THIS MUSIC LEAVES STAINS: THE COMPLETE STORY OF THE MISFITS BY JAMES GREENE JR.

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Review This Music Leaves Stains is respectful, informative, and thorough enough not to alienate hardcore Misfits fans as humorless as Danzig, but pretty much anyone will get a kick out of it. (Psychobabble) This is the Misfits book we ‘T.V. Casualties’ have waited for. It’s also a tome they’ll wish they’d written themselves. Green makes chronicling the chaos look easy, his enthusiasm and love for the music seeping into his prose. . . . The story is so visceral and compelling that one can imagine the events unfolding onscreen as a major motion picture. This Music Leaves Stains is a . . . Misfits missalette that gets to the heart of the seminal scare band’s long-lasting legacy of brutality and outlines the precise reasons why they still connect with audiences some thirty years after they first warned the world to ‘Beware.’ (Examiner.com) Crammed as the punk rock bookshelf has gotten in the 21 years since the publication of England's Dreaming and Please Kill Me (1996), there's been no volume published on the Misfits. James Greene Jr. steps into the breach admirably. The page count may be thin, but content's thick, the author accurately and respectfully telling the tale of how Jerry Only and a cast of several channeled Glenn Danzig's obsessions with murder, blood, horror comics, and trashy horror films into a potent, powerful, and melodic strain of punk rock distinctly the Misfits' own. Colored vinyl 45s like "Horror Business" and "London Dungeon" were the most vicious sing-alongs around, and the graphic presentation brilliant, as was the band's down-market Kiss presentation. Thankfully, Greene Jr. pulls no punches as egos tear the band apart, and a genius musical brand gets degraded through the actions of Danzig and Only both. All the warts are here, from Danzig's French onion soup at Fun Fun Fun Fest 2011 to Only's licensing the Misfits logo to any chintzy tchotchke possible. (Austin Chronicle)

This Music Leaves Stains paints a picture so vivid, even the most pedestrian of music fans will find it interesting. (New Noise Magazine) This Music Leaves Stains provides detailed accounts of the various stories shared by those who know anything about the enigmatic band, including citations and a bibliography, should readers wish to read further. In addition, there is a nearly thirty-page annotated discography, which lists studio recordings sorted by format, bootleg recordings, videos, Misfits related recordings, 'scrapped Misfits releases,' and descriptions of important films that influenced the Misfits. . . .Greene’s work will open up the possibility for more critical research regarding the Misfits in the future. (Notes: Quarterly Journal of the Music Library Association) I came away completely captivated by This Music Leaves Stains, largely because it is just so damn well researched. Green’s annotated Misfits discography at 1977 to 2012 at the back of the book is worth its weight in gold, in light of the fact that the Misfits have had so many rumored releases over the years. At the same time, it moves along more like a novel than a biography. Certainly the Misfits have seen their share of inner band upheavals, mainly when Danzig left for more lucrative offers and bigger fame. Through it all, that Crimson Ghost logo has survived decades, glaring out from stage banners, EP covers and even sneaker endorsements. (Vintage Rock) For such an influential band with an undeniably contentious history laden with rumour, lawsuits, ego, violence and intrigue, it's almost impossible to think that THE MISFITS story has not been told in book form before. However, as far as I know, this book is the first in-depth telling of the seminal Horror-Punks outta New Jersey. . . .One of the best aspects of the book is that Greene doesn’t side with Danzig or Only in their battle of egos and doesn’t shy from straight talking about either Danzig or Only. He examines both characters' idiosyncrasies, the hypocrisy that exists between comments usually said to appease their own ego or acts of downright stupidity. . . .The book is filled out with an excellent discography, detailed notes on the origin of much of what is printed, films that influenced the band and the obligatory preface, acknowledgements and index. . . .[T]his is a much welcomed telling of a band’s story that has long-been required. Greene’s telling is factual and unbiased in either Danzig’s or Only’s favour and that makes it a balanced read. (Scanner Zine) About the Author James Greene, Jr. is a freelance writer who has contributed to Crawdaddy!, New York Press, Splitsider, PopMatters, and Uncle John's Bathroom Reader. He graduated from the University of Central Florida with a BA in organizational communication and lives in Troy, New York. Greene also runs a Misfits image blog at thismusicleavesstains.tumblr.com.

