THE PANOPTICON: A NOVEL BY JENNI FAGAN

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From Booklist *Starred Review* Anais Hendricks, the tough, fiery 15-year-old at the center of Fagan’s first novel, has grown up in the foster care system in England. Abandoned by her mother, who gave birth to her in a mental institution, Anais has been bounced around ever since the murder of Theresa, a compassionate prostitute and the only mother figure Anais has ever known. Anais is brought to the Panopticon, a halfway house for truant teens, after she’s accused of brutally beating a police officer and leaving her in a coma. Anais, who was hopped up on drugs at the time, can’t remember whether she’s guilty or not. The police are gunning for her, determined to send Anais to juvenile detention until she’s 18. At the Panopticon, Anais is convinced she’s being watched as part of a sinister experiment, the purpose of which, she believes, is to try to bring her down and all but eradicate her from society. Told in Anais’ raw voice, Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut. --Kristine Huntley Review Named one of Granta's Best of Young British Novelists Shortlisted for The Desmond Elliott Award Shortlisted for The James Tait Black Prize Shortlisted for the Dundee International Book Prize “Fagan has created a feisty, brass-knuckled yet deeply vulnerable heroine, who feels like sort of a cross between Lisbeth Salander, Stieg Larsson’s 'Girl With the Dragon Tattoo,' and one of Irvine Welsh’s drug-taking Scottish miscreants from 'Trainspotting' or 'Skagboys.' Her novel is by turns gritty, unnerving, exhausting, [and] ferocious...A deeply felt and genuinely affecting novel.” —Michiko Kakutani, New York Times “Fagan has given us one of the most spirited heroines to cuss, kiss, bite and generally break the

nose of the English novel in many a moon…there is no resisting the tidal rollout of Fagan’s imagery. Her prose beats behind your eyelids, the flow of images widening to a glittering delta whenever Anais approaches the vexed issue of her origins…vive Jenni Fagan...whose next book just moved into my ‘eagerly anticipated’ pile.”—Tom Shone, New York Times Book Review “[Fagan] grew up in what’s euphemistically called ‘the care system,’ and she writes about these young people with a deep sympathy for their violently disordered lives and an equally deep appreciation of their humor and resiliency…[Fagan has a] rousing voice, with its roundly rendered Scottish accent.”—Ron Charles, Washington Post "A classic coming-of-age tale."—Boston Globe “Fagan’s style calls to mind fellow Scottish writer Anthony Burgess, whose novel A Clockwork Orange used similar lexicographic liberties to reinforce a theme of teenage dystopia” —The Daily Beast “[A] terrific portrait of a young criminal…Fagan makes this ugly life somehow beautiful.”—Alan Cheuse, NPR "The Panopticon [is] a terrifically gritty and vivid debut.” —Cleveland Plain Dealer “She’s Oliver, with a twist. Anais Hendricks, 15, and the female protagonist of poetess Fagan’s first novel, cuts right to the chase as she chronicles the modern British foster care system.” —New York Post “The Panopticon is like its protagonist: tough as old boots and always ready with the fists, but likely to steal your heart if you’ll just slow down and listen.”—National Post “Fagan creates a complex and vulnerable character…[and] even though Anais makes it hard for you to love her, you can’t help wishing her out of her plight and cheering her upward.” —Bust (four stars) "The Panopticon is an exquisite first novel--Jenni Fagan has created a dark, disturbing, yet ultimately hopeful portrait of a young woman growing up alone in the Scottish foster care system. To say it is haunting is an understatement--I kept wanting to set a place for Anais at the table with the rest of my children."—Vanessa Diffenbaugh, New York Times bestselling author of The Language of Flowers "Jenni Fagan has created a high-resolution portrait of a throwaway kid. Fifteen-year-old Anais, born in a mental ward, tumbled through the social work system, violated and violent, high on whatever, each decision she makes is a jaunty wave as she sails past the next point of no return. This is a contemporary tragedy of the highest order." —Carol Anshaw, New York Times bestselling author of Carry the One “In the Margaret Atwood/The Handmaid’s Tale vein—very literary and suspenseful. I like books set in an altered reality—one that feels familiar and yet also deeply unfamiliar, that embodies some of the dailiness of life, and yet slowly reveals itself to be a very different, much more sinister place.”—Gillian Flynn, Oprah.com

