GET JIRO: BLOOD AND SUSHI BY ANTHONY BOURDAIN, JOEL ROSE

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Amazon.com Review Q&A with Anthony Bourdain What made you decide to write a graphic novel? Were you always a fan of the medium and had this story on your mind for a while? Anthony Bourdain: I've been a comics fan since childhood--when I was a serious collector of early Marvels (1960s, MAD, horror comics--later began collecting EC's, a few Golden Age, and late 60's West Coast Undergrounds). An early ambition was to be the next R. Crumb. Sadly, my illustration skills--while decent--were not up to anywhere near that standard. When Joel Rose brought the idea back up after an earlier discussion, I thought, "What red blooded American boy in his mid fifties wouldn't do a graphic novel if given the chance? Let's try! As long as we can do it right." The fact that Vertigo, very early on, was supportive of the kind of high quality art we were looking for made all the difference. How have your travels across the world informed this story? Did you draw inspiration from anything specific? AB: Well, I clearly love Japan--and am obsessed with hyper-fetishistic, uncompromising old school style sushi, and due to my travels, have been lucky enough to spend a lot of time there. But the book reflects a lot of my food obsessions (funky classic brasserie/bistro) and prejudices. Travel changes you. It exposes you to things. My love of street food is certainly a product of my travels. Food culture as a whole has been a bit of a phenomenon in the media over the last few years, but not so much in comics. Was that part of your motivation for wanting to create Get Jiro? AB: I think the explosion of interest in chefs and restaurants is certainly easy fodder for satire. But my motivation was really nothing more than to help tell a story that would be fun, extremely bloody, beautifully illustrated--and insanely detailed as to the specifics of cooking and eating. I'm a big fan

of classic Japanese cinema, Hammett's Red Harvest, spaghetti westerns and food--so these were obvious elements. Your co-writer, Joel Rose, and artist Langdon Foss have both done comic work in the past. What was it like working with them, and how did their experience with creating comics help shape the book? AB: Joel is the very first guy in the world to have ever published me--back when he ran the legendary Lower East Side literary magazine, Between C and D. He's a friend, whose books I admire enormously, who's been supportive--an even instrumental--in my career since the beginning, for over two decades. It surely helped that he also worked on some of the most influential graphic novels of the last decades and that he had previous relationships with Vertigo. Most importantly, he knows how to tell a story. I care less about that. I'm all about dialogue and atmospherics. I think we complement each other's work nicely. I hope so.

Review Praise for GET JIRO!: "GET JIRO unfolds in a dystopian version of Los Angeles where today's (mostly) polite and academic discussions about food have evolved into grisly gastronomic feuds.... In some ways, GET JIRO represents a coming-full-circle thing for Mr. Bourdain." --The New York Times "Bourdain ... promised 'an ultra-violent slaughter-fest over culinary arcane,' and he delivers pretty much exactly that.... Bourdain let's his foodie id run wild, extolling the elegant simplicity of a peasant dish like pot-au-feu here and caving in skulls with sauté pans there. Foss' stubby, doughfaced figures walk a fine line between goofy and thuggish, and fall apart with great ickiness when dismembered. Equal parts blunt culinary opinion-mongering and satiric takedown of the very same chef-worship culture Bourdain helped create, this amusing diversion coasts comfortably in the wake of the standard bearer of gore-soaked foodie comics." --Booklist About the Author Born in 1956, Anthony Bourdain graduated from the world-renowned Culinary Institute of America. His extensive body of work has graced the pages of The Times, New York Times, Observer, The Face, and Scotland on Sunday. He is an ongoing contributor and authority for Food Arts magazine. Bourdain's fictional works include two crime novels--1997's GONE BAMBOO and BONE IN THE THROAT in 1995. His book KITCHEN CONFIDENTIAL: ADVENTURES IN THE CULINARY UNDERBELLY was a bestseller, with an updated edition published in 2007. In 2002, the Food Network debuted what would become a 22 episode series featuring Bourdain circling the globe and feeding his adventure eating habit with the most extreme cuisine the world had to offer. The inspired best-selling book, A COOK'S TOUR IN SEARCH OF THE PERFECT MEAL, met with huge success in the United Kingdom and the United States. Joel Rose's most recent novel is THE BLACKEST BIRD, which has been translated into 13 languages. Previous books include KILL THE POOR, KILL KILL FASTER FASTER (both of which have been made into films), and NEW YORK SAWED IN HALF. For DC Comics, he wrote the graphic novels LA PACIFICA and THE BIG BOOK OF THUGS.

