SHADES OF MEMNON: BOOK 1: THE AFRICAN HERO OF THE TROJAN WAR AND THE KEYS TO ANCIENT WORLD CIVILIZATION (VOLUME 1) BY MR. GREGORY WALKER
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SHADES OF MEMNON: BOOK 1: THE AFRICAN HERO OF THE TROJAN WAR AND THE KEYS TO ANCIENT WORLD CIVILIZATION (VOLUME 1) BY MR. GREGORY WALKER PDF
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SHADES OF MEMNON: BOOK 1: THE AFRICAN HERO OF THE TROJAN WAR AND THE KEYS TO ANCIENT WORLD CIVILIZATION (VOLUME 1) BY MR. GREGORY WALKER PDF
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SHADES OF MEMNON: BOOK 1: THE AFRICAN HERO OF THE TROJAN WAR AND THE KEYS TO ANCIENT WORLD CIVILIZATION (VOLUME 1) BY MR. GREGORY WALKER PDF
Tales of Memnon have inspired poets and sages for 3000 years, portraying an amazing figure whose name became associated with statues along the Nile, with temples and tombs in ancient Turkey and Iran and with artwork and literature from ancient Greece and Rome. Celebrated by early Greek writers, Memnon was granted immortality by the gods in "The Ethiopis," the third epic poem related to the Trojan War. ● ● ● ● ● ● ● ●
Sales Rank: #742851 in Books Brand: Brand: Seker Nefer Press Published on: 1999-01-01 Original language: English Number of items: 1 Dimensions: 9.00" h x .47" w x 6.00" l, .70 pounds Binding: Paperback 208 pages
Features ●
Used Book in Good Condition
Most helpful customer reviews 4 of 5 people found the following review helpful. Thank you Brother G. for the Memnon Series. By Daud GeAzan Hetep, My person does not know where to begin. First, thank you for the Memnon Series. Our people on the whole should know how much the work means to them. My prayers are that some day We will. Second, my person thanks you for acknowledging Sheckem Ur Sheckem's influence by placing his picture in your work. My person's children do not see enough of Us represented in media. It was rewarding to see their eyes light up when they saw him featured with you and brother Winters. Again Thank You [Tua-u]. Third, for the content of the Memnon Series. The in-depth, colorful and enriching backgrounds and characters. My person found it hard to put the first book down [my person had planned on buying one per month but that was quickly dashed after the first chapter - my person finished them all within a month]. My person has studied Our Story for years, yet there were many things I learned or thought were possible because of your work. Tua-u.
Fourthly, the healthier and instructional introduction of sexuality and its spiritual and meta-physical potential was a master stroke. My person found it timely given my person's eldest daughter was ready for such an introduction into the topic. This material was pristine and precise in its approach to the subject matter, that added a new dimension to the Hero epic that my person had never encountered. Your work is a great counter-measure to the way Western Culture denigrates the interaction and particularly objectifies the feminine [in order to sell products] and thus devalue the process. And finally, to the spirit of one whom my person had loved, that my person lost many years ago. The level of devotion, honor, sense of justice and love expressed amongst the characters in the work... made my person cry and yearn for my lost love's embrace. For she loved, honored her people and worked in the hope that our people could know Real freedom someday. A day your work seemed to make, more possible. Again, Tua-u. Peace, Good Health and Long Life to You, Brother G. Hetepu 3 of 4 people found the following review helpful. A must read By Dan Tres OMi An amazing book. I find that there are few books found in the fantasy/sci fi genre that are writing for African Americans by African Americans. I am glad folks like Brother G and Steven Barnes are around. I highly suggest that you all purchase at least one copy for an adolescent male. can't wait to read the sequel 30 of 35 people found the following review helpful. Out of Europe. Grade: C+ By The Sesh Though often considered an example of African historical/fantasy fiction, this book deals little with Africa. Only in the beginning of the text is the protagonist even in Africa. The story quickly places him in Arabia and Ancient Israel. That being said, the bulk of the novel takes place in Europe (While the Memnon of the Iliad fought in Asia Minor, not Europe). The great majority of the mythological images are derived from European traditions: