THE RECOGNITIONS (AMERICAN LITERATURE (DALKEY ARCHIVE)) BY WILLIAM GADDIS
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THE RECOGNITIONS (AMERICAN LITERATURE (DALKEY ARCHIVE)) BY WILLIAM GADDIS PDF
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THE RECOGNITIONS (AMERICAN LITERATURE (DALKEY ARCHIVE)) BY WILLIAM GADDIS PDF
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Published on: 2012 Binding: Paperback
Most helpful customer reviews 51 of 56 people found the following review helpful. Flawed Masterpiece? By zashibis Judging from the other reviews, most readers of this novel fall into two camps: fanboys bedazzled by Gaddis's writing -- even when they don't genuinely understand it -- and skeptics who generally give up after x-number of confusing pages and dismiss Gaddis as a pretentious bore. From where I sit, neither are entirely incorrect. The Recognitions is a monumental achievement -an acerbic, erudite, surgical dissection of modernity and the American Imperium in all its gaudy, hypocritical, cacophonous glory. It's a terrifying vision of a society adrift in a moral and spiritual vacuum, in which appearance always trumps reality, the ends always justify the means, and deception, superficiality and self-delusion are the only cultural currencies. So far from being "dated" (as one particularly boneheaded reviewer below has it) it reads as if it were written yesterday: a jeremiad against all the self-involved follies and vanities of the West that have only metastasized in the 55 years since Gaddis threw this thunderbolt. However, the novel also undeniably is pretentious -- chock-a-block with references to obscure early 20th century treatises and tomes you haven't read, and interpolating random bits of foreign languages (Hungarian anyone? Latin? Attic Greek?) that seem more calculated to showing off than to actually conveying meaning. Yes, this is a deliberate strategy on the part of Gaddis -- to create a "canvas" as detail-rich as the Bosch and Van Eyck paintings that obsess the novel's protagonist -but that doesn't mean it always works. Indeed, it frequently leads to profound tedium, particularly in the scenes involving Wyatt and Basil Valentine. (In this regard, Steven Moore's online "A Reader's Guide to William Gaddis's The Recognitions," with its page-by-page annotations, is absolutely invaluable for untangling the web of references and allusions, and rendering sense out of seeming nonsense.) Too, there's a curious imbalance in the novel. For me, the central figure, Wyatt/Stephen, is the least compelling character in the novel, and the least credible: a tortured artist who speaks only in choppy ellipses and stream-of-consciousness gobbledygook. He's supposed to be a charismatic figure -- the sort who could drive a girl (one in particular, named Esme) over the brink into madness -- but Gaddis never manages to convincingly convey that charisma or the source of Wyatt's psychological conflict. For this reason, the whole plot of Wyatt's temptation and (ambiguous) redemption -- which constitutes a self-conscious retelling of the Faust myth -- seems extremely labored to me. The many subplots (Otto's, Pivner's, Frank's, Stanley's) are all much more
enjoyable -- broadly and blackly comic, but also far more true-to-life than Wyatt's tormented musings. So, a great novel? Yes. But also a flawed one. Some would argue that those flaws are an important part of the book, just as Wyatt's defacing of his final forgery (a literal "de-face-ing," since he mars the face) is an important and necessary part of his art, rendering it the more "authentic." Maybe. But, to me, "clunky" is "clunky," and too much of the novel clunks. I don't regret at all the time and attention demanded by The Recognitions, but, excellent as much of it is, ultimately I don't think it's as great as it might have been with a ruthless editor and a less ostentatious author. (A note: I am not at all new to Gaddis's sensibility. Years ago I read both A Frolic of His Own and JR (Penguin Twentieth-Century Classics), and I still number the latter as one of my all-time favorite novels, and quite possibly the best American novel of the Twentieth Century. If you're going to read just one Gaddis, read J.R.) 3.5 stars. 0 of 0 people found the following review helpful. Four Stars By Lee R. Herrington a long read. 7 of 13 people found the following review helpful. Chrast, how unnecessary! By A Customer In my view, one sign of a postmodern classic is that it provokes in the real world the very things it thematizes in its own fictive world. The theme of indecision in Pynchon's Gravity's Rainbow is a ready example (think of the character Thanatz's "Of course it happened, of course it didn't happen," then think of the Pulitzer Prize fiasco the novel created). Likewise with Gaddis' The Recognitions, which, among so many other things, demonstrates the invincible [...]uselessness of the kind of critical evaluation attempted in the majority of these Amazon.comreviews of the novel. At their most helpful, they are simply thumbnail descriptions of what the book is, a catalog of its literary "parts" or qualities. At their most useless, they are merely attempts--a number of them remarkably bad--at what Nietzsche called "interpretosis." In short, the very interpretive and evaluative methods the novel so viciously satirizes, even to the point of personifying them in characters like Basil Valentine, Recktall Brown and The Distinguished Novelist, are unwittingly perpetuated by real-world reviewers of the novel who don't have the sense to know the joke's on them. Thankfully, in their reviews of The Recognitions, Robert M. Aber and "a reader from Singapore" stand out as readers who seem to have made this connection in their own way (a work of fiction about artistic fraudulence that generates critical fraudulence in the real world). But I like to think that Ed Feasley, a character in The Recognitions, would sum it up better than any of us here in the real world could. For if you were to encounter Ed on the street and tell him you were writing a book review, he would no doubt reply with his famous catch-phrase: "Chrast, how unnecessary!" See all 74 customer reviews...
THE RECOGNITIONS (AMERICAN LITERATURE (DALKEY ARCHIVE)) BY WILLIAM GADDIS PDF
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