THE TWO GENTLEMEN OF VERONA (FOLGER SHAKESPEARE LIBRARY) BY WILLIAM SHAKESPEARE
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About the Author William Shakespeare William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death. Barbara A. Mowat Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.
THE TWO GENTLEMEN OF VERONA (FOLGER SHAKESPEARE LIBRARY) BY WILLIAM SHAKESPEARE PDF
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THE TWO GENTLEMEN OF VERONA (FOLGER SHAKESPEARE LIBRARY) BY WILLIAM SHAKESPEARE PDF
While the word “gentlemen” suggests that its heroes are adults, The Two Gentlemen of Verona is more intelligible if we think of them as boys, leaving home for the first time. One has a crush on a girl, Julia, though he hasn’t yet told her. Sent to court to learn to be “perfect gentlemen,” Valentine and Proteus are derailed by their attraction to Sylvia, the ruler’s daughter. Valentine’s mental denseness does not deter Sylvia from returning his love, but he is caught, and banished, when he tries to elope with her. Proteus’s desire for Sylvia wipes out his former love, leading him into despicable acts that win scorn from Sylvia and wound Julia, who has pursued him disguised as a boy. When Sylvia follows Valentine into banishment, Proteus follows Sylvia, and Julia follows Proteus, the stage is set for a disturbing ending. But the stage is also set for the “gentlemen” to take small steps toward maturity. The authoritative edition of The Two Gentlemen of Verona from The Folger Shakespeare Library, the trusted and widely used Shakespeare series for students and general readers, includes: -Freshly edited text based on the best early printed version of the play -Full explanatory notes conveniently placed on pages facing the text of the play -Scene-by-scene plot summaries -A key to the play’s famous lines and phrases -An introduction to reading Shakespeare’s language -An essay by a leading Shakespeare scholar providing a modern perspective on the play -Fresh images from the Folger Shakespeare Library’s vast holdings of rare books -An annotated guide to further reading Essay by Jeffrey Masten The Folger Shakespeare Library in Washington, DC, is home to the world’s largest collection of Shakespeare’s printed works, and a magnet for Shakespeare scholars from around the globe. In addition to exhibitions open to the public throughout the year, the Folger offers a full calendar of performances and programs. For more information, visit Folger.edu. ● ● ● ●
Sales Rank: #840793 in eBooks Published on: 2016-03-15 Released on: 2016-03-15 Format: Kindle eBook
About the Author
William Shakespeare William Shakespeare was born in April 1564 in the town of Stratford-upon-Avon, on England’s Avon River. When he was eighteen, he married Anne Hathaway. The couple had three children—an older daughter Susanna and twins, Judith and Hamnet. Hamnet, Shakespeare’s only son, died in childhood. The bulk of Shakespeare’s working life was spent in the theater world of London, where he established himself professionally by the early 1590s. He enjoyed success not only as a playwright and poet, but also as an actor and shareholder in an acting company. Although some think that sometime between 1610 and 1613 Shakespeare retired from the theater and returned home to Stratford, where he died in 1616, others believe that he may have continued to work in London until close to his death. Barbara A. Mowat Barbara A. Mowat is Director of Research emerita at the Folger Shakespeare Library, Consulting Editor of Shakespeare Quarterly, and author of The Dramaturgy of Shakespeare’s Romances and of essays on Shakespeare’s plays and their editing.
Most helpful customer reviews 3 of 3 people found the following review helpful. Not bad until the final scene. By James Yanni As with all Shakespeare, this play is very prettily written, even if the language IS archaic enough to give most modern readers a bit of difficulty without a good set of notes. As with most Shakespeare, particularly those Shakespearean plays that deal at least peripherally with romance, the plot is less than ideal. In this case, my objection is not the one I usually have; he actually DOES recognize that love is not a magical, all-encompassing thing that involves being immediately besotted before one even knows the other person's name; Valentine's friendship for Proteus is shown to be stronger than his "love" for Sylvia. OK, fine as far as it goes. Still, the ending scene in which this is revealed is flawed beyond belief by every OTHER action in it. First of all, Proteus's friendship for Valentine is NOT strong enough to keep him from betraying him in order to try to win Sylvia's love. OK, so Valentine is a better friend, and a better person, than Proteus. That's fair. But Valentine goes from declaring flatly that he can never trust Proteus again once he learns of this, to forgiving him entirely just because he says he's sorry moments later. OK, Valentine is just a sucker for Proteus, and can't stay mad at him no matter what. That makes the character rather weaker and stupider than I think he's supposed to be percieved as, but let that slide. He then yields any interest he has in Sylvia to Proteus for friendship's sake, in spite of the fact that he'd just come upon Proteus trying to rape her. This makes him both an idiot and a worthless lover; it's one thing to count friendship higher than romantic love; it's another to subject your love to rape for friendship's sake. But ignore that; where this scene TRULY becomes intolerably, stupidly unbelievable is that Sylvia says not a peep of objection to this betrayal, and when Proteus winds up back with Julia, Sylvia cheerfully, happily is back with Valentine without so much as a suggestion that she has anything to forgive him for or any reason to think about whether this is a good idea. And Julia, who has been utterly betrayed by Proteus, and seen him not only try to seduce his "best friend's" love, but seen him try to rape her, likewise accepts him back into her life without so much as a hesitation to decide whether this is a good idea or not. All of this would have been dubious but possibly manageable if the ladies had spoken of how betrayed they were, but chosen to forgive their lovers for the sake of love, or some such rot, but to not even
