NAN GOLDIN: I'LL BE YOUR MIRROR BY ELISABETH SUSSMAN, NAN GOLDIN, DAVID ARMSTRONG, HANS WERNER HOLZWARTH
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NAN GOLDIN: I'LL BE YOUR MIRROR BY ELISABETH SUSSMAN, NAN GOLDIN, DAVID ARMSTRONG, HANS WERNER HOLZWARTH PDF
Based upon the Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth details that we offer, you may not be so confused to be below as well as to be member. Obtain now the soft data of this book Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth as well as save it to be your own. You conserving could lead you to stimulate the simplicity of you in reading this book Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth Also this is types of soft file. You could really make better chance to obtain this Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth as the suggested book to read.
Amazon.com Review Based on an exhibition of the same title at the Whitney Museum of American Art this collection of more than 300 pictures documents the alternative culture of Nan Goldin's friends and acquaintances in the arty bohemian substrata of Manhattan. Goldin turns her camera outward to record transvestites carousing in downtown clubs and the social impact of AIDS and drugs; and inward to look with unblinking intimacy at her friends, her lovers of both sexes, and herself. She records her boyfriend masturbating. She shows him on the toilet. She shows her own battered face in a mirror after he beats her up. She traces the decline and death of her friend Cookie Mueller. Goldin has created a stark record of her urban demi-monde. From Publishers Weekly As this highly engrossing companion to a traveling mid-career retrospective suggests, photographer Goldin's influence has trickled in from the margins to the mainstream, from contemporary museum exhibitions to the latest Calvin Klein advertising campaign. Once a cult portraitist of drag queens, drug addicts and nightclub bohemians, Goldin has earned a broad audience and wide critical praise for a visually opulent, harshly intimate body of work. Arriving in New York in the early 1970s, Goldin began exhibiting The Ballad of Sexual Dependency, a constantly evolving, audio-visual slide show depicting the bacchanalian, at times nihilistic, demimonde of the Lower East Side and Times Square. Those heady days are chronicled here, as are their grim aftermath, evinced in Goldin's subsequent, lavishly colorful snapshots of friends afflicted with AIDS, of her own battering at the hands of a lover and of her recent recovery from drug addiction at McLean hospital in Belmont, Mass. An overview by curator Elizabeth Sussman, who places Goldin in an artistic context ranging from Larry Clark to Lucien Freud, is accompanied by personal commentary from an impressive cast of Goldin's friends, including camp movie actress Cookie Mueller and artist David Wojnarowicz (both of whom died of AIDS). Two other friends, Luc Sante and Darryl Pinckney, reminisce in separate essays about the edgy, outrageous and
ultimately doomed Manhattan milieu commemorated in her early work. Other works include an interview with film critic J. Hoberman and a poem by James Fenton. This is not a scholarly analysis of Goldin's work but rather an emotionally charged look at her life and times and an extraordinary catalogue of her photographs unburdened by academic analysis. Copyright 1996 Reed Business Information, Inc. From Library Journal Goldin's work, often described as intimate and passionate but sometimes seen too reductively as snapshots of her milieu, has always suffered from its direct simplicity. Acknowledged as the most influential photographer of her generation, she has been so often imitated in both advertising and art photography that it is easy to miss her still powerful edge. Even more than the current show at the Whitney Museum of American Art in New York, which this catalog accompanies, this volume reestablishes Goldin as the master of the personal documentary. In addition to the more than 300 images, mostly presented as full-page or two-page bleeds, the book collects diverse writings, from curator Elisabeth Sussman's straightforward biographical essay to interviews with Goldin and her roommate/best friend/collaborator David Armstrong to writings by Goldin's late friends David Wojnarowicz and Cookie Mueller that reflect and complement her direct style without actually discussing her work. The body of work?which was selected and edited by Goldin?is the heart of the book, though, and thankfully it still exhibits the old intensity without apology. Highly recommended for all libraries collecting American art and artists.?Eric Bryant, "Lirbary Journal" Copyright 1996 Reed Business Information, Inc.