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Few bands in the past three decades have proven as affecting or exciting as the Misfits, the ferocious horror punk outfit that lurked in the shadows of suburban New Jersey and released a handful of pivotal underground recordings during their brief, tumultuous time together. Led by Glenn Danzig, a singer possessed of vision and blessed with an incredible baritone, the Misfits pioneered a death rock sound that would reverberate through the various musical subgenres that sprung up in their wake. This Music Leaves Stains now presents the full story behind the Misfits and their ubiquitous, haunting skull logo, a story of unique talent, strange timing, clashing personalities, and incredible music that helped shape rock as we know it today. James Greene, Jr., maps this narrative from the band's birth at the tail end of the original punk movement through their messy dissolve at the dawn of the 1980s right on through the legal warring and inexplicable reunions that helped carry the band into the 21st century. Music junkies of any stripe will surely find themselves engrossed in this saga that finally pieces together the full story of the greatest horror punk band that ever existed, though Misfits fans will truly marvel at the thorough and detailed approach James Greene, Jr. has taken in outlining the rise, fall, resurrection, and influence of New Jersey's most frightening musical assembly. ● ● ● ●

Sales Rank: #96538 in eBooks Published on: 2013-02-14 Released on: 2013-04-17 Format: Kindle eBook

Review This Music Leaves Stains is respectful, informative, and thorough enough not to alienate hardcore Misfits fans as humorless as Danzig, but pretty much anyone will get a kick out of it. (Psychobabble) This is the Misfits book we ‘T.V. Casualties’ have waited for. It’s also a tome they’ll wish they’d written themselves. Green makes chronicling the chaos look easy, his enthusiasm and love for the music seeping into his prose. . . . The story is so visceral and compelling that one can imagine the events unfolding onscreen as a major motion picture. This Music Leaves Stains is a . . . Misfits missalette that gets to the heart of the seminal scare band’s long-lasting legacy of brutality and outlines the precise reasons why they still connect with audiences some thirty years after they first warned the world to ‘Beware.’ (Examiner.com) Crammed as the punk rock bookshelf has gotten in the 21 years since the publication of England's Dreaming and Please Kill Me (1996), there's been no volume published on the Misfits. James Greene Jr. steps into the breach admirably. The page count may be thin, but content's thick, the

author accurately and respectfully telling the tale of how Jerry Only and a cast of several channeled Glenn Danzig's obsessions with murder, blood, horror comics, and trashy horror films into a potent, powerful, and melodic strain of punk rock distinctly the Misfits' own. Colored vinyl 45s like "Horror Business" and "London Dungeon" were the most vicious sing-alongs around, and the graphic presentation brilliant, as was the band's down-market Kiss presentation. Thankfully, Greene Jr. pulls no punches as egos tear the band apart, and a genius musical brand gets degraded through the actions of Danzig and Only both. All the warts are here, from Danzig's French onion soup at Fun Fun Fun Fest 2011 to Only's licensing the Misfits logo to any chintzy tchotchke possible. (Austin Chronicle) This Music Leaves Stains paints a picture so vivid, even the most pedestrian of music fans will find it interesting. (New Noise Magazine) This Music Leaves Stains provides detailed accounts of the various stories shared by those who know anything about the enigmatic band, including citations and a bibliography, should readers wish to read further. In addition, there is a nearly thirty-page annotated discography, which lists studio recordings sorted by format, bootleg recordings, videos, Misfits related recordings, 'scrapped Misfits releases,' and descriptions of important films that influenced the Misfits. . . .Greene’s work will open up the possibility for more critical research regarding the Misfits in the future. (Notes: Quarterly Journal of the Music Library Association) I came away completely captivated by This Music Leaves Stains, largely because it is just so damn well researched. Green’s annotated Misfits discography at 1977 to 2012 at the back of the book is worth its weight in gold, in light of the fact that the Misfits have had so many rumored releases over the years. At the same time, it moves along more like a novel than a biography. Certainly the Misfits have seen their share of inner band upheavals, mainly when Danzig left for more lucrative offers and bigger fame. Through it all, that Crimson Ghost logo has survived decades, glaring out from stage banners, EP covers and even sneaker endorsements. (Vintage Rock) For such an influential band with an undeniably contentious history laden with rumour, lawsuits, ego, violence and intrigue, it's almost impossible to think that THE MISFITS story has not been told in book form before. However, as far as I know, this book is the first in-depth telling of the seminal Horror-Punks outta New Jersey. . . .One of the best aspects of the book is that Greene doesn’t side with Danzig or Only in their battle of egos and doesn’t shy from straight talking about either Danzig or Only. He examines both characters' idiosyncrasies, the hypocrisy that exists between comments usually said to appease their own ego or acts of downright stupidity. . . .The book is filled out with an excellent discography, detailed notes on the origin of much of what is printed, films that influenced the band and the obligatory preface, acknowledgements and index. . . .[T]his is a much welcomed telling of a band’s story that has long-been required. Greene’s telling is factual and unbiased in either Danzig’s or Only’s favour and that makes it a balanced read. (Scanner Zine) About the Author James Greene, Jr. is a freelance writer who has contributed to Crawdaddy!, New York Press, Splitsider, PopMatters, and Uncle John's Bathroom Reader. He graduated from the University of Central Florida with a BA in organizational communication and lives in Troy, New York. Greene also runs a Misfits image blog at thismusicleavesstains.tumblr.com. Most helpful customer reviews 20 of 20 people found the following review helpful.

