WRITING WILD: FORMING A CREATIVE PARTNERSHIP WITH NATURE BY TINA WELLING
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WRITING WILD: FORMING A CREATIVE PARTNERSHIP WITH NATURE BY TINA WELLING PDF
Well, when else will certainly you locate this possibility to get this publication Writing Wild: Forming A Creative Partnership With Nature By Tina Welling soft documents? This is your good chance to be here as well as get this great book Writing Wild: Forming A Creative Partnership With Nature By Tina Welling Never leave this publication before downloading this soft data of Writing Wild: Forming A Creative Partnership With Nature By Tina Welling in web link that we give. Writing Wild: Forming A Creative Partnership With Nature By Tina Welling will actually make a good deal to be your friend in your lonely. It will be the best companion to improve your business and also pastime.
Review “This book will help you learn how to really see and come more fully alive. I love it!” — Penney Peirce, author of Frequency “Before I was a full chapter into Tina Welling’s book, I found myself breathing more deeply; by chapter 2, I was outside — with the book, my notebook, and a pen....What a gentle guide and rich companion for explorations of our wilderness — both inside and out.” — Judy Reeves, author of A Writer’s Book of Days “Tina Welling says, ‘Writers need nature.’ I can hardly wait to introduce my writing students to this book — and encourage them to write outside, to get a word-tan, to let rain hit their journal pages, and to sit in the elements they are trying to describe — both inner and outer.” — Christina Baldwin, author of Storycatcher “A thought-provoking read not only for writers but for anyone who wants to deepen their connection to the world around them.” — Kyle Mills, New York Times bestselling author of The Immortalists “This book is as delightful as it is thoughtful. Spend a day with Tina Welling in the woods and feel your writer’s heart burst open on the page.” — Susan Chernak McElroy, author of Animals as Teachers and Healers “Writing Wild is an impressive guide to feeling, seeing, thinking, and writing about the beauty, sadness, and wonder of life. Tina Welling has created a gift for us all.” — Tim Sandlin, author of Rowdy in Paris About the Author Tina Welling is the author of Cowboys Never Cry and two other novels. Her nonfiction has appeared in Shambhala Sun, Body & Soul, and a variety of anthologies. She lives in Jackson Hole,
Wyoming. Excerpt. © Reprinted by permission. All rights reserved. Introduction One summer day, I hiked Josie’s Ridge on Snow King Mountain. Large clouds moved across the sky and periodically put a lid over the sun. I paused to catch my breath from the upslope climb and gazed around the shadowy forest of tall, lanky pines. My glance caught on a fully rounded tree, leafless and apparently dead, standing upright with an abundance of sweeping limbs, making the tree stand out from others. At that moment, the sun broke through cloud cover and as I stood there, a dense, dew-beaded spider web, lacing the branches top to bottom, became abruptly illuminated. One moment, the dead tree was notable only for its shapely flare, unusual in a harsh, high-altitude environment. The next moment, it was aflame with stars. My throat tightened and tears stung my eyes. The forest was silent, I was alone, and the tree spangled before me, woven with fairy lights. Then the clouds closed over the sun again, and the sparkle was gone. I stood in those shadowy woods looking at the bare tree and my mind experienced a gracious leap. Skipping over the small steps of understanding, I knew suddenly that there was an interconnectedness between the earth’s creative energy and my own personal creative energy. WRITING WILD was conceived right then. I wanted to understand more about this connectedness. I wanted to explore those small intuitive steps of knowing – to lay them out one by one, untangle the workings of that connection, and learn how to use this natural resource. In our daily lives, you and I may be unaware that everything we know about creating, we know intuitively from the natural world. Yet when the light shines just right, we sense that we are part of the whole energy system of the universe, poised endlessly to express itself. WRITING WILD is based on the ancient universal law, “As above, so below,” that tells us we can understand the patterns of the higher by following the patterns of the lower, and vice versa. In the case of writing, by following the patterns of the earth’s creative energy, we can understand our own personal creative energy. Though the interconnectedness of ourselves and the natural