BOOKLESS IN BAGHDAD: REFLECTIONS ON WRITING AND WRITERS BY SHASHI THAROOR
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We will show you the most effective and also best method to obtain book Bookless In Baghdad: Reflections On Writing And Writers By Shashi Tharoor in this globe. Bunches of compilations that will sustain your obligation will certainly be below. It will certainly make you really feel so best to be part of this internet site. Becoming the participant to consistently see what up-to-date from this publication Bookless In Baghdad: Reflections On Writing And Writers By Shashi Tharoor website will make you feel right to search for the books. So, just now, as well as right here, get this Bookless In Baghdad: Reflections On Writing And Writers By Shashi Tharoor to download and install as well as save it for your priceless deserving.
About the Author Shashi Tharoor was born in London and brought up in Bombay and Calcutta. He has written for the New York Times, the Washington Post, the International Herald Tribune, the Times of India, and Foreign Affairs. A human rights activist and winner of a Commonwealth Writers Prize, he is currently a member of the Indian Parliament and lives in New Dehli, India.
BOOKLESS IN BAGHDAD: REFLECTIONS ON WRITING AND WRITERS BY SHASHI THAROOR PDF
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BOOKLESS IN BAGHDAD: REFLECTIONS ON WRITING AND WRITERS BY SHASHI THAROOR PDF
Shashi Tharoor is once again at his provocative best. In the title essay, we learn the steep price paid by some Iraqis just to obtain a book; what does it mean when selling books, essentially selling culture, out of one’s own library is the only way to put bread on the table? Later, Tharoor reminisces about growing up with books in India and the central position of classics like the Mahabharata in developing his own literary identity. The poignant homage to Chilean poet Pablo Neruda recalls his incendiary deathbed challenge as an oppressive military regime invaded his home: “There is only one thing of danger for you here—my poetry!” “The defining features of today’s world,” Tharoor writes of the global stage, “are the relentless forces of globalization—the same forces used by the terrorists in their macabre dance of death and destruction.” His astute views on Salman Rushdie, India’s love for P. G. Wodehouse, Rudyard Kipling, Aleksandr Pushkin, John le Carré, V. S. Naipaul, and Winston Churchill make for fascinating reading. His insightful takes on Hollywood and Bollywood will intrigue even the most demanding cinephile. Together, these thirty-nine pieces reveal the inner workings of one of today’s most eclectic writers.
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Sales Rank: #2915023 in Books Published on: 2012-04-01 Original language: English Number of items: 1 Dimensions: 8.46" h x .91" w x 5.51" l, .88 pounds Binding: Paperback 288 pages
About the Author Shashi Tharoor was born in London and brought up in Bombay and Calcutta. He has written for the New York Times, the Washington Post, the International Herald Tribune, the Times of India, and Foreign Affairs. A human rights activist and winner of a Commonwealth Writers Prize, he is currently a member of the Indian Parliament and lives in New Dehli, India. Most helpful customer reviews 0 of 0 people found the following review helpful. A Collection of wonderful essays on Literary topics - to be read while having coffee in Huesca! By Raghu Nathan The title of the book could make one assume that the book is about Shashi Tharoor’s time in Iraq, possibly as the Minister of State for External Affairs in India after 2009. But I am almost certain that he never visited Iraq in that capacity. I just bought the book simply because it is a Shashi Tharoor book and so it has got to be good, witty and insightful. I wasn’t disappointed. The subtitle ‘Other Writings about Reading’ gives away as to what the book is all about. It is a delightful collection of
essays on subjects ranging from literature, criticism, writers, socio-political commentary, his own books and much else. As I expected, they are analytical, at times provocative, at times deeply personal and certainly with a liberal sprinkling of humour and sarcasm. It is an enjoyable read for the prose as well as the content. The book is organized in five sections. Even though all the sections contain interesting pieces, I loved the section ‘Reconsiderations’ for his views on other writers, ‘Literary Life’ for his views on criticism and social commentary on illiteracy in the US and finally the section ‘Appropriations’ for the delightful piece on how his book ‘Show Business’ got mangled into a movie and his tribute to George Orwell by making the effort to have a cup of coffee in Huesca (Spain). The section ‘Reconsiderations’ pays tribute to a number of writers and also has a go at some others like Winston Churchill and Nirad C. Choudhuri. In his piece ‘Right-ho sahib’, he speculates adoringly on why Wodehouse is so popular in India long after the English-speaking world forgot him. He suggests that perhaps it is due to the setting of an idyllic and charming world that we all want but doesn’t really exist in reality. I found in him a kindred soul here as it brought me happy memories of my high school days when I and my friends used to feverishly devour PGW books one after another. The essays on Pushkin and Pablo Neruda are touching and heartfelt. He remarks ruefully that India has translations of Goethe, Garcia-Marquez and Kundera but no publisher has bothered to bring Pushkin to us in English or another Indian language. On Neruda, Tharoor quotes a few lines from his poem ‘To My Party’ as an example where Neruda soars in his vision high above the jargon laden propaganda of the Communist Party: ‘You have given me brotherhood towards