BEFORE WATCHMEN: MINUTEMEN/SILK SPECTRE BY DARWYN COOKE, AMANDA CONNER
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Amazon.com Review Q&A with Before Watchmen Creators Darwyn Cooke and Len Wein In an exclusive Q&A, Before Watchmen creators Darwyn Cooke and Len Wein share their thoughts with Kindle. Q: Before Watchmen is a controversial project, to say the least. Upon being approached to work on it, what was your first reaction? Darwyn Cooke: My reaction was to politely decline. I didn't know I had anything to say that wasn't already there. It was a couple years before the story idea for Minutemen occurred to me, and that was when I committed to the project. Once I knew I had a story that excited me I got involved. Len Wein: My first reaction was that the project sounded like a great deal of fun, especially the opportunity to play with a character like Ozymandias. The chance to flesh out Adrian Veidt's story was just something I couldn't resist. Q: Following up on an iconic piece of art like Watchmen can be very daunting. Were you intimidated at all by the prospect of working on these classic characters? D.C.: Yes. Very much so. Having gone through a similar experience with Will Eisner's Spirit I was very aware of how hard I'd have to work to live up to the source material Alan and Dave created. L.W.: Not in the least. Having already written the Watchmen video game, WATCHMEN; THE END IS NIGH, I was more than comfortable writing in this world. Having been the original series' editor made it even easier. Q: Darwyn, why did you select Nite Owl (Hollis Mason) as the narrative voice for the Minutemen series? D.C: Hollis' autobiography, Under The Hood, seemed like the most logical foundation on which to
build my story and when we pick up the story in 1962 he's writing said book. That put him in his late forties evaluating his life up until then. Being in my late forties it was a very comfortable fit from a narrative standpoint. Q: Minutemen dives deep into the very flawed lives of a team that’s supposed to represent a Golden Age for heroes. Was it easy to take the story in such a dark direction or more difficult? D.C.: Very difficult. Most of the darkness was built into the characters by Alan and Dave so to be true to that and be true to the period of the story, one has to be careful to avoid transposing one's own values or modern mores onto the characters. Staying true to the social conventions and prejudices of the time make for a darker and somewhat more heartless story. Q: Silk Spectre has been labeled as a “coming of age” story. Would you agree with that? Why or why not? D.C.: I suppose I can agree in general, but it feels more like a small vignette of Laurie's journey. We see what sets her on a certain path, but when we leave her, she's still a teenage girl and she's just met Jon. Alan and Dave's story is where we see Laurie fully come of age. Q: Ozymandias is such a visually striking series, with the layouts and framing sequences especially standing out. Len, what type of relationship did you have with artist Jae Lee in creating such a distinct feel for this story? L.W.: I really have to give the overwhelming credit for the look of the series to Jae. I gave him very detailed, page/panel breakdowns to work from. How Jae interpreted those breakdowns is entirely to his own credit. I was more impressed than anyone when I first saw what Jae did with my story. Q: What do you think is the most compelling part about the Ozymandias character? L.W.: Oh, the internal dichotomy, certainly. The concept of a man who so loves the world that he is willing to murder millions of people to save it. Part of the fun of writing the book in the first person was to show the reader the vast difference between what Adrian tells the reader he's doing and what he's actually doing. Q: Dollar Bill was Steve Rude’s first DC work in years. What was the best or most unique aspect of working with one of comics’ great talents? L.W.: Steve very much wanted to tell a story with a happy ending in some way. Since our hero is killed several pages before the end, that posed a challenge I was eager to tackle. Also, how often does one get to work with a talent like Steve Rude in one's lifetime?