"With The Panopticon, Fagan makes Foucault proud and readers ecstastic. This is why we read. You'll begin wanting to save Anais Hendricks but finish wondering if, and how, she's managed to save you."— Tupelo Hassman, author of Girlchild "Jenni Fagan is the real thing, and The Panopticon is a real treat: maturely alive to the pains of maturing, and cleverly amused as well as appalled by what it finds in the world." -Andrew Motion "Ferocious and devastating, The Panopticon sounds a battle-cry on behalf of the abandoned, the battered, and the betrayed. To call it a good novel is not good enough: this is an important novel, a book with a conscience, a passionate challenge to the powers-that-be. Jenni Fagan smashes every possible euphemism for adolescent intimacy and adolescent violence, and she does it with tenderness and even humour. Hats off to Jenni Fagan! I will be recommending this book to everyone I know." -Eleanor Catton, author of The Rehearsal "This is a wonderful book – gripping and brilliant. Anais’s journey will break your heart and her voice is unforgettable. Bursting with wit, humanity and beauty as well as an unflinching portrayal of life as a ‘cared for’ young adult, this book will not let you go." -Kate Williams "Best debut novel I've read this year." -Irvine Welsh "Uncompromising and courageous...one of the most cunning and spirited novels I’ve read for years. The story of Anais, a fifteen-year-old girl blasting her way through the care-home system while the system in turn blasts her away to nothing, looks on the surface to be work of a recognizable sort, the post-Dickensian moral realism/fabulism associated with writers like Irvine Welsh. But Fagan’s narrative talent is really more reminiscent of early Camus and that this novel is a debut is near unbelievable. Tough and calm, electrifying and intent, it is an intelligent and deeply literary novel which deals its hope and hopelessness simultaneously with a humaneness, both urgent and timeless, rooted in real narrative subtlety."–Ali Smith, TLS – books of the year "If you’re trying to find a novel to engage a determinedly illiterate teenager, give them this one. Anais, the 15-year-old heroine and narrator, has a rough, raw, joyous voice that leaps right off the page and grabs you by the throat…This punkish young philosopher is struggling with a terrible past, while battling sinister social workers. Though this will appeal to teenagers, the language and ideas are wholly adult, and the glorious Anais is unforgettable." –The Times "[A] confident and deftly wrought debut…The Panopticon is an example of what Martin Amis has called the “voice novel”, the success of which depends on the convincing portrayal of an idiosyncratic narrator. In this Fagan excels…Her voice is compellingly realised. We cheer her on as she rails against abusive boyfriends and apathetic social workers, her defiance rendered in a rich Midlothian brogue." –Financial Times "The most assured and intriguing first novel by a Scottish writer that I have read in a decade, a book which is lithely and poetically written, politically and morally brave and simply unforgettable…Anais’s voice is an intricate blend of the demotic and the hauntingly lyrical…There are moments which are genuinely distressing to read, which return the reader to a painful sense of how mindlessly and unspeakable cruel people can be. But it is marbled with cynical, smart comedy…Fagan is exceptionally skilful with bathos, a notoriously difficult literary register; here, however, it manages to be funny and heart-breakingly tender at the same time…Naturalistic and pleasingly oblique. Life, as Stevenson said, is “infinite, illogical, abrupt and poignant”. To render

this novelistically is a rare achievement…The Panopticon appeals to writers since in some ways the novelist is the prison’s arch-overseer, able to look into the minds of the characters. But that comes with a duty: to keep your eyes open even when you’d rather shut them. Fagan is gloriously open-eyed about immaturity, maturity, sexuality, crime, dispossession and more. Her ability to capture the cross-currents of language, the impersonations of consciousness, is admirable…As a debut, The Panopticon does everything it should. It announces a major new star in the firmament." –Stuart Kelly, Scotsman "[The narrator] is engagingly drawn by Fagan, who has created a character possessed of intellectual curiosity and individual quirks…Written with great verve…Fagan has a clear voice, an unflinching feel for the complexity of the teenage mindset, and an awareness of the burden we impose on children…What’s intriguing here – particularly in a Scottish fiction landscape that can display too much of the plodding everyday – is her effort to lift the story of teen misadventure into a heightened realm of intellectual aspiration and quasi-sci-fi notions of sinister social change." –Scotland on Sunday "What Fagan depicts in her debut novel, The Panopticon, is a society in which people don't just fall through the net – there is no net…Fagan is writing about important stuff: the losers, the lonely, most of them women. [Anais] maintains a cool, smart, pretty, witty and wise persona." –Guardian "Reminiscent of Girl, Interrupted…The novel is as bold, shocking and intelligent as its central character…The institutional details (magnolia walls, screwed-down chairs) anchor The Panopticon in realism, giving it a greater bite. Much of Anais’ life is the stuff of tabloid shock stories and The Panopticon’s strength lies in giving you an insight into the lonely, damaged girl behind the headlines…This week’s winner." –Stylist "An indictment of the care system, this dazzling and distinctive novel has at its heart an unstoppable heroine…Fagan’s prose is fierce, funny and brilliant at capturing her heroine’s sparky smartness and vulnerability…Emotionally explosive."–Marie Claire "Fagan's writing is taut and controlled and the dialogue crackles." –The Herald This is the best debut I’ve read this year...and all because of the character of Anais, who is one of the best narrators I have ever come across. An essential read."–Living North “Anais’s story is one of abandonment, loss, and redemption, well suited for a paranoid age in which society finds itself constantly under the microscope.” –Publishers Weekly “Dark and disturbing but also exciting and moving, thanks to a memorable heroine and vividly atmospheric prose…Fagan [paints] her battered characters’ fierce loyalty to each other with such conviction and surprising tenderness.”—Kirkus Reviews “Told in Anais’ raw voice, Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut.” –Booklist (starred review) "Anais's ongoing internal dialog, her periodic reimagining of her life and situation, is enthralling...James Kelman's How Late It Was, How Late meets Ken Kesey's One Flew over the

Cuckoo's Nest. Not to be missed." –Library Journal (starred review) About the Author JENNI FAGAN was born in Livingston, Scotland. She graduated from Greenwich University and won a scholarship to the Royal Holloway MFA. A published poet, she has won awards from Arts Council England, Dewar Arts and Scottish Screen among others. She has twice been nominated for the Pushcart Prize, was shortlisted for the Dundee International Book Prize, and was named one of Granta's Best of Young British Novelists in 2013. The Panopticon is her first novel.