world shimmers like the spider’s web in sunlight, at times it can be so subtle that, not seeing it at all, we walk right into it, the supple strands clinging to our face and fingers. When the light shines directly on the web of connectedness, I think to myself, “Why write this book? Everybody sees this web sparkling like an earthbound constellation.” But other times, when the web disappears before my eyes, I realize that as a creative person I am often floundering, feeling a lack of support and guidance, unaware I am entangled in my own safety net. Joseph Campbell once said, “The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature.” Capital N. Following his advice, I developed a simple three-step process: Naming, Describing, and Interacting. These three steps address the levels of our awareness and correlate with the three parts of our brain. I call the process Spirit Walks to remind me of the spirit of my experience. WRITING WILD offers writers, journal keepers and those others of us who wish to live more fully a direct pathway into a stronger relationship with wildness, both inner and outer. The result is writing
that inspires, heals, enlivens, and deeply engages both writer and reader. Writing constellates what we feel and intuit in our bodies and know in our psyches. Once we name, describe and interact with our experiences in writing, the experience belongs to us consciously and contributes to our creative work. Spider webs are both wondrous and ordinary. The silk created to weave a web is a protein the spider produces from eating houseflies and other insects. Nothing more ordinary than houseflies. Yet nothing is more wondrous than the spangled web. The aspects discussed in WRITING WILD are ordinary as well, and consist of practical, down-to-earth ideas and experiences. But they serve to ensure that when the sun tips just a fraction of one degree and lights up the whole world before us, we are present to enjoy it.
WRITING WILD: FORMING A CREATIVE PARTNERSHIP WITH NATURE BY TINA WELLING PDF
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WRITING WILD: FORMING A CREATIVE PARTNERSHIP WITH NATURE BY TINA WELLING PDF
Align Your Creative Energy with Nature’s “Everything we know about creating,” writes Tina Welling, “we know intuitively from the natural world.” In Writing Wild, Welling details a three-step “Spirit Walk” process for inviting nature to enliven and inspire our creativity. ● ● ● ●
Sales Rank: #376252 in eBooks Published on: 2014-04-01 Released on: 2014-04-01 Format: Kindle eBook
Review “This book will help you learn how to really see and come more fully alive. I love it!” — Penney Peirce, author of Frequency “Before I was a full chapter into Tina Welling’s book, I found myself breathing more deeply; by chapter 2, I was outside — with the book, my notebook, and a pen....What a gentle guide and rich companion for explorations of our wilderness — both inside and out.” — Judy Reeves, author of A Writer’s Book of Days “Tina Welling says, ‘Writers need nature.’ I can hardly wait to introduce my writing students to this book — and encourage them to write outside, to get a word-tan, to let rain hit their journal pages, and to sit in the elements they are trying to describe — both inner and outer.” — Christina Baldwin, author of Storycatcher “A thought-provoking read not only for writers but for anyone who wants to deepen their connection to the world around them.” — Kyle Mills, New York Times bestselling author of The Immortalists “This book is as delightful as it is thoughtful. Spend a day with Tina Welling in the woods and feel your writer’s heart burst open on the page.” — Susan Chernak McElroy, author of Animals as Teachers and Healers “Writing Wild is an impressive guide to feeling, seeing, thinking, and writing about the beauty, sadness, and wonder of life. Tina Welling has created a gift for us all.” — Tim Sandlin, author of Rowdy in Paris About the Author Tina Welling is the author of Cowboys Never Cry and two other novels. Her nonfiction has appeared in Shambhala Sun, Body & Soul, and a variety of anthologies. She lives in Jackson Hole,