Review "BEFORE WATCHMEN has been an unqualified success."—Mtv Geek "BEFORE WATCHMEN: SILK SPECTRE is a heartfelt, gorgeous story."—Newsarma "MINUTEMEN is a stunningly gorgeous piece of comic book art, from the first page to last. [Cooke is] an insanely talented writer and artist with a perfect grasp of comic book layout, innovative structures, nuanced characters, without sacrificing a sense of humor. MINUTEMEN is right at the top of the very best modern comic books have to offer."—Mtv Geek
"Darwyn Cooke has certainly delivered. MINUTEMEN is a gorgeously crafted comic book"—IGN About the Author Darwyn Cooke is an Eisner Award-winning comic book writer, artist, cartoonist and animator, known for his work on the comic books CATWOMAN, DC: THE NEW FRONTIER, THE SPIRIT and Richard Stark's Parker: The Hunter. Amanda Conner started out in comics after working as an illustrator for New York ad agencies. However, loving comic books and cartooning the most, Amanda found work at Archie, Marvel and Claypool Comics early in her career. She's probably best known for her work on Vampirella for Harris Comics, as well as Painkiller Jane, CODENAME KNOCKOUT, BIRDS OF PREY, and the creator-owned books Gatecrasher and The Pro (with Jimmy Palmiotti and Garth Ennis).
BEFORE WATCHMEN: MINUTEMEN/SILK SPECTRE BY DARWYN COOKE, AMANDA CONNER PDF
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BEFORE WATCHMEN: MINUTEMEN/SILK SPECTRE BY DARWYN COOKE, AMANDA CONNER PDF
The controversial, long-awaited prequels to the best-selling graphic novel of all-time are finally here: BEFORE WATCHMEN! For over twenty years, the back stories of the now-iconic characters from Alan Moore and Dave Gibbon's landmark graphic novel had been the subject of much debate and theorizing. Now, DC Comics has assembled the greatest creators in the industry to further paint the world of WATCHMEN, starting with this first volume starring MINUTEMEN and SILK SPECTRE The critically acclaimed and Eisner Award-winning creator of DC: THE NEW FRONTIER Darwyn Cooke lends his talents MINUTEMEN. As the predecessor to the Watchmen, the Minutemen were assembled to fight against a world that have more and more rapidly begun to spin out of control. Can these heroes from completely different backgrounds and with completely different attitudes on crime come together? Or will they fall apart before they begin? SILK SPECTRE takes an introspective look at the WATCHMEN feature player's struggles with her overbearing superhero mother and her scattered path toward taking the mantle of the Silk Spectre. With gorgeous art by co-writer and illustrator Amanda Conner (POWER GIRL, The Pro), SILK SPECTRE takes a very different perspective at the world of BEFORE WATCHMEN. Collects BEFORE WATCHMEN: MINUTEMEN 1-6 and BEFORE WATCHMEN: SILK SPECTRE 1-4. ● ● ● ●
Sales Rank: #517780 in eBooks Published on: 2014-12-23 Released on: 2013-06-26 Format: Kindle eBook
Amazon.com Review Q&A with Before Watchmen Creators Darwyn Cooke and Len Wein In an exclusive Q&A, Before Watchmen creators Darwyn Cooke and Len Wein share their thoughts with Kindle. Q: Before Watchmen is a controversial project, to say the least. Upon being approached to work on it, what was your first reaction? Darwyn Cooke: My reaction was to politely decline. I didn't know I had anything to say that wasn't already there. It was a couple years before the story idea for Minutemen occurred to me, and that was when I committed to the project. Once I knew I had a story that excited me I got involved. Len Wein: My first reaction was that the project sounded like a great deal of fun, especially the opportunity to play with a character like Ozymandias. The chance to flesh out Adrian Veidt's story
was just something I couldn't resist. Q: Following up on an iconic piece of art like Watchmen can be very daunting. Were you intimidated at all by the prospect of working on these classic characters? D.C.: Yes. Very much so. Having gone through a similar experience with Will Eisner's Spirit I was very aware of how hard I'd have to work to live up to the source material Alan and Dave created. L.W.: Not in the least. Having already written the Watchmen video game, WATCHMEN; THE END IS NIGH, I was more than comfortable writing in this world. Having been the original series' editor made it even easier. Q: Darwyn, why did you select Nite Owl (Hollis Mason) as the narrative voice for the Minutemen series? D.C: Hollis' autobiography, Under The Hood, seemed like the most logical foundation on which to build my story and when we pick up the story in 1962 he's writing said book. That put him in his late forties evaluating his life up until then. Being in my late forties it was a very comfortable fit from a narrative standpoint. Q: Minutemen dives deep into the very flawed lives of a team that’s supposed to represent a Golden Age for heroes. Was it easy to take the story in such a dark