THE PANOPTICON: A NOVEL BY JENNI FAGAN PDF

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THE PANOPTICON: A NOVEL BY JENNI FAGAN PDF

An Amazon Best of the Year pick and named one of NPR, Library Journal, and Flavorwire's Best of 2013 novels, THE PANOPTICON is a dazzling debut by one of Granta’s Best Young British Novelists Anais Hendricks, fifteen, is in the back of a police car. She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais’s school uniform is covered in blood. Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counterculture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor. Anais finds a sense of belonging among the residents of the Panopticon – they form intense bonds, and she soon becomes part of an ad hoc family. Together, they struggle against the adults that keep them confined. When she looks up at the watchtower that looms over the residents though, Anais knows her fate: she is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in. Named one of the best books of the year by the Times Literary Supplement and the Scotsman, The Panopticon is an astonishingly haunting, remarkable debut novel. In language dazzling, energetic and pure, it introduces us to a heartbreaking young heroine and an incredibly assured and outstanding new voice in fiction. ● ● ● ● ● ● ● ● ● ●

Sales Rank: #809389 in Books Brand: Brand: Hogarth Published on: 2013-07-23 Released on: 2013-07-23 Format: Deckle Edge Original language: English Number of items: 1 Dimensions: 9.51" h x 1.10" w x 6.53" l, 1.29 pounds Binding: Hardcover 304 pages

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From Booklist *Starred Review* Anais Hendricks, the tough, fiery 15-year-old at the center of Fagan’s first novel, has grown up in the foster care system in England. Abandoned by her mother, who gave birth to

her in a mental institution, Anais has been bounced around ever since the murder of Theresa, a compassionate prostitute and the only mother figure Anais has ever known. Anais is brought to the Panopticon, a halfway house for truant teens, after she’s accused of brutally beating a police officer and leaving her in a coma. Anais, who was hopped up on drugs at the time, can’t remember whether she’s guilty or not. The police are gunning for her, determined to send Anais to juvenile detention until she’s 18. At the Panopticon, Anais is convinced she’s being watched as part of a sinister experiment, the purpose of which, she believes, is to try to bring her down and all but eradicate her from society. Told in Anais’ raw voice, Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut. --Kristine Huntley Review Named one of Granta's Best of Young British Novelists Shortlisted for The Desmond Elliott Award Shortlisted for The James Tait Black Prize Shortlisted for the Dundee International Book Prize “Fagan has created a feisty, brass-knuckled yet deeply vulnerable heroine, who feels like sort of a cross between Lisbeth Salander, Stieg Larsson’s 'Girl With the Dragon Tattoo,' and one of Irvine Welsh’s drug-taking Scottish miscreants from 'Trainspotting' or 'Skagboys.' Her novel is by turns gritty, unnerving, exhausting, [and] ferocious...A deeply felt and genuinely affecting novel.” —Michiko Kakutani, New York Times “Fagan has given us one of the most spirited heroines to cuss, kiss, bite and generally break the nose of the English novel in many a moon…there is no resisting the tidal rollout of Fagan’s imagery. Her prose beats behind your eyelids, the flow of images widening to a glittering delta whenever Anais approaches the vexed issue of her origins…vive Jenni Fagan...whose next book just moved into my ‘eagerly anticipated’ pile.”—Tom Shone, New York Times Book Review “[Fagan] grew up in what’s euphemistically called ‘the care system,’ and she writes about these young people with a deep sympathy for their violently disordered lives and an equally deep appreciation of their humor and resiliency…[Fagan has a] rousing voice, with its roundly rendered Scottish accent.”—Ron Charles, Washington Post "A classic coming-of-age tale."—Boston Globe “Fagan’s style calls to mind fellow Scottish writer Anthony Burgess, whose novel A Clockwork Orange used similar lexicographic liberties to reinforce a theme of teenage dystopia” —The Daily Beast “[A] terrific portrait of a young criminal…Fagan makes this ugly life somehow beautiful.”—Alan Cheuse, NPR "The Panopticon [is] a terrifically gritty and vivid debut.” —Cleveland Plain Dealer

