PARADISE LOST BY JOHN MILTON
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From the Publisher Most popular student edition of Paradise Lost About the Author David Scott Kastan is the Old Dominion Professor in the Humanities, Columbia University.
PARADISE LOST BY JOHN MILTON PDF
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PARADISE LOST BY JOHN MILTON PDF
Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consisted of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout and a note on the versification. It is considered by critics to be Milton's "major work", and helped solidify his reputation as one of the greatest English poets of his time. The poem concerns the Biblical story of the Fall of Man: the temptation of Adam and Eve by the fallen angel Satan and their expulsion from the Garden of Eden. Milton's purpose, stated in Book I, is to "justify the ways of God to men" Short Summary The poem is separated into twelve "books" or sections, the lengths of which vary greatly (the longest is Book IX, with 1,189 lines, and the shortest Book VII, with 640). The Arguments at the head of each book were added in subsequent imprints of the first edition. Originally published in ten books, a fully "Revised and Augmented" edition reorganized into twelve books was issued in 1674, and this is the edition generally used today. The poem follows the epic tradition of starting in medias res (Latin for in the midst of things), the background story being recounted later. Milton's story has two narrative arcs, one about Satan (Lucifer) and the other following Adam and Eve. It begins after Satan and the other rebel angels have been defeated and banished to Hell, or, as it is also called in the poem, Tartarus. In Pandæmonium, Satan employs his rhetorical skill to organise his followers; he is aided by Mammon and Beelzebub. Belial and Moloch are also present. At the end of the debate, Satan volunteers to poison the newly created Earth and God's new and most favoured creation, Mankind. He braves the dangers of the Abyss alone in a manner reminiscent of Odysseus or Aeneas. After an arduous traversal of the Chaos outside Hell, he enters God's new material World, and later the Garden of Eden. At several points in the poem, an Angelic War over Heaven is recounted from different perspectives. Satan's rebellion follows the epic convention of large-scale warfare. The battles between the faithful angels and Satan's forces take place over three days. At the final battle, the Son of God single-handedly defeats the entire legion of angelic rebels and banishes them from Heaven. Following this purge, God creates the World, culminating in his creation of Adam and Eve. While God gave Adam and Eve total freedom and power to rule over all creation, He gave them one explicit command: not to eat from the Tree of the knowledge of good and evil on penalty of death. ● ● ● ● ● ● ●
Sales Rank: #7810557 in Books Published on: 2014-09-14 Original language: English Number of items: 1 Dimensions: 9.00" h x .92" w x 6.00" l, 1.18 pounds Binding: Paperback 366 pages
From the Publisher Most popular student edition of Paradise Lost About the Author
David Scott Kastan is the Old Dominion Professor in the Humanities, Columbia University. Most helpful customer reviews 75 of 78 people found the following review helpful. An excellently annotated version By Shane Cappuccio When John Milton set out to write Paradise Lost, he had every intention of writing a masterpiece of the English language. He felt he was destined for greatness, and his creation does not disappoint. With over 9000 lines of some of the greatest poetry every written, Milton does an incredible job of using classical and biblical allusions within a classical format to create a surprisingly modern and incredibly poignant look at the nature of God and man. Add on to this the fact that he was blind when he composed it, and you cannot call PL anything less than a work of genius. What separates this version from all the others available? The incredibly detailed work of the editors. The annotations of this edition are absolutely fantastic. They are plentiful (sometimes taking up as much as half a page), extremely informative, and surprisingly fun to read. Most annotated works such as this merely clarify antiquated vocabulary, but in this case the editors point out classical allusions, references to current events, and references to Milton's prose works. In addition to the prose and poetry associated with the text, the editors routinely mention the critical discourse (of which there is an unholy amount) associated with Milton. There are even moments where I laughed out loud at their comments. There is also a subtle touch to the annotations, in that there is no indication of annotations within the line. What I mean by this is that there are no bubbles or footnote marks in the body of the poem. The annotations at the bottom of the page simply point to a line number. This allows the reader to ignore the annotations if they choose to do so. Another nice characteristic of this edition is the artwork and illustrations included. There's some really fantastic stuff in there. All in all, this is an excellent edition of an excellent poem. 243 of 264 people found the following review helpful. Great edition, except. . . By Alcofribas Nasier I love Norton Critical Editions. Or I try to. Gordon Teskey's new edition of Paradise Lost is for the most part worthy of the praise it has received in other reviews on this site. However, it has one unpardonable flaw, which is the editor's tampering with Milton's poetic line. Teskey and the Norton editors have for some reason decided to make it "easy to read" by adding parentheses to complex syntactical passages that Milton wrote on purpose to be. . . I dunno. . . hard? This move to simplify the syntax alters not only the experience of the poem but, worse, its meaning. Take for example these famous lines of Satan's from Book I, the first words spoken in Hell: If thou beest he but O how fall'n! how changed From him who in the happy realms of light Clothed with transcendent brightness didst outshine Myriads, thought bright! if he whom mutual league,