GET JIRO: BLOOD AND SUSHI BY ANTHONY BOURDAIN, JOEL ROSE PDF

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GET JIRO: BLOOD AND SUSHI BY ANTHONY BOURDAIN, JOEL ROSE PDF

Acclaimed chef, writer and television personality Anthony Bourdain and Joel Rose (Kill The Poor) return for the follow-up to their #1 New York Times bestseller GET JIRO from Vertigo. In GET JIRO: BLOOD AND SUSHI, Bourdain and Rose examine the origins of the mysterious Jiro and what made him into the chef he has become. Born the heir to a Yakuza crime family, Jiro never longed to travel the criminal path laid out before him, but instead chose to secretly study the rich culinary history of his homeland--something that would have significant repercussions if discovered by his gangster father. As Jiro's interest in the culinary arts deepens, his ability to keep his artistic and criminal worlds separate becomes too great, triggering a great personal loss that will forever change Jiro's path. ● ● ● ● ● ● ●

Sales Rank: #5470381 in Books Published on: 2016-11-01 Released on: 2016-11-01 Original language: English Dimensions: 10.20" h x .40" w x 6.60" l, .0 pounds Binding: Paperback 160 pages

Amazon.com Review Q&A with Anthony Bourdain What made you decide to write a graphic novel? Were you always a fan of the medium and had this story on your mind for a while? Anthony Bourdain: I've been a comics fan since childhood--when I was a serious collector of early Marvels (1960s, MAD, horror comics--later began collecting EC's, a few Golden Age, and late 60's West Coast Undergrounds). An early ambition was to be the next R. Crumb. Sadly, my illustration skills--while decent--were not up to anywhere near that standard. When Joel Rose brought the idea back up after an earlier discussion, I thought, "What red blooded American boy in his mid fifties wouldn't do a graphic novel if given the chance? Let's try! As long as we can do it right." The fact that Vertigo, very early on, was supportive of the kind of high quality art we were looking for made all the difference. How have your travels across the world informed this story? Did you draw inspiration from anything specific? AB: Well, I clearly love Japan--and am obsessed with hyper-fetishistic, uncompromising old school style sushi, and due to my travels, have been lucky enough to spend a lot of time there. But the

book reflects a lot of my food obsessions (funky classic brasserie/bistro) and prejudices. Travel changes you. It exposes you to things. My love of street food is certainly a product of my travels. Food culture as a whole has been a bit of a phenomenon in the media over the last few years, but not so much in comics. Was that part of your motivation for wanting to create Get Jiro? AB: I think the explosion of interest in chefs and restaurants is certainly easy fodder for satire. But my motivation was really nothing more than to help tell a story that would be fun, extremely bloody, beautifully illustrated--and insanely detailed as to the specifics of cooking and eating. I'm a big fan of classic Japanese cinema, Hammett's Red Harvest, spaghetti westerns and food--so these were obvious elements. Your co-writer, Joel Rose, and artist Langdon Foss have both done comic work in the past. What was it like working with them, and how did their experience with creating comics help shape the book? AB: Joel is the very first guy in the world to have ever published me--back when he ran the legendary Lower East Side literary magazine, Between C and D. He's a friend, whose books I admire enormously, who's been supportive--an even instrumental--in my career since the beginning, for over two decades. It surely helped that he also worked on some of the most influential graphic novels of the last decades and that he had previous relationships with Vertigo. Most importantly, he knows how to tell a story. I care less about that. I'm all about dialogue and atmospherics. I think we complement each other's work nicely. I hope so.

Review Praise for GET JIRO!: "GET JIRO unfolds in a dystopian version of Los Angeles where today's (mostly) polite and academic discussions about food have evolved into grisly gastronomic feuds.... In some ways, GET JIRO represents a coming-full-circle thing for Mr. Bourdain." --The New York Times "Bourdain ... promised 'an ultra-violent slaughter-fest over culinary arcane,' and he delivers pretty much exactly that.... Bourdain let's his foodie id run wild, extolling the elegant simplicity of a peasant dish like pot-au-feu here and caving in skulls with sauté pans there. Foss' stubby, doughfaced figures walk a fine line between goofy and thuggish, and fall apart with great ickiness when dismembered. Equal parts blunt culinary opinion-mongering and satiric takedown of the very same chef-worship culture Bourdain helped create, this amusing diversion coasts comfortably in the wake of the standard bearer of gore-soaked foodie comics." --Booklist About the Author Born in 1956, Anthony Bourdain graduated from the world-renowned Culinary Institute of America. His extensive body of work has graced the pages of The Times, New York Times, Observer, The Face, and Scotland on Sunday. He is an ongoing contributor and authority for Food Arts magazine. Bourdain's fictional works include two crime novels--1997's GONE BAMBOO and BONE IN THE THROAT in 1995. His book KITCHEN CONFIDENTIAL: ADVENTURES IN THE CULINARY UNDERBELLY was a bestseller, with an updated edition published in 2007. In 2002, the Food Network debuted what would become a 22 episode series featuring Bourdain circling the globe and feeding his adventure eating habit with the most extreme cuisine the world had to offer. The inspired best-selling book, A COOK'S TOUR IN SEARCH OF THE PERFECT MEAL, met with