“She’s Oliver, with a twist. Anais Hendricks, 15, and the female protagonist of poetess Fagan’s first novel, cuts right to the chase as she chronicles the modern British foster care system.” —New York Post “The Panopticon is like its protagonist: tough as old boots and always ready with the fists, but likely to steal your heart if you’ll just slow down and listen.”—National Post “Fagan creates a complex and vulnerable character…[and] even though Anais makes it hard for you to love her, you can’t help wishing her out of her plight and cheering her upward.” —Bust (four stars) "The Panopticon is an exquisite first novel--Jenni Fagan has created a dark, disturbing, yet ultimately hopeful portrait of a young woman growing up alone in the Scottish foster care system. To say it is haunting is an understatement--I kept wanting to set a place for Anais at the table with the rest of my children."—Vanessa Diffenbaugh, New York Times bestselling author of The Language of Flowers "Jenni Fagan has created a high-resolution portrait of a throwaway kid. Fifteen-year-old Anais, born in a mental ward, tumbled through the social work system, violated and violent, high on whatever, each decision she makes is a jaunty wave as she sails past the next point of no return. This is a contemporary tragedy of the highest order." —Carol Anshaw, New York Times bestselling author of Carry the One “In the Margaret Atwood/The Handmaid’s Tale vein—very literary and suspenseful. I like books set in an altered reality—one that feels familiar and yet also deeply unfamiliar, that embodies some of the dailiness of life, and yet slowly reveals itself to be a very different, much more sinister place.”—Gillian Flynn, Oprah.com "With The Panopticon, Fagan makes Foucault proud and readers ecstastic. This is why we read. You'll begin wanting to save Anais Hendricks but finish wondering if, and how, she's managed to save you."— Tupelo Hassman, author of Girlchild "Jenni Fagan is the real thing, and The Panopticon is a real treat: maturely alive to the pains of maturing, and cleverly amused as well as appalled by what it finds in the world." -Andrew Motion "Ferocious and devastating, The Panopticon sounds a battle-cry on behalf of the abandoned, the battered, and the betrayed. To call it a good novel is not good enough: this is an important novel, a book with a conscience, a passionate challenge to the powers-that-be. Jenni Fagan smashes every possible euphemism for adolescent intimacy and adolescent violence, and she does it with tenderness and even humour. Hats off to Jenni Fagan! I will be recommending this book to everyone I know." -Eleanor Catton, author of The Rehearsal "This is a wonderful book – gripping and brilliant. Anais’s journey will break your heart and her voice is unforgettable. Bursting with wit, humanity and beauty as well as an unflinching portrayal of life as a ‘cared for’ young adult, this book will not let you go." -Kate Williams "Best debut novel I've read this year." -Irvine Welsh "Uncompromising and courageous...one of the most cunning and spirited novels I’ve read for

years. The story of Anais, a fifteen-year-old girl blasting her way through the care-home system while the system in turn blasts her away to nothing, looks on the surface to be work of a recognizable sort, the post-Dickensian moral realism/fabulism associated with writers like Irvine Welsh. But Fagan’s narrative talent is really more reminiscent of early Camus and that this novel is a debut is near unbelievable. Tough and calm, electrifying and intent, it is an intelligent and deeply literary novel which deals its hope and hopelessness simultaneously with a humaneness, both urgent and timeless, rooted in real narrative subtlety."–Ali Smith, TLS – books of the year "If you’re trying to find a novel to engage a determinedly illiterate teenager, give them this one. Anais, the 15-year-old heroine and narrator, has a rough, raw, joyous voice that leaps right off the page and grabs you by the throat…This punkish young philosopher is struggling with a terrible past, while battling sinister social workers. Though this will appeal to teenagers, the language and ideas are wholly adult, and the glorious Anais is unforgettable." –The Times "[A] confident and deftly wrought debut…The Panopticon is an example of what Martin Amis has called the “voice novel”, the success of which depends on the convincing portrayal of an idiosyncratic narrator. In this Fagan excels…Her voice is compellingly realised. We cheer her on as she rails against abusive boyfriends and apathetic social workers, her defiance rendered in a rich Midlothian brogue." –Financial Times "The most assured and intriguing first novel by a Scottish writer that I have read in a decade, a book which is lithely and poetically written, politically and morally brave and simply unforgettable…Anais’s voice is an intricate blend of the demotic and the hauntingly lyrical…There are moments which are genuinely distressing to read, which return the reader to a painful sense of how mindlessly and unspeakable cruel people can be. But it is marbled with cynical, smart comedy…Fagan is exceptionally skilful with bathos, a notoriously difficult literary register; here, however, it manages to be funny and heart-breakingly tender at the same time…Naturalistic and pleasingly oblique. Life, as Stevenson said, is “infinite, illogical, abrupt and poignant”. To render this novelistically is a rare achievement…The Panopticon appeals to writers since in some ways the novelist is the prison’s arch-overseer, able to look into the minds of the characters. But that comes with a duty: to keep your eyes open even when you’d rather shut them. Fagan is gloriously open-eyed about immaturity, maturity, sexuality, crime, dispossession and more. Her ability to capture the cross-currents of language, the impersonations of consciousness, is admirable…As a debut, The Panopticon does everything it should. It announces a major new star in the firmament." –Stuart Kelly, Scotsman "[The narrator] is engagingly drawn by Fagan, who has created a character possessed of intellectual curiosity and individual quirks…Written with great verve…Fagan has a clear voice, an unflinching feel for the complexity of the teenage mindset, and an awareness of the burden we impose on children…What’s intriguing here – particularly in a Scottish fiction landscape that can display too much of the plodding everyday – is her effort to lift the story of teen misadventure into a heightened realm of intellectual aspiration and quasi-sci-fi notions of sinister social change." –Scotland on Sunday "What Fagan depicts in her debut novel, The Panopticon, is a society in which people don't just fall through the net – there is no net…Fagan is writing about important stuff: the losers, the lonely, most of them women. [Anais] maintains a cool, smart, pretty, witty and wise persona." –Guardian "Reminiscent of Girl, Interrupted…The novel is as bold, shocking and intelligent as its central