acknowledge that they have been badly used but are being generously forgiving simply ruins the play. I realize that this would have been considered less objectionable in Shakespeare's day than it is now, given the status (or lack thereof) of women in that society. I still think it would have been dubious even then, but if not, all that proves is that this play is thoroughly ruined for the modern reader/audience by being totally outdated, not unlike "The Merchant of Venice". 2 of 2 people found the following review helpful. Shakespeare play gets a R rating... for adults only... By janebbooks Back around the turn of the 21st century, I ran an used bookstore, mainly mysteries, in a small Southern town and often wished someone would write book and play reviews for our weekday local newspaper. We had a glorious and intimate opera house that had been renovated to maintain its late Victorian structure. We had a director who was well aware that even though small in population, the presence of a four-year liberal arts college provided an audience for Shakespeare plays. To increase the attendance, the editor of the local paper suggested that I write previews of plays for the local community. Here is my preview of Shakespeare's THE TWO GENTLEMEN FROM VERONA. March 20, 2006. The Acting Company of New York is returning to our town---the touring repertory featuring talented young actors and artists that performs each year in over 50 cities of America. The Company is presenting this year a classical production of Shakespeare's THE TWO GENTLEMEN OF VERONA. The distinguished actor, John Houseman, founded the Company in 1972 along with the current Producing Director Margot Harley and members of the first graduation class of Julliard's Drama Division. Their season performance of Shakespeare's The Two Gentlemen of Verona will be at the Newberry Opera House on March 22 at 8pm. It is their only performance of the play in South Carolina. If ever a Shakespeare play needed to be seen rather than read, it is this play, declared Helen Garlington at the local library's monthly book discussion several weeks ago. Garlington, a local thespian, had seen Two Gents at Stratford on her last trip to London and peppered her talk with readings, stage drawings, and reminisces. The play is a comedy of manners about two young lads from Verona who are sent to Milan to a sort of male finishing school. They will learn to be "perfect" gentlemen, to practice in "tilts and tournaments," and to make proper (male) conversation. It's the first journey away from home for both Valentine and Proteus, who are longtime friends. Both behave badly in ways that get them in terrible trouble. Naturally, each lad is accompanied by a servant. Speed is as bright as Valentine is dim. Lance is as loving and compassionate as Proteus is callous. The funniest scene in the play occurs in Act Two when Lance plays out his farewell scene to his family using his left and right shoes, his walking staff, and his dog Crab. And, of course, each lad has a girlfriend. Valentine falls for the Duke's daughter Sylvia at the Emperor's court in Milan. Proteus exchanges rings with Julia before he leaves for Milan. And Julia follows him disguised as a page becoming the first cross-dressing heroine in Shakespeare's writing career.
The Two Gentlemen from Verona is an early Shakespeare play appearing in the First Folio in 1623. The final scene in the play has confounded modern critics and may be a reason for the play's unpopularity. In 1921 an Edwardian critic noted, "there are, at this time, no gentlemen in Verona." Another critic surmised that the play is Shakespeare's parody of literature in which friendship is portrayed as greater than love. Others suggest that a collaborator or two revised the final scene and pasted in another version. To quote the Bard, this critic, soon to be a viewer, believes that "all's well that ends well." (To read this play and write this preview, I exclusively used THE NEW FOLGER LIBRARY edition. In addition to the play, the Folger edition contains longer notes, textual notes, a suggested Further Reading, and an essay titled A Modern Perspective which add to the reader's enjoyment and provided truth and trivia for this review.) 0 of 0 people found the following review helpful. An Early Shakespeare Comedy - Good Study Material By FCD117 Two Gentlemen of Verona is an early Shakespeare "comedy". This is not necessarily a comedy as we now understand it. Personally, Shakespeare always makes me cringe in every so called comedy that I have ever read and watched. This play is no exception. Simply read in a vacuum I don't find this play anything special. As an early play it does not reflect the magestic style of later works. Also, I also always feel the need to make allowances for the different times when these plays were written. By current standards, these plays are often misogynistic and laced with other cultural biases. Shakespeare is a central figure in Western Literature. As such, he bears study. For me, Shakespeare was and is not always an easy read. Therefore I have found that studying his early works with proper study aides greatly enhances the experience of understanding Shakesepare. There are ideas and themes which show up in this play that Shakespeare developes in future plays. Females dressing as males, intrique between friends, misunderstandings, all can be found in future comedies. In summary, I feel the greatest value in reading and studying this play is for the purposes of comparing and contrasting to his later works. Thank You... See all 8 customer reviews...
THE TWO GENTLEMEN OF VERONA (FOLGER SHAKESPEARE LIBRARY) BY WILLIAM SHAKESPEARE PDF
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Spending the downtime by checking out The Two Gentlemen Of Verona (Folger Shakespeare Library) By William Shakespeare could offer such fantastic encounter also you are only seating on your chair in the workplace or in your bed. It will not curse your time. This The Two Gentlemen Of Verona (Folger Shakespeare Library) By William Shakespeare will certainly assist you to have even more priceless time while taking rest. It is extremely enjoyable when at the noon, with a cup of coffee or tea and a book The Two Gentlemen Of Verona (Folger Shakespeare Library) By William Shakespeare in your kitchen appliance or computer screen. By enjoying the sights around, right here you can start reviewing.