huge success in the United Kingdom and the United States. Joel Rose's most recent novel is THE BLACKEST BIRD, which has been translated into 13 languages. Previous books include KILL THE POOR, KILL KILL FASTER FASTER (both of which have been made into films), and NEW YORK SAWED IN HALF. For DC Comics, he wrote the graphic novels LA PACIFICA and THE BIG BOOK OF THUGS. Most helpful customer reviews 12 of 13 people found the following review helpful. The difference between a snob and a connoisseur By J. C. Kinder I really liked Get Jiro. I liked the snide references, the in jokes, the sheer bloody mindedness of the whole production. What makes it all work, the pulsing vein under the tattooed skin, is Bourdain's profound love of food, of the craft of cooking and of the cooks who make it. It is that love of "The Good Stuff" that so often translates as snobbishness, when in fact it is the soul of a connoisseur. That soul is on proud display in Get Jiro. The plot is lifted directly from Yojimbo and other similar films. A badass comes into town, and two rival warlords battle each other for his services. Here that badass is Jiro, a super traditional Edo style sushi chef, willing to decapitate a customer for violating sushi etiquette. His blade work (pun very much intended)gets him noticed and the two warlords set out to recruit him. I am not sure who the industrial-internationalist chef is supposed to be modeled on, I suspect he is an amalgamation of chefs and business owners Bourdain has known over the years. The ecowarrior/locovore/organic chef is a blatant riff on Alice Waters. I am reminded of the essay in Medium Raw where he compares her food philosophy to that of the Khmer Rouge. Not favorably. The interesting thing about Get Jiro, and staying true to the Yojimbo format, is that both sides are shown to be absolute bastards. Not stupid, not incapable of producing good food. Just the reverseboth sides produce great food. Just that each camp falls into it's own unique corruption and hubris. Growing in the cracks between the two ideological camps are taco vendors who's food might not be remotely authentic, but are tasty and use good ingredients. Standing in line for a Vietnamese sandwich and eating it with delight. The joy and satisfaction from bistro food which relies on the cheap scraps of animals and utterly common vegetables. How someone can read this and still call Bourdain a food snob is beyond me. Yes, he disdains fast food and burgers which use Krispy Kreme doughnuts for buns. That's not "The Good Stuff." And sometimes "The Good Stuff" costs a lot of money, but that's not what makes it good. What makes something "The Good Stuff" is the care of the chef, from choosing the best ingredients, to technique, flavor, smell, everything that makes a bite special or memorable. Jiro gets that. There are a lot of fun bits in this book. Discussions on how to properly eat sushi and the importance of the rice. Different fish butchery techniques. How to cook a good broth, the necessity of good produce suppliers and a thousand other little details permeate the book. Even Jiro's knife and the wood used at his counter get a short discussion. Just wonderful. A short note on violence. This is a violent book. A lot of people die, are dismembered, decapitated and have other assorted unpleasantness befall them. It did not bother me particularly. It might bother you. It's riffing on spaghetti westerns and Kurosawa samurai flicks, there will be blood. On the other hand it has a good sense of humor and a good heart. I recommend it with no reservations (pun again, sorry), and have already lent my copy to a friend. Who is under strict orders to get it

