books, tale, jokes, as well as much more fictions compilations are additionally released, from best seller to one of the most current released. You could not be confused to delight in all book collections Babes In Toyland: The Making And Selling Of A Rock And Roll Band By Neal Karlen that we will supply. It is not concerning the prices. It has to do with exactly what you need now. This Babes In Toyland: The Making And Selling Of A Rock And Roll Band By Neal Karlen, as one of the very best vendors here will certainly be one of the ideal options to read.
