DANCEHALL: FROM SLAVE SHIP TO GHETTO (AFRICAN AND DIASPORIC CULTURAL STUDIES) BY SONJAH STANLEY NIAAH

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Spending the downtime by reviewing DanceHall: From Slave Ship To Ghetto (African And Diasporic Cultural Studies) By Sonjah Stanley Niaah can provide such wonderful experience also you are simply sitting on your chair in the office or in your bed. It will certainly not curse your time. This DanceHall: From Slave Ship To Ghetto (African And Diasporic Cultural Studies) By Sonjah Stanley Niaah will assist you to have even more priceless time while taking remainder. It is extremely enjoyable when at the noon, with a cup of coffee or tea as well as a book DanceHall: From Slave Ship To Ghetto (African And Diasporic Cultural Studies) By Sonjah Stanley Niaah in your kitchen appliance or computer monitor. By enjoying the sights around, here you can begin reviewing.

Review "DanceHall is a fascinating and scholarly look at [dancehall music and its tie to Jamaican culture." The Midwest Book Review

"Stanley Niaah’s knowledge of the elements of dancehall over the last two decades... is firsthand and encyclopaedic. Much of the value of this book is to be found in the way it documents the details of a culture so swiftly moving that it can seem impossible to document at all." -- The Caribbean Review of Books

From the Author The research contained in DanceHall will benefit secondary and tertiary students locally, regionally and globally who will be able to immediately access details of Jamaica's rich cultural enterprise in its pages for a range of endeavours around secondary and advanced level explorations in a variety of formal or informal activities. It is also critical for scholars and journalists who wish to dig deeper into the historical and performative legacies and traditions of dancehall. DanceHall will also increase cultural awareness and development while building a platform for intercultural exchange, and development of strategies for engaging creative industries locally and internationally. About the Author Sonjah Stanley Niaah is the inaugural Rhodes Trust Rex Nettleford Fellow in Cultural Studies (2005) and lectures in Cultural Studies at the University of the West Indies at Mona. With research

interests around Black Atlantic performance geographies, ritual, dance, as well as popular culture and the sacred, Stanley Niaah is a leading author on Jamaican popular culture and Caribbean Cultural Studies more broadly.

DANCEHALL: FROM SLAVE SHIP TO GHETTO (AFRICAN AND DIASPORIC CULTURAL STUDIES) BY SONJAH STANLEY NIAAH PDF

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DANCEHALL: FROM SLAVE SHIP TO GHETTO (AFRICAN AND DIASPORIC CULTURAL STUDIES) BY SONJAH STANLEY NIAAH PDF

DanceHall combines cultural geography, performance studies and cultural studies to examine performance culture across the Black Atlantic. Taking Jamaican dancehall music as its prime example, DanceHall reveals a complex web of cultural practices, politics, rituals, philosophies, and survival strategies that link Caribbean, African and African diasporic performance. Combining the rhythms of reggae, digital sounds and rapid-fire DJ lyrics, dancehall music was popularized in Jamaica during the later part of the last century by artists such as Shabba Ranks, Shaggy, Beenie Man and Buju Banton. Even as its popularity grows around the world, a detailed understanding of dancehall performance space, lifestyle and meanings is missing. Author Sonjah Stanley Niaah relates how dancehall emerged from the marginalized youth culture of Kingston’s ghettos and how it remains inextricably linked to the ghetto, giving its performance culture and spaces a distinct identity. She reveals how dancehall’s migratory networks, embodied practice, institutional frameworks, and ritual practices link it to other musical styles, such as American blues, South African kwaito, and Latin American reggaetòn. She shows that dancehall is part of a legacy that reaches from the dance shrubs of West Indian plantations and the early negro churches, to the taxi-dance halls of Chicago and the ballrooms of Manhattan. Indeed, DanceHall stretches across the whole of the Black Atlantic’s geography and history to produce its detailed portrait of dancehall in its local, regional, and transnational performance spaces.