the man I do not know, You have given me added strength of all those who I do not know’, You showed me how one person’s pain could die in the victory of all, You have made me indestructible, for I no longer end in myself’ Tharoor is quite underwhelmed by R.K.Narayan’s work, which he says points to the banality of his concerns, narrowness of vision, predictability of prose and shallowness of the pool of experience and vocabulary from which he drew. That is not all. He says further that Narayan used words as if unconscious of their nuances: every other sentence included a word inappropriately or wrongly used. The highest praise the author reserves is for Salman Rushdie, whom he honors with the accolade ‘the head of my profession’. In the essay ‘The Ground beneath his feet’, he says that Rushdie is the most gifted re-inventor of Indianness since Nehru. He quotes Rushdie himself as to why it is so - ‘the only people who see the whole picture are the ones who step out of the frame’. Ever since V.S.Naipaul’s contention that Indians lack historical consciousness, I had often wondered why it is so. The essay ‘Bharatiya Sanskriti in the Big Apple’ has a thought-provoking and striking counterpoint from the Kannada language writer, Kambar, on this subject. Kambar postulates that the Indian cultural sensibility is marked by its non-linear notion of time. Time is not a controlled sequence of events in our minds, but an amalgamations of all events, past to present. Against the Western notion of ‘history’, Kambar posits a view of ‘many ages and many worlds’, including the mythic, constituting the Indian sense of present reality. Krishna’s lesson to Arjuna on the battlefield is not remote for us. That is why the frenzied mob in Ayodhya cannot be persuaded by people like him (Kambar) to leave the past alone because ‘the past is here’. As a writer, Kambar
says that ‘instead of swallowing the Western notion of the integrity of a text and its sole author, we ought to celebrate the way in which Indians continually told and retold the Mahabharata. It is a matter of pride, says Kambar, that an entire country has collectively created an epic over a period of thousands of years. I found this a new and revolutionary perspective to ponder about. The title piece ‘Bookless in Baghdad’ is poignant as it shows the post-sanctions Iraq in 1998 where people sell their precious book collections for cents in order to get by. The tribute to Orwell is deeply touching as Tharoor and his wife search out a coffee shop in the town of Huesca in Spain to pay their homage to Catalonia, about which George Orwell wrote ‘Tomorrow , we will have coffee in Huesca’! It reminded me of my own effort to find the village of Huettenberg in Austria, just so that I can see where Heinrich Harrer was from - as a result of reading ‘Seven Years in Tibet’! It is one of Shashi Tharoor’s best books. 2 of 2 people found the following review helpful. My India and America Stereotypes Get a Makeover By takingadayoff This book was quite a departure for me. I am almost completely ignorant of Indian literature, Indian travel, Indian history. A collection of essays by an Indian novelist, whose books I haven't read, seemed an unlikely choice. But the title, Bookless in Baghdad: Reflections on Writers and Writing, was enough to lure me in. When people talk about India, they mention how crowded it is, and loud, and poor. It seems overwhelming. So when Tharoor writes about Calcutta, which does have poor areas and crowds, as well as "art galleries, avant-garde theaters, and overflowing bookshops, whose coffeehouse waiters speak knowledgeably of Godard and Truffaut," I had to reconsider my stereotypical assumptions. Then he really turned the tables on me, when he wrote of his visits to America. On one visit he was approached by a man who asked him for directions to an address, and Tharoor realized the man could not read the address someone had written down for him. This was in Detroit where, Tharoor said, the illiteracy rate is nearly 50%. I had to hunt down that statistic, because it just seemed too alarming to be true. While it depends on what yardstick you use to determine literacy, the federallyfunded National Institute for Literacy found in 2010 that 47% of Detroit's adults were functionally illiterate. I suspect that Detroit also has art galleries, avant-garde theaters, and overflowing bookshops. In addition to having my stereotypes upended, I enjoyed Tharoor's essays on P.G. Wodehouse, John Le Carre, and George Orwell. The title essay is a poignant account of a trip he took to Iraq in 1998, when a weak Iraqi economy was forcing middle-class Iraqis to sell their belongings, including their libraries for the equivalent of pennies. Another essay discusses how not to deal with a bad review. It's a well-rounded collection of pieces about Tharoor's novels, about the state of literature around the world, and about his favorite books. See all 2 customer reviews...
BOOKLESS IN BAGHDAD: REFLECTIONS ON WRITING AND WRITERS BY SHASHI THAROOR PDF
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We will show you the most effective and also best method to obtain book Bookless In Baghdad: Reflections On Writing And Writers By Shashi Tharoor in this globe. Bunches of compilations that will sustain your obligation will certainly be below. It will certainly make you really feel so best to be part of this internet site. Becoming the participant to consistently see what up-to-date from this publication Bookless In Baghdad: Reflections On Writing And Writers By Shashi Tharoor website will make you feel right to search for the books. So, just now, as well as right here, get this Bookless In Baghdad: Reflections On Writing And Writers By Shashi Tharoor to download and install as well as save it for your priceless deserving.