back soon... 27 of 35 people found the following review helpful. Handsome Artwork And An Amusing Premise, But The Satiric Storytelling Needs More Flavor By K. Harris Controversial food personality Anthony Bourdain has never been reticent about vocalizing his viewpoints about cooking, foodie culture, and/or other celebrity chefs. This brash and opinionated matter-of-factness can make him somewhat of a take-it-or-leave-it proposition. I, for one, appreciate that his honesty (and even disdain) are not instantly filtered through a politically correct publicity machine. In the current entertainment landscape, it's increasingly rare for someone to express an unprocessed thought. So while I may not always agree with the outspoken Bourdain, I respect his forthrightness. I've been a fan of many of Bourdain's books, and still rank 2000's "Kitchen Confidential" as one of my favorites (it was even adapted into a short-lived and criminally underrated FOX sitcom with Bradley Cooper). Thus, I was pretty excited by the idea of "Get Jiro!" Combining my love of food entertainment with my love of the graphic novel form (is this really a large market?), "Get Jiro!" just sounded like fun! And, to a certain degree, it is. The story revolves around a future version of Los Angeles where fine dining and culinary superiority rule the day. The city is ravaged by opposing chefs, and this violent division creates a daily body count in the war of food movements. The two despots that run the dueling factions are exaggerated and satiric versions of contemporary food personalities that you might recognize (if not by actual person, by philosophy). Amidst the bloodshed (and enhancing it ten-fold), an independent sushi chef named Jiro comes to the attention of both warlords. But by trying to manipulate Jiro to their own end, each may find their own undoing at hand. Again, I love the idea of "Get Jiro!" The finished artwork that I've seen (credited to Langdon Foss) is incredibly detailed and impressive. I read quite a few graphic novels, and I would hold the completed images that were provided in my advance copy easily on the top tier. There is no doubt in my mind that the book will be visually stunning. Just studying the images, there are plenty of small in-jokes to amuse and entertain and the coloring and shading is top notch. My primary reservations, however, come from the actual story. Once I fully embraced the premise, I didn't feel like the narrative took me anyplace that I wasn't expecting from having read the synopsis. Once established, the story is rather straightforward (if gore soaked) and I wanted a bit more cleverness, a few more surprises, more moments to make me laugh. The idea is loaded with satiric possibilities, but the text plays it too straight through the violent onslaught of images. As a curiosity, I'd still recommend this to Bourdain fans or those interested in the culinary scene. If Jiro returns for another adventure, however, I'd like the humor to be heightened. It's a lunatic world that has been created, embrace it! About 3 1/2 stars. I liked my trip to the future, but I wanted to love it! KGHarris, 5/12. 7 of 8 people found the following review helpful. Last Chef Standing By Zack Davisson There is a tradition of celebrities "writing" comics. Rock musicians. Genre actors. Porn stars. What have you. There is also a tradition that these comics are terrible. They are pointless, vanity projects by people who don't know the first thing about writing comics and published by companies knowing they will bank a few coin on name value alone. Anthony Bourdain, I am happy to say, has broken this tradition.

Because "Get Jiro!" is pretty good. It's a funny, violent little satire that mixes foodies and celebrity chef culture with Kurosawa Akira's Yojimbo (or Dashiell Hammett's Red Harvest, depending on how you look at it), and spices it up with obsessive sushi culture. It's a comic with a good sense of humor that pokes fun at things that need to be poked at, and respects things that need to be respected. There is nothing epic here, nothing ground-breaking. I have seen the "chef as action hero" done before and done better in Johnny Hiro. But it is entertaining. The story is set in the future, where foodies and celebrity chefs dominate all other forms of entertainment. Imagine the Food Network pouring out from your TV and covering the world like a plaque, transforming everything it touches. In this world is Jiro, a traditionalist sushi maker working in a run-down little shop practicing his art. He gets caught in a struggle between Bob, the epicurean who knows exactly what a good meal is but still pushes out big-box, money-making junk restaurants for the masses (think Bobby Flay), and Alice, the neo-hippy locavore/vegan/ frutopian who follows every trend she can cash in on (think Alice Waters). In classic Yojimbo fashion, Jiro agrees to work for both and pits them against each other, trying to clear the playing field for small, artisanal restaurants. "Get Jiro!" works because even though Bourdain is a celebrity, he is also a writer. He and co-writer Joel Rose spice up the story with sex and violence and food porn. There is some nice deadpan humor--I loved the cops discussing the merits of sushi rice while dealing with a severed head. Bourdain packs the book full of his personal food philosophy, like that a run-down taco truck serves better, more delicious food than most 4-Star restaurants, or that tiny bistros run by passionate, skilled cooks are the greatest things in the world. Artist Langdon Foss does a decent job. I'm not familiar with Foss; his biography lists him as an artist for Heavy Metal and Wizards of the Coast. His art has an almost Steve Dillon (Preacher)tinge too it, with tube-headed, expressive figures filled in with lots of little lines. Foss does a good job with the details, and I was impressed to see a piece of sushi drawn with almost every grain of rice illustrated. Unfortunately, DC was chintzy and for a review copy sent me an uncolored proof with only the first twelve pages colored. This is a double-punch when you see that "Get Jiro!" Is a collaboration by two of the best colorists in the business, Jose Villarrubia (King Conan: The Scarlet Citadel), and the King of Colors himself Dave Stewart. Those first twelve pages show just how much a colorist contributes to a book over all, and can make a mediocre artist look brilliant. Villarrubia and Stewart add weight, depth, and much-needed punch to Foss' simple outlines, and the uncolored portion of the books looks amateurish by comparison. I am willing to bet that the final product will be outstanding to look at, but that will be thanks to the colorists not the artist. Oh, and one pet peeve: Because sushi chef Jiro is Japanese, "Get Jiro!" is peppered with Japanese words to add a little authenticity and flavor to the story. That's fine. The problem is, they are misspelled. Is it REALLY that hard to get a Japanese speaker to proof a book like this? I mean really. Especially with cooking terms that are the same in English and Japanese. Japanese chefs don't make "daishi." They make "dashi." They don't chop "moguro," they chop "maguro." If you are listening Anthony Bourdain, here is a deal for you! If you want to try this again, send me your books and I will proof the Japanese for you. Free of charge. Because just like sushi, getting the little details right makes all the difference.