direction or more difficult? D.C.: Very difficult. Most of the darkness was built into the characters by Alan and Dave so to be true to that and be true to the period of the story, one has to be careful to avoid transposing one's own values or modern mores onto the characters. Staying true to the social conventions and prejudices of the time make for a darker and somewhat more heartless story. Q: Silk Spectre has been labeled as a “coming of age” story. Would you agree with that? Why or why not? D.C.: I suppose I can agree in general, but it feels more like a small vignette of Laurie's journey. We see what sets her on a certain path, but when we leave her, she's still a teenage girl and she's just met Jon. Alan and Dave's story is where we see Laurie fully come of age. Q: Ozymandias is such a visually striking series, with the layouts and framing sequences especially standing out. Len, what type of relationship did you have with artist Jae Lee in creating such a distinct feel for this story? L.W.: I really have to give the overwhelming credit for the look of the series to Jae. I gave him very detailed, page/panel breakdowns to work from. How Jae interpreted those breakdowns is entirely to his own credit. I was more impressed than anyone when I first saw what Jae did with my story. Q: What do you think is the most compelling part about the Ozymandias character? L.W.: Oh, the internal dichotomy, certainly. The concept of a man who so loves the world that he is willing to murder millions of people to save it. Part of the fun of writing the book in the first person was to show the reader the vast difference between what Adrian tells the reader he's doing and what he's actually doing. Q: Dollar Bill was Steve Rude’s first DC work in years. What was the best or most unique aspect of working with one of comics’ great talents?
L.W.: Steve very much wanted to tell a story with a happy ending in some way. Since our hero is killed several pages before the end, that posed a challenge I was eager to tackle. Also, how often does one get to work with a talent like Steve Rude in one's lifetime?
Review "BEFORE WATCHMEN has been an unqualified success."—Mtv Geek "BEFORE WATCHMEN: SILK SPECTRE is a heartfelt, gorgeous story."—Newsarma "MINUTEMEN is a stunningly gorgeous piece of comic book art, from the first page to last. [Cooke is] an insanely talented writer and artist with a perfect grasp of comic book layout, innovative structures, nuanced characters, without sacrificing a sense of humor. MINUTEMEN is right at the top of the very best modern comic books have to offer."—Mtv Geek "Darwyn Cooke has certainly delivered. MINUTEMEN is a gorgeously crafted comic book"—IGN About the Author Darwyn Cooke is an Eisner Award-winning comic book writer, artist, cartoonist and animator, known for his work on the comic books CATWOMAN, DC: THE NEW FRONTIER, THE SPIRIT and Richard Stark's Parker: The Hunter. Amanda Conner started out in comics after working as an illustrator for New York ad agencies. However, loving comic books and cartooning the most, Amanda found work at Archie, Marvel and Claypool Comics early in her career. She's probably best known for her work on Vampirella for Harris Comics, as well as Painkiller Jane, CODENAME KNOCKOUT, BIRDS OF PREY, and the creator-owned books Gatecrasher and The Pro (with Jimmy Palmiotti and Garth Ennis). Most helpful customer reviews 27 of 27 people found the following review helpful. The Best of an Otherwise Mixed Enterprise By J. A Magill In the great debate regarding DC's decision to launch "Before Watchmen," I remain a committed agnostic. Yes, Moore and Gibson's creations are unique, perhaps not only for their place in the evolution of the comic art form, but also as characters meant to occupy a singular storyline and go no further. And yes, one should understandably fear the possibility - hyperbole intentional - of these stories reading like "Hamlet - the Prequel." Yet characters passing from one creative team to another lays at the very DNA of superhero comics, part of what makes it a form unlike any other. After all, Moore and Gibson originally imagined their story populated by the Charlton Comics' characters (The Question, Blue Beatle, Captain Atom, etc) before deciding on thinly altered cast all their own. Do you feel like Moore "violated" Wojtkowsi and Ditko? Just as Kirby and Simon's Captain America passed into Brubaker's loving hands, should The Minutemen be any different? One big caveat remains: new isn't always better. Nobody cares if some terrible writer becomes the next in line taking up the pen on Batgirl and does nothing interesting; if you are the second writer to take on Ozymandias, you'd better have something interesting to say. So how is "Before Watchmen: The Minutemen & Silk Spectre"? Not only is this the best volume of a decidedly mixed enterprise, it is also a surprisingly engaging read.