character…The institutional details (magnolia walls, screwed-down chairs) anchor The Panopticon in realism, giving it a greater bite. Much of Anais’ life is the stuff of tabloid shock stories and The Panopticon’s strength lies in giving you an insight into the lonely, damaged girl behind the headlines…This week’s winner." –Stylist "An indictment of the care system, this dazzling and distinctive novel has at its heart an unstoppable heroine…Fagan’s prose is fierce, funny and brilliant at capturing her heroine’s sparky smartness and vulnerability…Emotionally explosive."–Marie Claire "Fagan's writing is taut and controlled and the dialogue crackles." –The Herald This is the best debut I’ve read this year...and all because of the character of Anais, who is one of the best narrators I have ever come across. An essential read."–Living North “Anais’s story is one of abandonment, loss, and redemption, well suited for a paranoid age in which society finds itself constantly under the microscope.” –Publishers Weekly “Dark and disturbing but also exciting and moving, thanks to a memorable heroine and vividly atmospheric prose…Fagan [paints] her battered characters’ fierce loyalty to each other with such conviction and surprising tenderness.”—Kirkus Reviews “Told in Anais’ raw voice, Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut.” –Booklist (starred review) "Anais's ongoing internal dialog, her periodic reimagining of her life and situation, is enthralling...James Kelman's How Late It Was, How Late meets Ken Kesey's One Flew over the Cuckoo's Nest. Not to be missed." –Library Journal (starred review) About the Author JENNI FAGAN was born in Livingston, Scotland. She graduated from Greenwich University and won a scholarship to the Royal Holloway MFA. A published poet, she has won awards from Arts Council England, Dewar Arts and Scottish Screen among others. She has twice been nominated for the Pushcart Prize, was shortlisted for the Dundee International Book Prize, and was named one of Granta's Best of Young British Novelists in 2013. The Panopticon is her first novel. Most helpful customer reviews 28 of 28 people found the following review helpful. "Every time I walk through a new door, I feel exactly the same- two years old and ready to bite." By Luan Gaines The voice of fifteen-year-old Anais Hendricks carries the reader through the harrowing bureaucracy of Scotland's foster care system, a child who has been in the revolving door of that care since infancy, currently waiting on the disposition of a case that could remand her to a locked facility until the age of eighteen. Accused of bludgeoning a now comatose policewoman, Anais awaits a decision on her fate at the Panopticon, a home for chronic young offenders in Midlothian, Scotland. Though she has denied the attack on the victim, the stern faces of those who interrogate her at the police station suggest guilt or innocence is irrelevant. Anais is seen as a lost cause, a habitual troublemaker and petty criminal. No fool, she has long ago learned to read the judgments of