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GET JIRO: BLOOD AND SUSHI BY ANTHONY BOURDAIN, JOEL ROSE PDF

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was it like working with them, and how did their experience with creating comics help shape the book? AB: Joel is the very first guy in the world to have ever published me--back when he ran the legendary Lower East Side literary magazine, Between C and D. He's a friend, whose books I admire enormously, who's been supportive--an even instrumental--in my career since the beginning, for over two decades. It surely helped that he also worked on some of the most influential graphic novels of the last decades and that he had previous relationships with Vertigo. Most importantly, he knows how to tell a story. I care less about that. I'm all about dialogue and atmospherics. I think we complement each other's work nicely. I hope so.

Review Praise for GET JIRO!: "GET JIRO unfolds in a dystopian version of Los Angeles where today's (mostly) polite and academic discussions about food have evolved into grisly gastronomic feuds.... In some ways, GET JIRO represents a coming-full-circle thing for Mr. Bourdain." --The New York Times "Bourdain ... promised 'an ultra-violent slaughter-fest over culinary arcane,' and he delivers pretty much exactly that.... Bourdain let's his foodie id run wild, extolling the elegant simplicity of a peasant dish like pot-au-feu here and caving in skulls with sauté pans there. Foss' stubby, doughfaced figures walk a fine line between goofy and thuggish, and fall apart with great ickiness when dismembered. Equal parts blunt culinary opinion-mongering and satiric takedown of the very same chef-worship culture Bourdain helped create, this amusing diversion coasts comfortably in the wake of the standard bearer of gore-soaked foodie comics." --Booklist About the Author Born in 1956, Anthony Bourdain graduated from the world-renowned Culinary Institute of America. His extensive body of work has graced the pages of The Times, New York Times, Observer, The Face, and Scotland on Sunday. He is an ongoing contributor and authority for Food Arts magazine. Bourdain's fictional works include two crime novels--1997's GONE BAMBOO and BONE IN THE THROAT in 1995. His book KITCHEN CONFIDENTIAL: ADVENTURES IN THE CULINARY UNDERBELLY was a bestseller, with an updated edition published in 2007. In 2002, the Food Network debuted what would become a 22 episode series featuring Bourdain circling the globe and feeding his adventure eating habit with the most extreme cuisine the world had to offer. The inspired best-selling book, A COOK'S TOUR IN SEARCH OF THE PERFECT MEAL, met with huge success in the United Kingdom and the United States. Joel Rose's most recent novel is THE BLACKEST BIRD, which has been translated into 13 languages. Previous books include KILL THE POOR, KILL KILL FASTER FASTER (both of which have been made into films), and NEW YORK SAWED IN HALF. For DC Comics, he wrote the graphic novels LA PACIFICA and THE BIG BOOK OF THUGS.

From now, locating the finished website that markets the finished books will be lots of, but we are the relied on site to go to. Get Jiro: Blood And Sushi By Anthony Bourdain, Joel Rose with very easy link, easy download, and also completed book collections become our great services to obtain. You can locate and use the advantages of selecting this Get Jiro: Blood And Sushi By Anthony Bourdain, Joel Rose as everything you do. Life is consistently creating and also you need

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