Wyoming. Excerpt. © Reprinted by permission. All rights reserved. Introduction One summer day, I hiked Josie’s Ridge on Snow King Mountain. Large clouds moved across the sky and periodically put a lid over the sun. I paused to catch my breath from the upslope climb and gazed around the shadowy forest of tall, lanky pines. My glance caught on a fully rounded tree, leafless and apparently dead, standing upright with an abundance of sweeping limbs, making the tree stand out from others. At that moment, the sun broke through cloud cover and as I stood there, a dense, dew-beaded spider web, lacing the branches top to bottom, became abruptly illuminated. One moment, the dead tree was notable only for its shapely flare, unusual in a harsh, high-altitude environment. The next moment, it was aflame with stars. My throat tightened and tears stung my eyes. The forest was silent, I was alone, and the tree spangled before me, woven with fairy lights. Then the clouds closed over the sun again, and the sparkle was gone. I stood in those shadowy woods looking at the bare tree and my mind experienced a gracious leap. Skipping over the small steps of understanding, I knew suddenly that there was an interconnectedness between the earth’s creative energy and my own personal creative energy. WRITING WILD was conceived right then. I wanted to understand more about this connectedness. I wanted to explore those small intuitive steps of knowing – to lay them out one by one, untangle the workings of that connection, and learn how to use this natural resource. In our daily lives, you and I may be unaware that everything we know about creating, we know intuitively from the natural world. Yet when the light shines just right, we sense that we are part of the whole energy system of the universe, poised endlessly to express itself. WRITING WILD is based on the ancient universal law, “As above, so below,” that tells us we can understand the patterns of the higher by following the patterns of the lower, and vice versa. In the case of writing, by following the patterns of the earth’s creative energy, we can understand our own personal creative energy. Though the interconnectedness of ourselves and the natural world shimmers like the spider’s web in sunlight, at times it can be so subtle that, not seeing it at all, we walk right into it, the supple strands clinging to our face and fingers. When the light shines directly on the web of connectedness, I think to myself, “Why write this book? Everybody sees this web sparkling like an earthbound constellation.” But other times, when the web disappears before my eyes, I realize that as a creative person I am often floundering, feeling a lack of support and guidance, unaware I am entangled in my own safety net. Joseph Campbell once said, “The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature.” Capital N. Following his advice, I developed a simple three-step process: Naming, Describing, and Interacting. These three steps address the levels of our awareness and correlate with the three parts of our brain. I call the process Spirit Walks to remind me of the spirit of my experience. WRITING WILD offers writers, journal keepers and those others of us who wish to live more fully a direct pathway into a stronger relationship with wildness, both inner and outer. The result is writing
that inspires, heals, enlivens, and deeply engages both writer and reader. Writing constellates what we feel and intuit in our bodies and know in our psyches. Once we name, describe and interact with our experiences in writing, the experience belongs to us consciously and contributes to our creative work. Spider webs are both wondrous and ordinary. The silk created to weave a web is a protein the spider produces from eating houseflies and other insects. Nothing more ordinary than houseflies. Yet nothing is more wondrous than the spangled web. The aspects discussed in WRITING WILD are ordinary as well, and consist of practical, down-to-earth ideas and experiences. But they serve to ensure that when the sun tips just a fraction of one degree and lights up the whole world before us, we are present to enjoy it. Most helpful customer reviews 3 of 3 people found the following review helpful. An excellent resource for those who want to improve their writing: By Marilyn Dalrymple Two of my favorite subjects, writing and nature, and author Tina Welling intertwines the two to encourage writing and also the enjoyment of an often ignored teacher, nature. Welling encourages the writer to relax and enjoy the process and recognize it as something that can be natural and inborn. "Few of us are born knowing how to write, so along with discovering our inner truth, we need the necessary creative skills to carry out our work," Welling says. "The good news is that these, too, reside within each of us. We only need reminders once in a while about how to tap into this source and practice using these skills to their best advantage." Welling encourages us to wake up our senses and I feel this is the root of all good writing She wants us to see, hear, touch, taste and smell our subject, and what better way to do this than to take a contemplative walk while surrounded by nature. "Invite nature