others, a litany of failures: "Fifty-one placements (twenty-three before she reached seven), drug problems, violence, dead adopted mum, no biological links, constant offending." In scathing prose, Fagan riddles her protagonist's language with the vocabulary of the helpless in the face of authority. Anais escapes the theater of the unbearable through drugs- of which there are a surplus- and what she calls "the birthday game', imagining her parentage, extended family members and location, haunted by not having ever known her mother, worried she was created in a test tube as an experiment. For comfort, she turns to drugs (acid, uppers, downers), the affection of predators and the generosity of the street savvy people who have peppered her short existence. As a newcomer in the Panopticon, Anais proves herself through confrontation, bonding with Shortie, Isla Tash, John and Dylan, each with their own painful story. In spite of her rage, frustration, fear and crushing loneliness, Anais is bright, curious, inventive and street wise often enough to have survived her life thus far. This is not a novel for the faint of heart, it is brutal, unapologetically honest and memorable. Fagan indicts the foster care system and its inhumane bureaucracy with her characters, its institutional mentality, revolving door of college graduates, social workers and do-gooders. The Panopticon is a place for the nowhere kids, those who have fallen through the cracks, who shuffle from one place to another: "I... understand that I am just a human being that nobody is interested in." At the Panopticon, the young people in care create their own society, subversive by its very nature, one that operates below the radar of the social workers and caretakers, with its own system of checks and balances. The intimate society of the unwanted takes on a life of its own in a drama that reflects the needs, emotions and frustrations of those who create a family, who aid and protect one another and who howl in protest when any of their number are lost. The beautiful, damaged Anais speaks for all. Luan Gaines/2013. 26 of 27 people found the following review helpful. Prepare yourself for things that cannot be unread, and a frustrating first few chapters. By Reeka aka BoundbyWords My overly programmed brain. I read "15-year-old" in the description, and my mind immediately went into that place it goes when it's about to read YA. And then the excessive cursing ensued, so I righted my brain, and we were on the right track again, my brain and I: Adult Fiction it is. And a hell of Adult Fiction book, at that. Have some fluff reads sitting in a pile next to you for when you finish this book, or even during. You will need to read something mindless, and pleasant, after you're done The Panopticon. I read this book in one sitting..and oh man...how I wish I hadn't done that. This book wasn't horrible, but it was horrible in the worst way-the story line that is, not one bit of the writing. You need to prepare yourself for things that cannot be unread, and for a narrative that is a bit frustrating to accept initially. We read through Anais's perspective, through her drug-addled brain, and accented dialogue. Words like "cannae," instead of "cannot," "didnae" instead of "didn't". Are you frustrated already? Don't be. I pushed past it, and am pretty sure I'm thankful that I did. Pretty sure, because The Panopticon was of the no-holds barred type. A disastrously unfortunate childhood, a lifetime of punishment, escapism through narcotics, and abuse in all of it's disgusting forms. I loved Jenni's style, her "hell can't hold me back," approach to writing. Her characters were despicable. I hated them, and I wanted them to succeed, especially Anais. The stark reality of every moment, the world Anais lived in within her head, it became more than a drug-trip for me. You won't find happy endings, or loose ends on the verge of being tied. The Panopticon was a

direct view into a world we too often assume is safe-one where abandoned children are taken into loving homes. It's what we all want to believe, and Jenni Fagan wrote a book to remind us that more times than not, the world is an ugly place. And ugly things happen to people that deserve it, but more often to people that don't. I would have liked to read a more rounded story line, but I'm glad I didn't. I understood, before I realized I was understanding, that the author wrote The Panopticon to be just that: a glimpse into reality, told by a young girl who could very well be the mirror personality of some real-life people out there. I took this book for what it was, and I think that means something new for me, my evolution as a reader. I fought the urge to dislike something I didn't initially understand. My job here is done.. 41 of 50 people found the following review helpful. Difficult to read By JustMelissa As a fan of dystopian novels, especially those with a strong female protagonist, I was looking forward to reading The Panopticon. Unfortunately, I was disappointed by the book. Pros: The general premise is grim, but a powerful look at a difficult topic. Anais is a ward of the state. She's been in and out of group and foster homes, and is now in a home for youth offenders for a crime she may or may not have committed. It's telling that her most successful foster home placement was with a prostitute who ended up dead in the bath. Anais doesn't stand a chance. The book highlights the potential horror of the foster care system. We subject our most vulnerable population to unstable, unpredictable and institutional care. We socialize them with others who have already been damaged by the system. We provide them with the essentials for survival, but not the support needed to thrive. Appalling. Cons: Anais is irredeemably unpleasant. Think Lisbeth Salander, but without any notable skills. Although I understand her persona is sort of the point of the story - she is a result of the "care" of society, built by us - I just never cared about her. She exhausted me. A secondary issue I had with the story was the liberal use of Scottish slang. Although I appreciate the inclusion of local flavor in a story, I found the use of cannae, unmay, etc. distracting not illustrative. Running into these words was just jarring enough to pull me out of the flow of the story. Verdict: This book and I are not a good match. I like books where interesting people do interesting things. I didn't find Anais interesting in the least and gave up about half way through. If anything interesting happened, it happened in the latter half of the book, but it wasn't worth it to me to stick around and find out. See all 135 customer reviews...

THE PANOPTICON: A NOVEL BY JENNI FAGAN PDF

You could carefully include the soft documents The Panopticon: A Novel By Jenni Fagan to the gizmo or every computer hardware in your office or house. It will help you to always continue reading The Panopticon: A Novel By Jenni Fagan every time you have downtime. This is why, reading this The Panopticon: A Novel By Jenni Fagan does not give you troubles. It will offer you vital resources for you who intend to begin writing, blogging about the comparable book The Panopticon: A Novel By Jenni Fagan are various publication field. From Booklist *Starred Review* Anais Hendricks, the tough, fiery 15-year-old at the center of Fagan’s first novel, has grown up in the foster care system in England. Abandoned by her mother, who gave birth to her in a mental institution, Anais has been bounced around ever since the murder of Theresa, a compassionate prostitute and the only mother figure Anais has ever known. Anais is brought to the Panopticon, a halfway house for truant teens, after she’s accused of brutally beating a police officer and leaving her in a coma. Anais, who was hopped up on drugs at the time, can’t remember whether she’s guilty or not. The police are gunning for her, determined to send Anais to juvenile detention until she’s 18. At the Panopticon, Anais is convinced she’s being watched as part of a sinister experiment, the purpose of which, she believes, is to try to bring her down and all but eradicate her from society. Told in Anais’ raw voice, Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut. --Kristine Huntley Review Named one of Granta's Best of Young British Novelists Shortlisted for The Desmond Elliott Award Shortlisted for The James Tait Black Prize Shortlisted for the Dundee International Book Prize “Fagan has created a feisty, brass-knuckled yet deeply vulnerable heroine, who feels like sort of a cross between Lisbeth Salander, Stieg Larsson’s 'Girl With the Dragon Tattoo,' and one of Irvine Welsh’s drug-taking Scottish miscreants from 'Trainspotting' or 'Skagboys.' Her novel is by turns gritty, unnerving, exhausting, [and] ferocious...A deeply felt and genuinely affecting novel.” —Michiko Kakutani, New York Times “Fagan has given us one of the most spirited heroines to cuss, kiss, bite and generally break the nose of the English novel in many a moon…there is no resisting the tidal rollout of Fagan’s imagery. Her prose beats behind your eyelids, the flow of images widening to a glittering delta whenever Anais approaches the vexed issue of her origins…vive Jenni Fagan...whose next book just moved into my ‘eagerly anticipated’ pile.”—Tom Shone, New York Times Book Review “[Fagan] grew up in what’s euphemistically called ‘the care system,’ and she writes about these