United thoughts and counsels, equal hope. . . The meaning of the lines is confusing because Satan himself is confused, and now speaking for the first time a fallen language. The "he" from line one gets dropped until line four, when Satan remembers what he's talking about after wandering through a few memories of his life before the fall. The reader is supposed to feel the confusion and torment of this run-on sentence. But Teskey uses parentheses to clean up the very mess Milton wanted Satan to make of the sentence: If thou beest he (but O how fallen! how changed From him who in the happy realms of light Clothed with transcendent brightness didst outshine Myriads, though bright) if he whom. . . This effectively dumbs down the poem and drastically changes it. And there is way too much of it in this edition. It is common enough to modernize spelling and syntax in editions of early modern poetry, but this is a bit too much. Readers don't buy this book because they want an easy read; most readers, even students, don't mind if it is a little hard and confusing in parts. Mostly, I bet they want to see what Milton and not his editors wrote. 36 of 36 people found the following review helpful. Our Fall from Innocence By Delphi Classics Milton's great epic poem was written "to justify the ways of God to men", thus telling the story of Lucifer's expulsion from Heaven and Adam's subsequent banishment from Eden. The classic representations of idyllic Eden, fiery Hell, and glorious Heaven are as rich now as when they were first created in 1667. Paradise Lost is a very complicated, yet rewarding, Epic poem. It is by far the best of its kind in the English language, and where it lacks in original conventions, it more than makes up for it in its pure power of poetry. For those readers of translations who are unable to enjoy Homer's Greek, Virgil's Latin or Dante's Italian, Paradise Lost can offer them a unique chance to enjoy an epic poem in its original vernacular. However, you must bear in mind that Paradise Lost is one of the most difficult pieces of poetry to read, and is by no means as simple as reading a translation of Homer or Virgil. The language is lexically dense, with complex grammar structures at times. These hurdles will be found considerably easier for experienced readers of Shakespeare, and those who are already aware of common traits of epic poetry. Milton's use of language is majestic, boasting an impressive metre. The poem is lavished with many famous quotes that have become ingrained into everyday English, with such examples as "Pandemonium" and "All hell broke loose". Paradise Lost is, without a doubt, a must read for any intellectual English reader. Like all epic poetry Milton's piece of art is highly indebted to Homer's conventions, with typical imitations of the Iliad's list of warriors and the Odyssey's garden of Alcinous. But Milton's debt to the Classics manifests itself as a representation of learned study, (with links to such writers as Aeschylus, Sophocles, Plato, Shakespeare and Spenser), therefore it does not so much as pilfer from great literature, as it instead endeavours to become a part of it. Paradise Lost offers the epic reader a new form of subject, not just the usual heroes and large
battles, but a theme which captivates the reader - the devils fall and man's respectively. The rebel Angels' descent from heaven to hell and Adam's from Eden to a desolate "outside" world, captivate the reader with an intriguing theme: the loss of innocence and the fall into experience. Why must Man sin? What is his relationship to Satan's loss of grace? And where does God's image of himself measure with his own maker? Milton's poem may lack the great Achilles and the gleaming towers of Troy, but it does offer much intellectual food for thought. This Penguin edition is a rare find of value for money, it is not particlularly inexpensive, but come on ... please bear in mind the tiny price tag on this book - for less than half the price of a DVD you can own the English language's greatest poetic feat! It is the Miltonic Satan that really comes to the forefront of this poem. The cunning fallen angel, who decides that "All good to me is lost; Evil, be thou my Good" (IV.109-10), is as appealing to the reader as Marlowe's "Nun-poisoning" Barabas the Jew. It is with some guilt that this present commentator must own to rooting for this most infamous baddy throughout the poem. With a display of wit almost as sharp as Ovid or Nonnos, Milton indisputably gives his best lines to God's antagonist. This Devil is not just a superficial evil being, but instead a complex character; one that feels remorse for his fall, love for his close friends, and a harrowing jealousy of Man. What we are given by Milton's villain is not just a rewarding psychological study of Christianity's Devil, but also a commentary upon our own ignoble actions. See all 513 customer reviews...
PARADISE LOST BY JOHN MILTON PDF
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Just how can? Do you think that you do not need sufficient time to go for shopping e-book Paradise Lost By John Milton Never mind! Merely sit on your seat. Open your kitchen appliance or computer system and also be on-line. You could open or go to the link download that we supplied to get this Paradise Lost By John Milton By by doing this, you could obtain the on-line e-book Paradise Lost By John Milton Reviewing guide Paradise Lost By John Milton by online can be truly done easily by waiting in your computer system as well as kitchen appliance. So, you can continue whenever you have leisure time.