NAN GOLDIN: I'LL BE YOUR MIRROR BY ELISABETH SUSSMAN, NAN GOLDIN, DAVID ARMSTRONG, HANS WERNER HOLZWARTH PDF
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NAN GOLDIN: I'LL BE YOUR MIRROR BY ELISABETH SUSSMAN, NAN GOLDIN, DAVID ARMSTRONG, HANS WERNER HOLZWARTH PDF
Published to accompany the 1996 mid-career survey organized by the Whitney Museum of American Art, I'll Be Your Mirror remains the most comprehensive and critically praised publication on the work of photographer Nan Goldin. Covering two decades of her life and art, from her time in Boston in the 1970s through her move to downtown New York City and her subsequent and stratospheric rise in the art world, Goldin's most memorable work is collected here. Amongst the many powerful images are photographs of friends and lovers sometimes in pain, sometimes in repose; self portraits taken during an abusive relationship, from The Ballad of Sexual Dependency; the transvestite and transgendered kings and queens of The Other Side; and the harrowing and moving documentation of the slow death from AIDS of close friend Cookie Mueller. Scalo Publishers is pleased to offer this seminal book at a new and more affordable price, making this classic title accessible to an even wider audience of Goldin's fans than ever before ● ● ● ● ● ●
Sales Rank: #2512873 in Books Published on: 1997-03 Original language: English Number of items: 1 Binding: Paperback 491 pages
Amazon.com Review Based on an exhibition of the same title at the Whitney Museum of American Art this collection of more than 300 pictures documents the alternative culture of Nan Goldin's friends and acquaintances in the arty bohemian substrata of Manhattan. Goldin turns her camera outward to record transvestites carousing in downtown clubs and the social impact of AIDS and drugs; and inward to look with unblinking intimacy at her friends, her lovers of both sexes, and herself. She records her boyfriend masturbating. She shows him on the toilet. She shows her own battered face in a mirror after he beats her up. She traces the decline and death of her friend Cookie Mueller. Goldin has created a stark record of her urban demi-monde. From Publishers Weekly As this highly engrossing companion to a traveling mid-career retrospective suggests, photographer Goldin's influence has trickled in from the margins to the mainstream, from contemporary museum exhibitions to the latest Calvin Klein advertising campaign. Once a cult portraitist of drag queens, drug addicts and nightclub bohemians, Goldin has earned a broad audience and wide critical praise for a visually opulent, harshly intimate body of work. Arriving in New York in the early 1970s, Goldin began exhibiting The Ballad of Sexual Dependency, a constantly evolving, audio-visual slide show depicting the bacchanalian, at times nihilistic, demimonde of the Lower East Side and Times Square. Those heady days are chronicled here, as are their grim aftermath, evinced in Goldin's subsequent, lavishly colorful snapshots of friends
afflicted with AIDS, of her own battering at the hands of a lover and of her recent recovery from drug addiction at McLean hospital in Belmont, Mass. An overview by curator Elizabeth Sussman, who places Goldin in an artistic context ranging from Larry Clark to Lucien Freud, is accompanied by personal commentary from an impressive cast of Goldin's friends, including camp movie actress Cookie Mueller and artist David Wojnarowicz (both of whom died of AIDS). Two other friends, Luc Sante and Darryl Pinckney, reminisce in separate essays about the edgy, outrageous and ultimately doomed Manhattan milieu commemorated in her early work. Other works include an interview with film critic J. Hoberman and a poem by James Fenton. This is not a scholarly analysis of Goldin's work but rather an emotionally charged look at her life and times and an extraordinary catalogue of her photographs unburdened by academic analysis. Copyright 1996 Reed Business Information, Inc. From Library Journal Goldin's work, often described as intimate and passionate but sometimes seen too reductively as snapshots of her milieu, has always suffered from its direct simplicity. Acknowledged as the most influential photographer of her generation, she has been so often imitated in both advertising and art photography that it is easy to miss her still powerful edge. Even more than the current show at the Whitney Museum of American Art in New York, which this catalog accompanies, this volume reestablishes Goldin as the master of the personal documentary. In addition to the more than 300 images, mostly presented as full-page or two-page bleeds, the book collects diverse writings, from curator Elisabeth Sussman's straightforward biographical essay to interviews with Goldin and her roommate/best friend/collaborator David Armstrong to writings by Goldin's late friends David Wojnarowicz and Cookie Mueller that reflect and complement her direct style without actually discussing her work. The body of work?which was selected and edited by Goldin?is the heart of the book, though, and thankfully it still exhibits the old intensity without apology. Highly recommended for all libraries collecting American art and artists.?Eric Bryant, "Lirbary Journal" Copyright 1996 Reed Business Information, Inc. Most helpful customer reviews 22 of 24 people found the following review helpful. Nan Goldin, a retrospective of brilliance By A Customer Goldin is the one of the most talented and prolific photographers of the 90's. Her work, which is based mainly on friends and lovers, is painful and delicate, striking a nerve in anyone who looks. It shows the beauty and horror of everyday life, sometimes bringing a tear to your eye. This book is worth every dollar. 11 of 14 people found the following review helpful. art not of the void By danielle this is one of the most important books available in contemporary photography. i admire it for its bold reality, honesty and shockingly moving images. Anyone who takes documentary photo seriously should own this book. there is no pomp or frill here just the pain, disapointments and celebrations of life and death. 0 of 0 people found the following review helpful. An Artist at the Peak By Amazon Customer It's a fantastic photo book that captures the range of the artist's intense sensibility and talents with
light and composition and compelling themes. An artist of "decisive moments" at the peak. See all 5 customer reviews...
NAN GOLDIN: I'LL BE YOUR MIRROR BY ELISABETH SUSSMAN, NAN GOLDIN, DAVID ARMSTRONG, HANS WERNER HOLZWARTH PDF
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Copyright 1996 Reed Business Information, Inc. From Library Journal Goldin's work, often described as intimate and passionate but sometimes seen too reductively as snapshots of her milieu, has always suffered from its direct simplicity. Acknowledged as the most influential photographer of her generation, she has been so often imitated in both advertising and art photography that it is easy to miss her still powerful edge. Even more than the current show at the Whitney Museum of American Art in New York, which this catalog accompanies, this volume reestablishes Goldin as the master of the personal documentary. In addition to the more than 300 images, mostly presented as full-page or two-page bleeds, the book collects diverse writings, from curator Elisabeth Sussman's straightforward biographical essay to interviews with Goldin and her roommate/best friend/collaborator David Armstrong to writings by Goldin's late friends David Wojnarowicz and Cookie Mueller that reflect and complement her direct style without actually discussing her work. The body of work?which was selected and edited by Goldin?is the heart of the book, though, and thankfully it still exhibits the old intensity without apology. Highly recommended for all libraries collecting American art and artists.?Eric Bryant, "Lirbary Journal" Copyright 1996 Reed Business Information, Inc.
Based upon the Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth details that we offer, you may not be so confused to be below as well as to be member. Obtain now the soft data of this book Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth as well as save it to be your own. You conserving could lead you to stimulate the simplicity of you in reading this book Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth Also this is types of soft file. You could really make better chance to obtain this Nan Goldin: I'll Be Your Mirror By Elisabeth Sussman, Nan Goldin, David Armstrong, Hans Werner Holzwarth as the suggested book to read.