young people with a deep sympathy for their violently disordered lives and an equally deep appreciation of their humor and resiliency…[Fagan has a] rousing voice, with its roundly rendered Scottish accent.”—Ron Charles, Washington Post "A classic coming-of-age tale."—Boston Globe “Fagan’s style calls to mind fellow Scottish writer Anthony Burgess, whose novel A Clockwork Orange used similar lexicographic liberties to reinforce a theme of teenage dystopia” —The Daily Beast “[A] terrific portrait of a young criminal…Fagan makes this ugly life somehow beautiful.”—Alan Cheuse, NPR "The Panopticon [is] a terrifically gritty and vivid debut.” —Cleveland Plain Dealer “She’s Oliver, with a twist. Anais Hendricks, 15, and the female protagonist of poetess Fagan’s first novel, cuts right to the chase as she chronicles the modern British foster care system.” —New York Post “The Panopticon is like its protagonist: tough as old boots and always ready with the fists, but likely to steal your heart if you’ll just slow down and listen.”—National Post “Fagan creates a complex and vulnerable character…[and] even though Anais makes it hard for you to love her, you can’t help wishing her out of her plight and cheering her upward.” —Bust (four stars) "The Panopticon is an exquisite first novel--Jenni Fagan has created a dark, disturbing, yet ultimately hopeful portrait of a young woman growing up alone in the Scottish foster care system. To say it is haunting is an understatement--I kept wanting to set a place for Anais at the table with the rest of my children."—Vanessa Diffenbaugh, New York Times bestselling author of The Language of Flowers "Jenni Fagan has created a high-resolution portrait of a throwaway kid. Fifteen-year-old Anais, born in a mental ward, tumbled through the social work system, violated and violent, high on whatever, each decision she makes is a jaunty wave as she sails past the next point of no return. This is a contemporary tragedy of the highest order." —Carol Anshaw, New York Times bestselling author of Carry the One “In the Margaret Atwood/The Handmaid’s Tale vein—very literary and suspenseful. I like books set in an altered reality—one that feels familiar and yet also deeply unfamiliar, that embodies some of the dailiness of life, and yet slowly reveals itself to be a very different, much more sinister place.”—Gillian Flynn, Oprah.com "With The Panopticon, Fagan makes Foucault proud and readers ecstastic. This is why we read. You'll begin wanting to save Anais Hendricks but finish wondering if, and how, she's managed to save you."— Tupelo Hassman, author of Girlchild "Jenni Fagan is the real thing, and The Panopticon is a real treat: maturely alive to the pains of maturing, and cleverly amused as well as appalled by what it finds in the world." -Andrew Motion