No new information. By W. S. Slayton If you're considering this book, you're probably more than a casual fan of the Misfits. Information on the bands history has always been pretty meager, mostly due to Glenn's refusal to discuss it. What little info that has been disseminated is rounded up here, along with a few anecdotes that some may not have heard. But the authors research doesn't seem to have turned up much. The book is only 120 pages long, if you don't count the 20 pages of exhaustive, annotated discography. The first 15 pages are a brief history of the band members childhoods, and the story of the Danzig-fronted lineup ends after 65 pages, 7 of which are black and white live shots. This means that the story that you're probably wanting to read is squeezed into about 45 pages. As I mentioned, those considering the book are probably more than casual fans, so those 45 pages don't tell you much that you didn't already know. Danzig is a control freak, Jerry is the image guy, and the rest of the band members seem to come and go, depending on who's mad at who. After that, you get histories of Samhain and the lawsuits, which led to the revamped Misfits. Then the eponymous Danzig band is covered, while also telling the simultaneous story of the new Misfits lineup. All of the source material comes from elsewhere. Neither Glenn nor Jerry were interviewed specifically for this book, as far as I can tell. Most of the original material here comes from the guitarists that were shown the door before Doyle took over. As far as the tone of the book, the author never hesitates to describe the backstabbing that occurred all the way up to Doyles departure, and there's a lot of finger-pointing. Not that the guys don't deserve it, but some readers may prefer to make up their own minds. It's as if the author was less interested in writing a thorough history than poking a stick at a snake. In my opinion, the band was an abomination after Glenn left, and I always felt sorry for any frontman who tried to fill those shoes. If you're of a similar opinion, this book will probably disappoint you, since everyone involved, except for Doyle, is eventually made to sound like an egomaniacal lunatic who's only interested in money. While that may be true, I sort of found it unnecessary to the telling of the story. All in all, it's not horrible, but I don't like reading a book about a band that I grew up loving, and having it leave a bad taste in my mouth. I realize that it isn't the authors job to bow to my nostalgia, but it was never a big secret that the guys didn't get along, and I wish that the book wouldn't have spent so much time dwelling on that aspect of the band, since the book is scant to begin with. I'll keep waiting for someone to do a thorough, unbiased account 13 of 15 people found the following review helpful. 3 1/2 stars for the only Misfits bio out there By Deanerhead I only found out about this book recently. As the only published work available (at least that I am aware) on the Misfits and/or Glenn Danzig specifically, I am surprised this hasn't garnered more attention. First thing I need to mention is that the book is short - 120 pages. I finished it in a weekend. As such, there's no way to justify the cost for the hard cover version. Even the author acknowledges this on his corresponding blog and recommends the paperback. The author, James Greene, is about my age and like me discovered the Misfits long after the original band broke up. Like many, I first heard Danzig when "Mother '93" broke. And while I had Metallica's "Garage Days" EP (and I saw Guns N Roses perform a Misfits song, "Attitude," at a 1991 show), I never knew Glenn was in the Misfits until the feature on him in Rolling Stone in the 90s. Flash forward several years and I went with some friends to a Gwar show where they coheadlined with the new Misfits that had Michale Graves as the singer. They had a rep for being awful but I thought they were great and I immediately started buying up all of their available

