SHAKESPEARE ON-THE-GO: 4 TOURING SHAKESPEARE PLAYS FOR YOUNG AUDIENCES BY GILLETTE ELVGREN
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SHAKESPEARE ON-THE-GO: 4 TOURING SHAKESPEARE PLAYS FOR YOUNG AUDIENCES BY GILLETTE ELVGREN PDF
What sort of publication Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren you will prefer to? Now, you will not take the published book. It is your time to get soft data book Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren rather the printed records. You could appreciate this soft file Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren in any time you anticipate. Also it remains in expected area as the other do, you can check out the book Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren in your device. Or if you really want more, you can continue reading your computer or laptop to obtain full screen leading. Juts discover it right here by downloading and install the soft file Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren in link page.
About the Author Gillette Elvgren has been writing for over 30 years. His love for Shakespeare and young audiences led him to write these adaptations of Shakespeare plays for young people. Geared toward elementary school children and performed by teens or adults, these plays offer a doorway into Shakespeare’s language and insight into the human conditions. If the participatory elements are deleted, the stories which frame each of the Shakespeare adaptation can appeal to a teen audience. Elgvren’s plays have been produced by theatre companies throughout the United States and Canada with more than 8,000 productions. Elvgren is the co-founder and resident playwright for Saltworks Theatre Company in Pittsburgh, as well as the resident writer for Children's Ministries, Philadelphia. He was head of the MFA directing program and staff director for the Three Rivers Shakespeare Festival while at the University of Pittsburgh and was a professor in the departments of television and theatre arts at Regent University. As a playwright and a director, Gillette Elvgren is interested in sharing experiences with other writers and directors who share his interest in keeping the classics and the stage alive for future generations. Please write and offer advice, comments on how your production was received, and suggest future offerings. Contact him at:
[email protected] Gil Elvgren, Playwright
SHAKESPEARE ON-THE-GO: 4 TOURING SHAKESPEARE PLAYS FOR YOUNG AUDIENCES BY GILLETTE ELVGREN PDF
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SHAKESPEARE ON-THE-GO: 4 TOURING SHAKESPEARE PLAYS FOR YOUNG AUDIENCES BY GILLETTE ELVGREN PDF
These dramas are designed to be performed for kids of all ages by adults or teen drama groups. They last approximately 45 to 50 minutes; can utilize a cast of various sizes depending on the doubling up schemes; but are ideal for no more than five, two females and three males or one female and four males depending on the show. When the number of characters in a Shakespearean drama usually totals more than fifteen how this can be realized? Primarily this is accomplished through the use of a FRAMING DEVICE, which means an imposed structural framework that justifies using the stage conventions inherent in the script. So, for example, in MIDSUMMER NIGHT’S DREAM, a small struggling theatre company that is touring (i.e. think of Commedia dell Arte) wakes up to discover that a significant number of actors have abandoned their group to take roles in KING LEAR at a nearby city. They then have to discover creative ways of putting on the show using a greatly diminished acting company. This leads to the discovery and invention of a number of STAGE CONVENTIONS. Some of these include the use of a Narrator; puppets; rapid a-vista costume changes; elaborate doubling schemes; audience participation, and, as mentioned above, a play-within-the-play structural device which allows the audience to see the story of the actors revealed as well as the Shakespearean characters they are creating. SHAKESPEARE’S LANGUAGE. The various adaptations do not shy away from using the Shakespearean texts as much as possible. The Bard’s eloquence and natural instinct for dramatic flair are unequaled in the English language and to offer to the audiences, no matter what age, a watered down or totally rewritten version of the stories would be a violation of the purpose of doing these plays. And that purpose is to present an abridged version of Shakespeare’s inspiring stories, introducing and challenging the audience to understand and appreciate the beauty and passion of his active and descriptive language within the context of an exciting and entertaining story. In this digitally inundated age today’s youth, with their texting, face booking, and other short hand ways of communicating are literally developing abbreviated ways of writing/reading that have reduced the rich scope of the English language to a state of being almost incomprehensible to the modern reader. Metaphor and poetry are no longer explored or appreciated; vocabulary has been reduced to the use of flashcards trying to raise ones test scores, and the soaring power of language to excite emotion and to probe inner truth and humanistic meaning has been discarded as being digressive or precious. We are in a monosyllabic age that is crying out for richer means of expression through language. 1. Young audiences are not used to hearing the language of Shakespeare. Because of this, don’t rush the opening of your show. It takes about ten minutes for an audience to begin to acculturate to the ‘sound’ of this rich language. 2.The adaptations are written to have a strong physical action base. It’s too easy to reduce Shakespeare to a talking heads approach which will distance your audience from the story being presented. 3.The FRAMING DEVICE in all of the plays is structured around ‘putting on a play’, in which a compromised theatre group is desperately trying to figure out how to do one of Shakespeare’s challenging epics with five actors. Actors can change costumes, wigs, hats, props in full view of the audience. Part of the fun of these shows can be found in the way the performers actually ‘put