Cooke begins with a rather obvious choice: telling this story through the eyes of the First Nite Owl and his tell-all, "Under the Hood." He then pulls off a brilliant hat trick, combing through Moore & Gibson's original and presenting a Nite Owl who is about to reveal not just one former colleague's secret, but all their secrets. Nor does he stop there. Where other books in this series offer pedestrian motivations for why this or that character donned the mask, Cooke dives deep and surfaces with gold. One need only compare his portrait of the Comedian with that offered in the anti-hero's own book to recognize his success. Where that book's author, the often talented Brian Azzarello, chooses to white wash the Comedian's murderous inclination, here we see the character as a full on sociopath, robbing with abandon, beating the innocent, and still worse. These stories further looks at a range of social topics and plays with a grab-bag of comic tropes. Others in "Before Watchmen" have flushed out otherwise minor characters. Cooke goes the furthest, taking one otherwise given scant lines and a frame or two in the original and crafting a deep and moving view of a hero driven by her demons. The Silhouette stands out as the best character in the prequel series. For her alone, this a book well worth your time. Where Moore's original bifurcated Batman between Rorschach and Nite Owl, Cooke shatters the Dark Knight and reflects his various aspects in the shards. Cooke's art also stands out. Now I don't share some critics' preference for writer/artists over team efforts. Both are fine with me. Still, Cooke's Kirby influenced style which was so beautifully featured in DC's "The New Frontier" proves perfect for "The Minutemen." "New Frontier" looked at the passing of the torch from the Golden to the Silver age; this book could well be seen as the passing of a curse. Either way, it proves marvelous. "Silk Spectre" of course is a different animal all together. Despite being pivotal character in Moore & Gibson's original, of the series that make up "Before Watchmen" this would surely have been many fans bet on the one with the least potential. Again, Cooke surprises. Instead of playing up the heroic comic book motifs, he offers a powerful examination of a complex web of relationship: mother-daughter, daughter-father, girl-boy (and along the way takes what I can only assume is a swipe at Moore by offering a less than salutary take on drug culture and hallucinogenic). Just as "Watchmen" explored its own alternate history, so Cooke takes us to an alternate version of 1960's San Francisco. As in Moore, Laurie is very much a character fleeing a burden that her mother seeks to thrust upon her We see Laurie struggle with the super hero training received from her mother (who is wonderfully painted as sympathetic, complex, AND bats&*t crazy) and her desire to live. And it is that inner desire which shines on the page. . And here Amanda Connors' art as much makes the story as any word on the page. For "Silk Spectre," Cooke smartly puts his own artist brush aside and hands the reigns over to Connor. Her work here goes above and beyond anything I've seen from her previously. Here her work is neither so "cartoonish," nor as Manga touched. Instead she favors crisper lines and more subtle color. Connor moves to a wholly style for the cells when we leap into Laurie's mind to see visual representations of her inner life. If you are a reader thinking of picking up just part of "Before Watchmen" there really is no competition. "Minutemen/Silk Spectre" is the volume that won't leave you asking yourself why with regards to the entire enterprise. If every book were as smart and thoughtful and this, "Before Watchmen" would have become a legend, rather than footnote. *Advance copy provided by Netgalley and DC Comics in exchange for an honest review.*
6 of 7 people found the following review helpful. Terrific addition By Treetown When I first heard that DC was attempting to create a series of works based on the Watchmen characters with the aim of backfilling their stories and details, it sounded like a cheap cash grab and like many fans of the original Alan Moore/Dave Gibbons work, was not receptive to it. I took a wait and see attitude and decided to give it chance when I saw the high quality of the artists involved. It was well worth it. This volume collects the issues concerning The Minutemen and the Second Silk Spectre. If you don't know about the original work, who The Minutemen were and why there are two Silk Spectre, stop here and go read Watchmen by Moore and Gibbons. Otherwise, this is a hard copy collected edition. The production values are nice although the inner binding is tight so it cuts a bit into the inner edge of some of the art. Darwyn Cooke wrote and drew the Minutemen installment. He co-wrote the Silk Spectre part with Amanda Conner who many might recognize as having worked on Archie, Power Girl and Birds of Prey. The Minutemen part is wonderful. Cooke's earlier efforts on the Justice League: The New Frontier and the superb adaptation