recorded output, including the Danzig era. I became infatuated with all things Misfits and sought out whatever I could find out about them online. Discovering that this book existed naturally piqued my interest - now I would have access to the whole story of the Misfits all on the printed page, including (hopefully) some never-before-revealed stories on the band. Given that Greene was unable to speak with the two most crucial members of the Misfits, namely Glenn Danzig and Jerry Only (I hope he at least tried to), the story presented here is crafted from those that knew the two (ex-bandmates, musicians, producers, former classmates, etc.) coupled with quotes from them culled from previously published interviews. The introductory chapters are the most intriguing, as that has more of the exclusive info. Greene spoke with various people in and around Lodi, NJ who knew Glenn Anzalone and Gerald Caiafa both before and during the period they became their respective stage personas. The brief history of Koo-Dot-N-Boo-Jang is shared here, which was pretty cool since I don't think any details of Glenn's early music ventures have ever been written about before. Greene conducted interviews with Mr. Jim and Franche Coma, and I enjoyed reading about the 'Static Age' era of the band as this lineup is largely overlooked. After that, there seems to be a bit of a drop-off in the details that Greene was able to excavate. He states in the prologue that some ex-members were only willing to talk to him for a fee he couldn't accommodate. As a result, there isn't too much new info revealed from 1980 onward. Arthur Googy and the McDonald's story is well-known. The account of the Misfits meeting Vampira, while hardly monumental, is presented here as a brief throwaway whereas Doyle himself gave a far more elaborate (and interesting) account of it in a recent interview. Greene's version of the Vince Neil incident doesn't even acknowledge the presence of Henry Rollins, and he's the one who popularized the story in his own book "Get in the Van." Anyway, Glenn parts ways with Jerry and Doyle, the classic era of the Misfits ends, and half the book is already over. The second half the book covers a time period of roughly thirty years, leaving me feeling a bit short-changed. As much as the Danzig-era Misfits is the version with the greatest reverence, the 90s version with Michale Graves was very popular (moreso than Danzig at that time) and played to more people in more places. Point being, I would have thought there would be more to write about here, especially considering Greene actually interviewed Graves for the book. I saw the Misfits in the fall of 2000 in Worcestor, MA, a few dates before the Florida show where Graves & CHUD quit. The wheels were already in motion for that blowup as that night in the Palladium Michale walked off stage several times in protest much to Jerry's obvious chagrin. I would think that there was a lot more dirt to dish on what was surely a disastrous final tour for the 90's Misfits - instead it's just the Florida show discussed with mostly the same details already out there in the Blabbermouth.net archives. And even less is written about the Jerry and Dez Cadena version of the Misfits, which has been the longest-running era of the band (though also the least popular, so maybe the less said, the better). That's not to say Greene didn't uncover some notable points of interest. Jerry's lawsuit against Glenn is presented here in greater detail than I ever recall reading before - suffice to say, Danzig deserved to be sued. Another story involves none other than the "Macho Man" Randy Savage (which I will not spoil here). Greene also uses quotes from interviews he conducted with the likes of Ian McKaye, Dave Brockie, and Bruce McCullough of Kids in the Hall (who confirms the source of inspiration for "Grivo"). These all make for a good one-time read, but nothing is discussed with enough depth to make it especially riveting...mostly every incident is wrapped up in a paragraph. It was posted on Blabbermouth in 2004 that discussions were underway for a Misfits reunion tour. I dismissed this at the time. Why would Glenn reunite with the guy (Jerry) he publicly lambasted as being talentless, an idiot, and doing it solely the money unless he himself was a total hypocrite? I