on a show’. 4.These adaptations using a number of PROPS. Make them colorful, and large, and functional as well as symbolic. The plays also are PARTICIPATIONAL in nature If playing to high school audiences the participation may be eliminated, leaving the frame story to appeal to adolescents. ● ● ● ● ●
Sales Rank: #3326860 in Books Published on: 2015-11-08 Dimensions: 9.00" h x .32" w x 6.00" l, Binding: Paperback 140 pages
About the Author Gillette Elvgren has been writing for over 30 years. His love for Shakespeare and young audiences led him to write these adaptations of Shakespeare plays for young people. Geared toward elementary school children and performed by teens or adults, these plays offer a doorway into Shakespeare’s language and insight into the human conditions. If the participatory elements are deleted, the stories which frame each of the Shakespeare adaptation can appeal to a teen audience. Elgvren’s plays have been produced by theatre companies throughout the United States and Canada with more than 8,000 productions. Elvgren is the co-founder and resident playwright for Saltworks Theatre Company in Pittsburgh, as well as the resident writer for Children's Ministries, Philadelphia. He was head of the MFA directing program and staff director for the Three Rivers Shakespeare Festival while at the University of Pittsburgh and was a professor in the departments of television and theatre arts at Regent University. As a playwright and a director, Gillette Elvgren is interested in sharing experiences with other writers and directors who share his interest in keeping the classics and the stage alive for future generations. Please write and offer advice, comments on how your production was received, and suggest future offerings. Contact him at:
[email protected] Gil Elvgren, Playwright Most helpful customer reviews 0 of 0 people found the following review helpful. Gillette Elvgren’s Shakespeare On-the-go is perfect for small ensembles interested in performing Shakespeare for student ... By Saltworks Gillette Elvgren’s Shakespeare On-the-go is perfect for small ensembles interested in performing Shakespeare for student audiences. It includes four adaptations of some of Shakespeare’s most well known scripts. The shows each run less than an hour but still contain all of the main plot points and characters of the full length plays. The adaptations are all fast paced, engaging, and include both Shakespeare’s original language as well as theatrical devices that make the language more accessible to young audiences. The scripts call for a good number of props and costumes in order to pull off the multiple roles played by each actor but require very little in the way of tech and performance space, so they can easily be taken on the road. Elvgren’s introduction to the book offers production tips to help ensure a successful performance, including advice on how to tailor the audience interaction found in the scripts based on the age of the audience. 0 of 0 people found the following review helpful. Great source for directors By Amazon Customer I have worked with children's theatre for the past 11 years and Gil's adaptations provide a wonderful way into the world of Shakespeare for kids. His work is full of imagination and gives
directors and actors many prompts. There is so much room to find creative action within the plays. If you're looking for a fun, exciting take on classic material this is a great resource. I highly recommend it. 0 of 0 people found the following review helpful. "You Need Not Look Any Further" By Paul D. Patton No need to look any further if you're trying to find Shakespeare offerings that can entertain and inspire young people. Gillette Elvgren, a master scriptwriter and director, applies his craft with care and wit, and allows the Bard--often unintelligible for even the brightest of those raised on jump cuts, special effects, and Youtube sensations--to be set ablaze. Elvgren's offering allows acting ensembles to deliver the goods from an Elizabethan landscape to the front door of a youth culture "amazed to death." See all 3 customer reviews...
SHAKESPEARE ON-THE-GO: 4 TOURING SHAKESPEARE PLAYS FOR YOUNG AUDIENCES BY GILLETTE ELVGREN PDF
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[email protected] Gil Elvgren, Playwright
What sort of publication Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren you will prefer to? Now, you will not take the published book. It is your time to get soft data book Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren rather the printed records. You could appreciate this soft file Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren in any time you anticipate. Also it remains in expected area as the other do, you can check out the book Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren in your device. Or if you really want more, you can continue reading your computer or laptop to obtain full screen leading. Juts discover it right here by downloading and install the soft file Shakespeare On-The-Go: 4 Touring Shakespeare Plays For Young Audiences By Gillette Elvgren in link page.
