THE STUDIOS OF PARIS: THE CAPITAL OF ART IN THE LATE NINETEENTH CENTURY BY PROFESSOR JOHN MILNER
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From Publishers Weekly For artists active in Paris between 1880 and 1914, surviving by one's art was exceedingly difficult, while financial success was denied to all but a few. This engaging study spotlights scores of unfamiliar as well as celebrated Parisian painters and sculptors who got by through their wits and talent. Nearly all of them strived to exhibit at the official Salon, as this conferred respectability; some artists sold their own works at auction, a nerve-racking and potentially disastrous ploy; others were lucky enough to have their pictures displayed at the Moulin Rouge, where Toulouse-Lautrec loitered to sketch the nightlife. For women, the job of painter's model was no less arduousan exhausting and boring task even at the prestigious Ecole des Beaux-Arts. Milner, author of Vladimir Tatlin and the Russian Avant Garde, explores romantic myths as he documents the stark realities of the City of Light. This wonderfully illustrated chronicle teems with paintings, drawings and period photographs of artists and their haunts. Copyright 1988 Reed Business Information, Inc. From Library Journal From the lofty institutionsthe Louvre and Ecole des Beaux Artsto the alleys and byways of Montmartre and Montparnasse, Milner describes the Parisian 19th-century art world. He considers salon stars and hopefuls, expositions, public monuments, painters painting other painters, and neighborhood attractions and distractions. The well-informed text combines a tour guide approach with historical narrative using quoted source material. There is some similarity of intent to Philippe Julian's Montmartre (1977), though this work was oriented more to personality and intimate description. Color plates include city scenes by Tissot, Jean Beraud, Caillebotte, and John Singer Sargent. While attractive, this book will be of interest mostly to students and scholars. Hara Seltzer, NYPL Copyright 1988 Reed Business Information, Inc.
THE STUDIOS OF PARIS: THE CAPITAL OF ART IN THE LATE NINETEENTH CENTURY BY PROFESSOR JOHN MILNER PDF
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THE STUDIOS OF PARIS: THE CAPITAL OF ART IN THE LATE NINETEENTH CENTURY BY PROFESSOR JOHN MILNER PDF
New Haven published European Art ● ● ● ● ● ● ●
Sales Rank: #2385819 in Books Published on: 1988-09-10 Original language: English Number of items: 1 Dimensions: 1.01" h x 9.97" w x 11.18" l, Binding: Hardcover 184 pages
From Publishers Weekly For artists active in Paris between 1880 and 1914, surviving by one's art was exceedingly difficult, while financial success was denied to all but a few. This engaging study spotlights scores of unfamiliar as well as celebrated Parisian painters and sculptors who got by through their wits and talent. Nearly all of them strived to exhibit at the official Salon, as this conferred respectability; some artists sold their own works at auction, a nerve-racking and potentially disastrous ploy; others were lucky enough to have their pictures displayed at the Moulin Rouge, where Toulouse-Lautrec loitered to sketch the nightlife. For women, the job of painter's model was no less arduousan exhausting and boring task even at the prestigious Ecole des Beaux-Arts. Milner, author of Vladimir Tatlin and the Russian Avant Garde, explores romantic myths as he documents the stark realities of the City of Light. This wonderfully illustrated chronicle teems with paintings, drawings and period photographs of artists and their haunts. Copyright 1988 Reed Business Information, Inc. From Library Journal From the lofty institutionsthe Louvre and Ecole des Beaux Artsto the alleys and byways of Montmartre and Montparnasse, Milner describes the Parisian 19th-century art world. He considers salon stars and hopefuls, expositions, public monuments, painters painting other painters, and neighborhood attractions and distractions. The well-informed text combines a tour guide approach with historical narrative using quoted source material. There is some similarity of intent to Philippe Julian's Montmartre (1977), though this work was oriented more to personality and intimate description. Color plates include city scenes by Tissot, Jean Beraud, Caillebotte, and John Singer Sargent. While attractive, this book will be of interest mostly to students and scholars. Hara Seltzer, NYPL Copyright 1988 Reed Business Information, Inc. Most helpful customer reviews 0 of 0 people found the following review helpful.
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THE STUDIOS OF PARIS: THE CAPITAL OF ART IN THE LATE NINETEENTH CENTURY BY PROFESSOR JOHN MILNER PDF
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The books The Studios Of Paris: The Capital Of Art In The Late Nineteenth Century By Professor
John Milner, from simple to challenging one will certainly be an extremely beneficial jobs that you could require to transform your life. It will certainly not provide you adverse statement unless you don't get the significance. This is certainly to do in reviewing a publication to get rid of the definition. Commonly, this e-book qualified The Studios Of Paris: The Capital Of Art In The Late Nineteenth Century By Professor John Milner is reviewed since you actually such as this kind of ebook. So, you can get easier to recognize the perception and also definition. Again to constantly remember is by reviewing this e-book The Studios Of Paris: The Capital Of Art In The Late Nineteenth Century By Professor John Milner, you could fulfil hat your interest begin by finishing this reading e-book.