know most of those comments probably came from his bitterness over being sued, but still it would have been hard to accept that they'd ever kiss and make up. A few years later however, Doyle claimed that a reunion did almost happen but Jerry was the one who put a "wrench" in it. I don't believe any of the three (Glenn, Jerry, or Doyle) have ever said anything more on the subject. So Greene actually has quite the scoop with what may have gone down regarding a potential reunion. I say "may have" because throughout the book, mostly every paragraph has footnotes citing his sources. The one about the reunion meeting only has one though, and it's a bit unclear who gave him this info. or how they would know. But giving Greene the benefit of the doubt, this reunion discussion (while short like every other subject in the book), is easily the the most noteworthy and exclusive story here. I will not spoil anything but will offer this: if it went down the way Greene presents it, then a Misfits reunion was never meant to be, even if they had all agreed to one on that day. Like a slew of other legacy bands with good money offers on the table, the egos here are just too big and fragile for it to happen. The book ends in 2012 following the release of "The Devil's Rain," and given how things have progressed in the past decade, it's unlikely there will be anything worthwhile to add to a later edition. The current Misfits, with Jerry as the only original member left, has by and large underwhelmed and seems determined to stay the course. Glenn and Doyle continue to tour and do short Misfits sets to closeout Danzig shows. I've yet to attend one but I have viewed clips online, and to me it sounds like what it is: Misfits songs being covered by a (backing) metal band. Whatever your preference between the two, the Misfits are essentially done. They left an amazing legacy, with their music having a greater posthumous impact than that of their peers. And as Greene's book is the most "complete" account of the band on the market, if you are a "Fiend" and own all the records, CDs, posters, shirts, and whatnot, then I would recommend adding this to your collection as well. 0 of 0 people found the following review helpful. Finally someone wrote a book about The Misfits! By J. Sundheim Hats off to the author, James Greene Jr. for being the man to finally write a book about The Misfits. As far as I'm concerned The Misfits were the best punk rock band ever. Between 1978 and 1983 this band did no wrong. Punk rock perfection. As for their output as a reunited/reformed band from the late 1990s and onward, well... it's not so great. I actually dig the stuff they did when Michael Graves, Doyle and Chud were in the band for the American Psycho/Famous Monsters eras of the band but after that it is unlistenable. None of it comes close to the original Danzig-era, the TRUE Misfits. So now that I've established that I'm a huge Misfits fan let me get on with my thoughts on the book. It's certainly good, but at times it can be startlingly uninformative. A great example would be that literally there is one paragraph devoted to the Earth AD album. The most interesting bits of the book are all the behind the scenes tabloid-esque drama and infighting with the band and the legal wrangling between Glenn Danzig and Jerry Only. I recommend it for any Misfits fiend but don't expect to be overwhelmed with much new knowledge or insight into The Misfits. See all 56 customer reviews...

THIS MUSIC LEAVES STAINS: THE COMPLETE STORY OF THE MISFITS BY JAMES GREENE JR. PDF

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wish to read further. In addition, there is a nearly thirty-page annotated discography, which lists studio recordings sorted by format, bootleg recordings, videos, Misfits related recordings, 'scrapped Misfits releases,' and descriptions of important films that influenced the Misfits. . . .Greene’s work will open up the possibility for more critical research regarding the Misfits in the future. (Notes: Quarterly Journal of the Music Library Association) I came away completely captivated by This Music Leaves Stains, largely because it is just so damn well researched. Green’s annotated Misfits discography at 1977 to 2012 at the back of the book is worth its weight in gold, in light of the fact that the Misfits have had so many rumored releases over the years. At the same time, it moves along more like a novel than a biography. Certainly the Misfits have seen their share of inner band upheavals, mainly when Danzig left for more lucrative offers and bigger fame. Through it all, that Crimson Ghost logo has survived decades, glaring out from stage banners, EP covers and even sneaker endorsements. (Vintage Rock) For such an influential band with an undeniably contentious history laden with rumour, lawsuits, ego, violence and intrigue, it's almost impossible to think that THE MISFITS story has not been told in book form before. However, as far as I know, this book is the first in-depth telling of the seminal Horror-Punks outta New Jersey. . . .One of the best aspects of the book is that Greene doesn’t side with Danzig or Only in their battle of egos and doesn’t shy from straight talking about either Danzig or Only. He examines both characters' idiosyncrasies, the hypocrisy that exists between comments usually said to appease their own ego or acts of downright stupidity. . . .The book is filled out with an excellent discography, detailed notes on the origin of much of what is printed, films that influenced the band and the obligatory preface, acknowledgements and index. . . .[T]his is a much welcomed telling of a band’s story that has long-been required. Greene’s telling is factual and unbiased in either Danzig’s or Only’s favour and that makes it a balanced read. (Scanner Zine) About the Author James Greene, Jr. is a freelance writer who has contributed to Crawdaddy!, New York Press, Splitsider, PopMatters, and Uncle John's Bathroom Reader. He graduated from the University of Central Florida with a BA in organizational communication and lives in Troy, New York. Greene also runs a Misfits image blog at thismusicleavesstains.tumblr.com.

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