of Richard Stark's Parker series helps with his depiction of the 1930-1960's. Having lived through some of those years, I can vouch that he captures that whole hat wearing era. The whole series could have been a derivative mash that would barely qualify for fan-fiction but Cooke brings real subtlety and nuance to Hollis Mason, Byron Lewis, and the Silhouette. He adds a wonderfully appropriate extension to the tale of how "Under the Hood" was written and the final fate of Hooded Justice. It is simply terrific. If you are a fan of Watchmen this tale is worth getting. The second tale concerns the life of the second Silk Spectre. It has a lot less "action" than the first because it is focused on why Laurie, the daughter of the first Silk Spectre, Sally Jupiter chose to follow in the same line of work being an adventurer. Amanda Conner's art helps convey the mixture of goofiness, hormone driven confusion and simple good heartedness along with a realization that life is complicated and sometimes there are no easy answers just hard decisions one has to live with. Again, this is a collection which I think would be enjoyable to anyone who liked the tone of the original work - Cooke really has done a terrific job. Many fans and I believe Alan Moore himself noted that Hollis Mason is probably the most normal person and the one hero that he would enjoy knowing were he a real figure. Cooke gives us all more reasons to still like Hollis and appreciate there are often many truths and not just a truth. A great work. 3 of 3 people found the following review helpful. Graphic Novel Review: "Before Watchmen: Minutemen / Silk Spectre Deluxe Edition" By ERSInk . com All the single issues are out and now it's time to make way for the inevitable deluxe editions of the Before Watchmen titles. DC Comics quite possibly could sell more copies of these hardcover collections than they did the individual issues. After all, anyone who bought the singles are going to want to have them next to the "Watchmen" book on their library shelf. On top of that, there are plenty of people out there who put off buying the weekly titles because they were too hard to keep
up with. "Before Watchmen: Minutemen / Silk Spectre Deluxe Edition" contains all six issues of Darwyn Cooke's back-stories for the team of super heroes that inspired the Watchmen to form. Cooke then pairs up with artist Amanda Conner for four issues to tell the tale of Laurie Jupiter's journey in taking up the costumed crime fighting life her mother left as a legacy to her. Darwyn Cooke handles writing and the art for Before Watchmen: Minutemen. His art perfectly captures the essence of the Golden Age of comic books. I can't imagine any other style of illustrating being a better fit. As a storyteller, he excels at penning complex and emotionally engaging tales that keep the reader engaged. In this one series he tackles issues like child sex trafficking, prejudice, regret, and more. Before Watchmen: Silk Spectre gives Cooke a chance to concentrate completely on storytelling. While not as satisfying as Before Watchmen: Minutemen, it still does a great job fleshing out and giving the character of the second Silk Spectre clear motivation for her fight against the evils of the world. Amanda Conner's artwork is a window into the soul of Cooke's narrative and fills each panel with a sense of care and passion for what she's doing. I said it the first time I reviewed these issues and I'll say it again. I just don't see the need for the nudity. It adds nothing to the story. I understand the book is rated M for Mature, but I still believe it limits who's willing to read it and that's unfortunate. Business-wise, the point of the matter is that's one less book being sold to someone. This is definitely not for kids and if you were rating "Before Watchmen: Minutemen / Silk Spectre Deluxe Edition" by movie standards, this would be rated R for Nudity, Language, Violence, and Adult Situations. We get 20 pages of bonus material for "Before Watchmen: Minutemen / Silk Spectre Deluxe Edition." They include variant covers for both series featuring work by Jim Lee, Bruce Timm, Michael Golden, Cliff Chiang, Jose Luis Garcia-Lopez, and many more. There's also individual character studies from Darwyn Cooke and a statue design for Silk Spectre by Amanda Conner. Two full pages of penciling by Amanda Conner and a closing statement from the artist is featured as well. "Before Watchmen: Minutemen / Silk Spectre Deluxe Edition" is the perfect way for those who didn't keep up with the individual titles throughout their initial run to acquire them all in one convenient collection. I highly recommend any fan of "Watchmen" to pick this up. I know there are plenty of naysayers out there still who consider Before Watchmen to be nothing more than fan fiction (I'm looking at you, Zech Bard), but it's really not. Only one third of the creative team behind the original Watchmen series didn't participate in these prequels. Don't shoot yourself in the foot by missing out on some great stories. See all 45 customer reviews...