satyrs, centaurs, werewolves, etc. The author continually makes reference to the sun as Aten's disk, making it seem like it is the only thing he knows about Ancient African worldview. To give him credit, he does provide some interesting concepts about Ancient Kemet, but most of this is only in the beginning of the text and not a part of the main story. The author goes to great lengths to make sure his book is not seen as an antiEuropean novel by making inaccurate claims about the advanced nature of West Asia and Europe around 1200 bce, when the novel takes place. He suggests that the architectural grandeur of Mecca was equal to Kemet at this time (possibly to placate the large percentage of Islamic believers in the black community). However, Mecca was a city of dust and nomads during Kemet's 19th-dynasty. It would not be until 1,800 years later that it gained any significance on the world stage. He also tries to make Petra an equal to the cities of Kemet. Petra was not signifant during the 19th-dynasty, gaining prominence some 1,200 years later under the Romans. The fact is, that in 1200 bce (and much of the Ancient Age) no civilization in the world could rival the monumentality
of the Kemetians. We must not forget, the Great Pyramid of Khufu at Giza stood as the world's tallest building for at least 4,600 years! It was not surpased until the 20th-century! Furthermore, the novel makes ludicrous claims that Europeans (his European hero is suggested to be Greek) possessed metallurgy superior to Kemet around 1200 bce. This is absurd. Even if one argues that iron spread in West Asia before Kemet--that is not Europe. Furthermore, iron was known if Africa, it just was not used as much. Contemporary iron is stronger than bronze, yes, but ancient iron was not stronger than bronze. Its power over bronze was in its ability to be manufactured easier, allowing more people access to strong metal, unlike bronze, which required more than one metal to create. The author also places Viking looking races in the story, running around Kemet and Arabia causing havoc. There is no historical evidence for any European being in Africa or Arabia at this time, save for possible the people of Crete. The Minoans of crete left vivid paintings of themselves, their phenotype being more similar to modern South Arabians. I REALLY wanted to like this book, but I cannot support it for its nonsensical attempt at historical/fantasy fiction. There is little historical about it, it is purely fantasy fiction. As fantasy fiction it is mediocre at best. Its primary value is in the fact that the protagonist is African, something not commonly found in this genre of literature. Outside of superficial occasional references to Kemet's goddess Sekmet (who is almost demonized) and the sun/aten disc, this is a poor example of what African historical/fantasy fiction could be. Perhaps the following books of this series are better, but this one is definitely not the book we've been waiting for. Africa is so ridiculously rich in its own traditions of the supernatural that I am lost as to why the author was so dependent on European traditions to create his mythical world. His worldview is exposed in the protagonist's view of beauty. He argues that an Indian woman is the most beautiful woman he has ever seen. This is not to say that non-African women cannot be beautiful, but the most beautiful? After growing up in Ancient Kemet? This corresponds to contemporary black male views in popular culture who only admire light-skin and straight hair. There was no mention of a beautiful African woman in the text, the only real character being his sister who is kidnapped. Her beauty is not mention, her role being strictly as his sister. No wonder Brother G dropped the "brother" and is simply Gregory Walker. I am not criticizing him for being open-minded to all races, there is certainly beauty and honor found in all of humanity, but with such a drought of positive images about Ancient Africa, the beauty of natural African women, etc, he forgot the reason he was writing the book. It is clear to me that his audience was not black people, but curious whites who he wanted to include him in their worldview, not bring to light the Ancient African worldview. See all 36 customer reviews...
SHADES OF MEMNON: BOOK 1: THE AFRICAN HERO OF THE TROJAN WAR AND THE KEYS TO ANCIENT WORLD CIVILIZATION (VOLUME 1) BY MR. GREGORY WALKER PDF
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