into the process. Nature is a born healer and a teacher of creative energy. What happens when nature participates in the process is the same thing that happens when you take on a supporting partner or loving guide." Aren't these things we desire when tackling something that is important to us? ". . . A supporting partner or loving guide." A little more than half way through the book Welling introduces a few "Try This," exercises. These allow writers a chance to see things from another, unexpected perspective. Refreshing and interesting, these challenges can be inspiring. My personal feeling about Writing Wild is that Welling's ideas bring an openness and peace to the writing process. If I follow her lead, writing will become enjoyable and natural. Her ideas and suggestions are unusual and interesting, appealing and motivating. I'm eager to start writing using Writing Wild as a map and I am truly excited to see how my writing can improve. 2 of 2 people found the following review helpful. Wonderful book By Amazon Customer This book came to me at the perfect time. I found it very inspiring and healing for me. Everyone is
different but I think most people would enjoy this book. She writes in a wonderful soothing manner and gives wonderful ideas on how to heal through writing. Well done! 3 of 3 people found the following review helpful. This is a roll up your sleeves and get your hands dirty book. Nature is presented equally to everyone but ... By William G. Schmidt As a fellow nature writer, I found Tina Welling's "Writing Wild" instructive and intuitive. Are we writing about the surface varnish of nature only or are we gouging into the structure beneath? Welling's process is one of thoughtful exercises, practicing observation on a deeper level but with simple techniques. This is a roll up your sleeves and get your hands dirty book. Nature is presented equally to everyone but it takes a sharp eye to uncover its almost-hidden realm, to focus on the details we intuitively know but often fail to realize and less often translate into words. See all 15 customer reviews...
WRITING WILD: FORMING A CREATIVE PARTNERSHIP WITH NATURE BY TINA WELLING PDF
Since book Writing Wild: Forming A Creative Partnership With Nature By Tina Welling has great perks to check out, many individuals now increase to have reading routine. Supported by the industrialized innovation, nowadays, it is uncomplicated to purchase the book Writing Wild: Forming A Creative Partnership With Nature By Tina Welling Also guide is not alreadied existing yet in the marketplace, you to hunt for in this website. As just what you can locate of this Writing Wild: Forming A Creative Partnership With Nature By Tina Welling It will truly relieve you to be the very first one reading this publication Writing Wild: Forming A Creative Partnership With Nature By Tina Welling as well as get the perks. Review “This book will help you learn how to really see and come more fully alive. I love it!” — Penney Peirce, author of Frequency “Before I was a full chapter into Tina Welling’s book, I found myself breathing more deeply; by chapter 2, I was outside — with the book, my notebook, and a pen....What a gentle guide and rich companion for explorations of our wilderness — both inside and out.” — Judy Reeves, author of A Writer’s Book of Days “Tina Welling says, ‘Writers need nature.’ I can hardly wait to introduce my writing students to this book — and encourage them to write outside, to get a word-tan, to let rain hit their journal pages, and to sit in the elements they are trying to describe — both inner and outer.” — Christina Baldwin, author of Storycatcher “A thought-provoking read not only for writers but for anyone who wants to deepen their connection to the world around them.” — Kyle Mills, New York Times bestselling author of The Immortalists “This book is as delightful as it is thoughtful. Spend a day with Tina Welling in the woods and feel your writer’s heart burst open on the page.” — Susan Chernak McElroy, author of Animals as Teachers and Healers “Writing Wild is an impressive guide to feeling, seeing, thinking, and writing about the beauty, sadness, and wonder of life. Tina Welling has created a gift for us all.” — Tim Sandlin, author of Rowdy in Paris About the Author Tina Welling is the author of Cowboys Never Cry and two other novels. Her nonfiction has appeared in Shambhala Sun, Body & Soul, and a variety of anthologies. She lives in Jackson Hole, Wyoming. Excerpt. © Reprinted by permission. All rights reserved. Introduction