BEFORE WATCHMEN: MINUTEMEN/SILK SPECTRE BY DARWYN COOKE, AMANDA CONNER PDF
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Q: Minutemen dives deep into the very flawed lives of a team that’s supposed to represent a Golden Age for heroes. Was it easy to take the story in such a dark direction or more difficult? D.C.: Very difficult. Most of the darkness was built into the characters by Alan and Dave so to be true to that and be true to the period of the story, one has to be careful to avoid transposing one's own values or modern mores onto the characters. Staying true to the social conventions and prejudices of the time make for a darker and somewhat more heartless story. Q: Silk Spectre has been labeled as a “coming of age” story. Would you agree with that? Why or why not? D.C.: I suppose I can agree in general, but it feels more like a small vignette of Laurie's journey. We see what sets her on a certain path, but when we leave her, she's still a teenage girl and she's just met Jon. Alan and Dave's story is where we see Laurie fully come of age. Q: Ozymandias is such a visually striking series, with the layouts and framing sequences especially standing out. Len, what type of relationship did you have with artist Jae Lee in creating such a distinct feel for this story? L.W.: I really have to give the overwhelming credit for the look of the series to Jae. I gave him very detailed, page/panel breakdowns to work from. How Jae interpreted those breakdowns is entirely to his own credit. I was more impressed than anyone when I first saw what Jae did with my story. Q: What do you think is the most compelling part about the Ozymandias character? L.W.: Oh, the internal dichotomy, certainly. The concept of a man who so loves the world that he is willing to murder millions of people to save it. Part of the fun of writing the book in the first person was to show the reader the vast difference between what Adrian tells the reader he's doing and what he's actually doing. Q: Dollar Bill was Steve Rude’s first DC work in years. What was the best or most unique aspect of working with one of comics’ great talents? L.W.: Steve very much wanted to tell a story with a happy ending in some way. Since our hero is killed several pages before the end, that posed a challenge I was eager to tackle. Also, how often does one get to work with a talent like Steve Rude in one's lifetime?
Review "BEFORE WATCHMEN has been an unqualified success."—Mtv Geek "BEFORE WATCHMEN: SILK SPECTRE is a heartfelt, gorgeous story."—Newsarma "MINUTEMEN is a stunningly gorgeous piece of comic book art, from the first page to last. [Cooke is] an insanely talented writer and artist with a perfect grasp of comic book layout, innovative structures, nuanced characters, without sacrificing a sense of humor. MINUTEMEN is right at the top of the very best modern comic books have to offer."—Mtv Geek "Darwyn Cooke has certainly delivered. MINUTEMEN is a gorgeously crafted comic book"—IGN About the Author
Darwyn Cooke is an Eisner Award-winning comic book writer, artist, cartoonist and animator, known for his work on the comic books CATWOMAN, DC: THE NEW FRONTIER, THE SPIRIT and Richard Stark's Parker: The Hunter. Amanda Conner started out in comics after working as an illustrator for New York ad agencies. However, loving comic books and cartooning the most, Amanda found work at Archie, Marvel and Claypool Comics early in her career. She's probably best known for her work on Vampirella for Harris Comics, as well as Painkiller Jane, CODENAME KNOCKOUT, BIRDS OF PREY, and the creator-owned books Gatecrasher and The Pro (with Jimmy Palmiotti and Garth Ennis).
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