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Sales Rank: #6051761 in Books Published on: 2010-07-10 Original language: English Number of items: 1 Dimensions: 9.30" h x .95" w x 6.32" l, 1.20 pounds Binding: Hardcover 260 pages

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ISBN13: 9780776630410 Condition: New Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Review "DanceHall is a fascinating and scholarly look at [dancehall music and its tie to Jamaican culture." -

The Midwest Book Review

"Stanley Niaah’s knowledge of the elements of dancehall over the last two decades... is firsthand and encyclopaedic. Much of the value of this book is to be found in the way it documents the details of a culture so swiftly moving that it can seem impossible to document at all." -- The Caribbean Review of Books

From the Author The research contained in DanceHall will benefit secondary and tertiary students locally, regionally and globally who will be able to immediately access details of Jamaica's rich cultural enterprise in its pages for a range of endeavours around secondary and advanced level explorations in a variety of formal or informal activities. It is also critical for scholars and journalists who wish to dig deeper into the historical and performative legacies and traditions of dancehall. DanceHall will also increase cultural awareness and development while building a platform for intercultural exchange, and development of strategies for engaging creative industries locally and internationally. About the Author Sonjah Stanley Niaah is the inaugural Rhodes Trust Rex Nettleford Fellow in Cultural Studies (2005) and lectures in Cultural Studies at the University of the West Indies at Mona. With research interests around Black Atlantic performance geographies, ritual, dance, as well as popular culture and the sacred, Stanley Niaah is a leading author on Jamaican popular culture and Caribbean Cultural Studies more broadly.

Most helpful customer reviews 4 of 4 people found the following review helpful. Dance Hall: From Slave Ship to Ghetto By Amazon Customer I found this book to be well organized, accessible, refreshing and rewarding. The theoretical framework offered in the first chapter was comprehensive and engaging. This book, although rooted in the Jamaican experience, provides a framework that helps us to understand dance hall history and contemporary practice within the Caribbean and the larger Black Atlantic. As a Guyanese, this work has helped me to connect Guyana's Old Time Dance Halls,"Big Girl fetes" and contemporary manifestations such as the Plaisance Line Top Lime, and the Sunday afternoon Sea Wall lime with this wider "dance hall geography." 1 of 1 people found the following review helpful. A fascinating and scholarly look at the music and its tie to Jamaican culture By Midwest Book Review Music is constantly changing and evolving through the years. "DanceHall: From Slave Ship to Ghetto" analyzes the development of DanceHall, which has both spawned a cultural movement as well as a new genre and effect on music. The styles it developed from range from American blues to reggae, and how it is linked strongly to the Jamaican ghettos of today. With connections to the growing black culture overall throughout the Americas, "DanceHall" is a fascinating and scholarly look at the music and its tie to Jamaican culture.

0 of 0 people found the following review helpful. Five Stars By Amazon Customer wonderfully informative book. written like a college text. not pop lit. needed to be written. See all 3 customer reviews...

DANCEHALL: FROM SLAVE SHIP TO GHETTO (AFRICAN AND DIASPORIC CULTURAL STUDIES) BY SONJAH STANLEY NIAAH PDF

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"Stanley Niaah’s knowledge of the elements of dancehall over the last two decades... is firsthand and encyclopaedic. Much of the value of this book is to be found in the way it documents the details of a culture so swiftly moving that it can seem impossible to document at all." -- The Caribbean Review of Books

From the Author The research contained in DanceHall will benefit secondary and tertiary students locally, regionally and globally who will be able to immediately access details of Jamaica's rich cultural enterprise in its pages for a range of endeavours around secondary and advanced level explorations in a variety of formal or informal activities. It is also critical for scholars and journalists who wish to dig deeper into the historical and performative legacies and traditions of dancehall. DanceHall will also increase cultural awareness and development while building a platform for intercultural exchange, and development of strategies for engaging creative industries locally and internationally. About the Author Sonjah Stanley Niaah is the inaugural Rhodes Trust Rex Nettleford Fellow in Cultural Studies (2005) and lectures in Cultural Studies at the University of the West Indies at Mona. With research interests around Black Atlantic performance geographies, ritual, dance, as well as popular culture and the sacred, Stanley Niaah is a leading author on Jamaican popular culture and Caribbean Cultural Studies more broadly.

Spending the downtime by reviewing DanceHall: From Slave Ship To Ghetto (African And Diasporic Cultural Studies) By Sonjah Stanley Niaah can provide such wonderful experience

also you are simply sitting on your chair in the office or in your bed. It will certainly not curse your time. This DanceHall: From Slave Ship To Ghetto (African And Diasporic Cultural Studies) By Sonjah Stanley Niaah will assist you to have even more priceless time while taking remainder. It is extremely enjoyable when at the noon, with a cup of coffee or tea as well as a book DanceHall: From Slave Ship To Ghetto (African And Diasporic Cultural Studies) By Sonjah Stanley Niaah in your kitchen appliance or computer monitor. By enjoying the sights around, here you can begin reviewing.

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