"Ferocious and devastating, The Panopticon sounds a battle-cry on behalf of the abandoned, the battered, and the betrayed. To call it a good novel is not good enough: this is an important novel, a book with a conscience, a passionate challenge to the powers-that-be. Jenni Fagan smashes every possible euphemism for adolescent intimacy and adolescent violence, and she does it with tenderness and even humour. Hats off to Jenni Fagan! I will be recommending this book to everyone I know." -Eleanor Catton, author of The Rehearsal "This is a wonderful book – gripping and brilliant. Anais’s journey will break your heart and her voice is unforgettable. Bursting with wit, humanity and beauty as well as an unflinching portrayal of life as a ‘cared for’ young adult, this book will not let you go." -Kate Williams "Best debut novel I've read this year." -Irvine Welsh "Uncompromising and courageous...one of the most cunning and spirited novels I’ve read for years. The story of Anais, a fifteen-year-old girl blasting her way through the care-home system while the system in turn blasts her away to nothing, looks on the surface to be work of a recognizable sort, the post-Dickensian moral realism/fabulism associated with writers like Irvine Welsh. But Fagan’s narrative talent is really more reminiscent of early Camus and that this novel is a debut is near unbelievable. Tough and calm, electrifying and intent, it is an intelligent and deeply literary novel which deals its hope and hopelessness simultaneously with a humaneness, both urgent and timeless, rooted in real narrative subtlety."–Ali Smith, TLS – books of the year "If you’re trying to find a novel to engage a determinedly illiterate teenager, give them this one. Anais, the 15-year-old heroine and narrator, has a rough, raw, joyous voice that leaps right off the page and grabs you by the throat…This punkish young philosopher is struggling with a terrible past, while battling sinister social workers. Though this will appeal to teenagers, the language and ideas are wholly adult, and the glorious Anais is unforgettable." –The Times "[A] confident and deftly wrought debut…The Panopticon is an example of what Martin Amis has called the “voice novel”, the success of which depends on the convincing portrayal of an idiosyncratic narrator. In this Fagan excels…Her voice is compellingly realised. We cheer her on as she rails against abusive boyfriends and apathetic social workers, her defiance rendered in a rich Midlothian brogue." –Financial Times "The most assured and intriguing first novel by a Scottish writer that I have read in a decade, a book which is lithely and poetically written, politically and morally brave and simply unforgettable…Anais’s voice is an intricate blend of the demotic and the hauntingly lyrical…There are moments which are genuinely distressing to read, which return the reader to a painful sense of how mindlessly and unspeakable cruel people can be. But it is marbled with cynical, smart comedy…Fagan is exceptionally skilful with bathos, a notoriously difficult literary register; here, however, it manages to be funny and heart-breakingly tender at the same time…Naturalistic and pleasingly oblique. Life, as Stevenson said, is “infinite, illogical, abrupt and poignant”. To render this novelistically is a rare achievement…The Panopticon appeals to writers since in some ways the novelist is the prison’s arch-overseer, able to look into the minds of the characters. But that comes with a duty: to keep your eyes open even when you’d rather shut them. Fagan is gloriously open-eyed about immaturity, maturity, sexuality, crime, dispossession and more. Her ability to capture the cross-currents of language, the impersonations of consciousness, is admirable…As a debut, The Panopticon does everything it should. It announces a major new star in the firmament." –Stuart Kelly, Scotsman

"[The narrator] is engagingly drawn by Fagan, who has created a character possessed of intellectual curiosity and individual quirks…Written with great verve…Fagan has a clear voice, an unflinching feel for the complexity of the teenage mindset, and an awareness of the burden we impose on children…What’s intriguing here – particularly in a Scottish fiction landscape that can display too much of the plodding everyday – is her effort to lift the story of teen misadventure into a heightened realm of intellectual aspiration and quasi-sci-fi notions of sinister social change." –Scotland on Sunday "What Fagan depicts in her debut novel, The Panopticon, is a society in which people don't just fall through the net – there is no net…Fagan is writing about important stuff: the losers, the lonely, most of them women. [Anais] maintains a cool, smart, pretty, witty and wise persona." –Guardian "Reminiscent of Girl, Interrupted…The novel is as bold, shocking and intelligent as its central character…The institutional details (magnolia walls, screwed-down chairs) anchor The Panopticon in realism, giving it a greater bite. Much of Anais’ life is the stuff of tabloid shock stories and The Panopticon’s strength lies in giving you an insight into the lonely, damaged girl behind the headlines…This week’s winner." –Stylist "An indictment of the care system, this dazzling and distinctive novel has at its heart an unstoppable heroine…Fagan’s prose is fierce, funny and brilliant at capturing her heroine’s sparky smartness and vulnerability…Emotionally explosive."–Marie Claire "Fagan's writing is taut and controlled and the dialogue crackles." –The Herald This is the best debut I’ve read this year...and all because of the character of Anais, who is one of the best narrators I have ever come across. An essential read."–Living North “Anais’s story is one of abandonment, loss, and redemption, well suited for a paranoid age in which society finds itself constantly under the microscope.” –Publishers Weekly “Dark and disturbing but also exciting and moving, thanks to a memorable heroine and vividly atmospheric prose…Fagan [paints] her battered characters’ fierce loyalty to each other with such conviction and surprising tenderness.”—Kirkus Reviews “Told in Anais’ raw voice, Fagan’s novel peers into the world inhabited by forgotten children, and, in Anais, gives us a heartbreakingly intelligent and sensitive heroine wrapped in an impossibly impenetrable exterior. Readers won’t be able to tear themselves away from this transcendent debut.” –Booklist (starred review) "Anais's ongoing internal dialog, her periodic reimagining of her life and situation, is enthralling...James Kelman's How Late It Was, How Late meets Ken Kesey's One Flew over the Cuckoo's Nest. Not to be missed." –Library Journal (starred review) About the Author JENNI FAGAN was born in Livingston, Scotland. She graduated from Greenwich University and won a scholarship to the Royal Holloway MFA. A published poet, she has won awards from Arts Council England, Dewar Arts and Scottish Screen among others. She has twice been nominated for the Pushcart Prize, was shortlisted for the Dundee International Book Prize, and was named one of Granta's Best of Young British Novelists in 2013. The Panopticon is her first novel.

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