One summer day, I hiked Josie’s Ridge on Snow King Mountain. Large clouds moved across the sky and periodically put a lid over the sun. I paused to catch my breath from the upslope climb and gazed around the shadowy forest of tall, lanky pines. My glance caught on a fully rounded tree, leafless and apparently dead, standing upright with an abundance of sweeping limbs, making the tree stand out from others. At that moment, the sun broke through cloud cover and as I stood there, a dense, dew-beaded spider web, lacing the branches top to bottom, became abruptly illuminated. One moment, the dead tree was notable only for its shapely flare, unusual in a harsh, high-altitude environment. The next moment, it was aflame with stars. My throat tightened and tears stung my eyes. The forest was silent, I was alone, and the tree spangled before me, woven with fairy lights. Then the clouds closed over the sun again, and the sparkle was gone. I stood in those shadowy woods looking at the bare tree and my mind experienced a gracious leap. Skipping over the small steps of understanding, I knew suddenly that there was an interconnectedness between the earth’s creative energy and my own personal creative energy. WRITING WILD was conceived right then. I wanted to understand more about this connectedness. I wanted to explore those small intuitive steps of knowing – to lay them out one by one, untangle the workings of that connection, and learn how to use this natural resource. In our daily lives, you and I may be unaware that everything we know about creating, we know intuitively from the natural world. Yet when the light shines just right, we sense that we are part of the whole energy system of the universe, poised endlessly to express itself. WRITING WILD is based on the ancient universal law, “As above, so below,” that tells us we can understand the patterns of the higher by following the patterns of the lower, and vice versa. In the case of writing, by following the patterns of the earth’s creative energy, we can understand our own personal creative energy. Though the interconnectedness of ourselves and the natural world shimmers like the spider’s web in sunlight, at times it can be so subtle that, not seeing it at all, we walk right into it, the supple strands clinging to our face and fingers. When the light shines directly on the web of connectedness, I think to myself, “Why write this book? Everybody sees this web sparkling like an earthbound constellation.” But other times, when the web disappears before my eyes, I realize that as a creative person I am often floundering, feeling a lack of support and guidance, unaware I am entangled in my own safety net. Joseph Campbell once said, “The goal of life is to make your heartbeat match the beat of the universe, to match your nature with Nature.” Capital N. Following his advice, I developed a simple three-step process: Naming, Describing, and Interacting. These three steps address the levels of our awareness and correlate with the three parts of our brain. I call the process Spirit Walks to remind me of the spirit of my experience. WRITING WILD offers writers, journal keepers and those others of us who wish to live more fully a direct pathway into a stronger relationship with wildness, both inner and outer. The result is writing that inspires, heals, enlivens, and deeply engages both writer and reader. Writing constellates what we feel and intuit in our bodies and know in our psyches. Once we name, describe and interact with our experiences in writing, the experience belongs to us consciously and contributes to our creative work.
Spider webs are both wondrous and ordinary. The silk created to weave a web is a protein the spider produces from eating houseflies and other insects. Nothing more ordinary than houseflies. Yet nothing is more wondrous than the spangled web. The aspects discussed in WRITING WILD are ordinary as well, and consist of practical, down-to-earth ideas and experiences. But they serve to ensure that when the sun tips just a fraction of one degree and lights up the whole world before us, we are present to enjoy it.
Well, when else will certainly you locate this possibility to get this publication Writing Wild: Forming A Creative Partnership With Nature By Tina Welling soft documents? This is your good chance to be here as well as get this great book Writing Wild: Forming A Creative Partnership With Nature By Tina Welling Never leave this publication before downloading this soft data of Writing Wild: Forming A Creative Partnership With Nature By Tina Welling in web link that we give. Writing Wild: Forming A Creative Partnership With Nature By Tina Welling will actually make a good deal to be your friend in your lonely. It will be the best companion to improve your business and also pastime.
