http://www.maggieflaniganstudio.com/acting-classes-nyc/

Respected​ ​Acting​ ​Schools​ ​in​ ​New​ ​York Solid​ ​time​ ​on​ ​your​ ​feet​ ​with​ ​a​ ​good​ ​coach​ ​will​ ​be​ ​worth​ ​much​ ​more​ ​then​ ​spending​ ​most​ ​of​ ​your time​ ​on​ ​the​ ​bench​ ​in​ ​a​ ​popular​ ​class.​ ​Don’t​ ​waste​ ​your​ ​time​ ​joining​ ​a​ ​trendy​ ​class​ ​just​ ​because someone​ ​told​ ​you​ ​it​ ​will​ ​look​ ​good​ ​on​ ​your​ ​resume.​ ​That’s​ ​baloney.​ ​I’ve​ ​auditioned​ ​over​ ​10,000 actors​ ​in​ ​my​ ​career​ ​and​ ​all​ ​I​ ​ever​ ​focused​ ​on​ ​was​ ​their​ ​ability​ ​when​ ​they​ ​auditioned.​ ​That’s​ ​all that​ ​matters.​ ​The​ ​rest​ ​of​ ​it​ ​is​ ​just​ ​ink​ ​on​ ​a​ ​resume.​ ​The​ ​ink​ ​never​ ​gets​ ​you​ ​the​ ​job,​ ​your​ ​ability does.​ ​Practice,​ ​practice,​ ​practice​ ​as​ ​often​ ​as​ ​possible.

If​ ​it​ ​doesn’t​ ​make​ ​sense,​ ​it​ ​doesn’t​ ​make​ ​sense.​ ​Don’t​ ​be​ ​intimidated.

One​ ​of​ ​the​ ​biggest​ ​commodities​ ​sold​ ​in​ ​most​ ​acting​ ​classes​ ​today​ ​is​ ​confusion.​ ​If​ ​you​ ​can​ ​keep actors​ ​confused,​ ​in​ ​a​ ​never​ ​ending​ ​maze,​ ​yet​ ​still​ ​tempt​ ​them​ ​with​ ​the​ ​dream​ ​of​ ​a​ ​big​ ​career waiting​ ​at​ ​the​ ​end​ ​like​ ​a​ ​block​ ​of​ ​cheese,​ ​you​ ​can​ ​have​ ​students​ ​for​ ​life.​ ​It’s​ ​like​ ​being​ ​sold​ ​a drug​ ​that​ ​creates​ ​a​ ​symptom,​ ​and​ ​then​ ​making​ ​you​ ​believe​ ​the​ ​only​ ​way​ ​to​ ​cure​ ​that​ ​symptom​ ​is to​ ​continue​ ​taking​ ​the​ ​drug. Any​ ​teacher​ ​can​ ​master​ ​the​ ​art​ ​of​ ​confusion.​ ​Actors​ ​sit​ ​in​ ​confusing​ ​classes,​ ​feeling uncomfortable,​ ​and​ ​wondering​ ​why​ ​they​ ​can’t​ ​quite​ ​get​ ​it.​ ​They​ ​see​ ​a​ ​recognizable​ ​actor​ ​in​ ​the class​ ​and​ ​figure,​ ​if​ ​that​ ​person​ ​is​ ​there​ ​then​ ​it​ ​must​ ​be​ ​a​ ​good​ ​class.​ ​Or​ ​the​ ​instructor​ ​will​ ​talk

http://www.maggieflaniganstudio.com/acting-classes-nyc/ about​ ​the​ ​old​ ​days​ ​when​ ​he​ ​once​ ​had​ ​a​ ​beer​ ​with​ ​Marlon​ ​Brando​ ​and​ ​how​ ​Marlon​ ​slapped​ ​him on​ ​the​ ​back​ ​and​ ​told​ ​him​ ​he​ ​was​ ​a​ ​good​ ​egg​ ​and​ ​he​ ​really​ ​knew​ ​his​ ​onions.​ ​So​ ​the​ ​actor​ ​stays, even​ ​though​ ​he​ ​feels​ ​uncomfortable​ ​with​ ​the​ ​silly​ ​exercises​ ​and​ ​never​ ​quite​ ​understands​ ​the acting​ ​jargon.​ ​He​ ​stays​ ​because​ ​he​ ​feels​ ​intimidated. The​ ​biggest​ ​problem​ ​I​ ​have​ ​with​ ​these​ ​old​ ​or​ ​overwrought​ ​techniques​ ​is​ ​that​ ​the​ ​confusion​ ​they create​ ​leads​ ​to​ ​insecurity​ ​and​ ​insecurity​ ​is​ ​systemic.​ ​Being​ ​insecure​ ​effects​ ​every​ ​aspect​ ​of​ ​the actor’s​ ​career,​ ​from​ ​meetings​ ​with​ ​potential​ ​agents,​ ​to​ ​auditions,​ ​to​ ​just​ ​having​ ​a​ ​happy​ ​and sane​ ​life.​ ​Folks,​ ​we’re​ ​ultimately​ ​discussing​ ​and​ ​dissecting​ ​real​ ​life,​ ​something​ ​you​ ​should​ ​be very​ ​familiar​ ​with.​ ​It’s​ ​not​ ​quantum​ ​physics.​ ​If​ ​it’s​ ​not​ ​crystal-clear​ ​and​ ​if​ ​it​ ​doesn’t​ ​make​ ​perfect sense,​ ​flee. Don’t​ ​be​ ​intimidated.​ ​Trust​ ​your​ ​instincts.​ ​You’re​ ​smarter​ ​than​ ​you​ ​think.

The​ ​actors​ ​should​ ​improve​ ​after​ ​receiving​ ​help​ ​from​ ​the​ ​teacher You​ ​sit​ ​in​ ​an​ ​acting​ ​class​ ​having​ ​just​ ​watched​ ​a​ ​scene​ ​performed.​ ​You​ ​listen​ ​to​ ​the​ ​teacher​ ​give notes​ ​on​ ​the​ ​scene.​ ​The​ ​teacher​ ​makes​ ​a​ ​lot​ ​of​ ​sense.​ ​Certain,​ ​often​ ​heard​ ​platitudes​ ​are​ ​used. Undeniable​ ​wisdom​ ​is​ ​offered.​ ​The​ ​teacher​ ​makes​ ​a​ ​very​ ​good​ ​case​ ​for​ ​what​ ​is​ ​wrong​ ​with​ ​the scene.​ ​The​ ​teacher​ ​also​ ​makes​ ​a​ ​very​ ​good​ ​case​ ​for​ ​what​ ​the​ ​scene​ ​needs.​ ​You​ ​find​ ​yourself agreeing​ ​with​ ​the​ ​teacher’s​ ​criticism​ ​and​ ​notes.​ ​You​ ​look​ ​around​ ​the​ ​room​ ​and​ ​see​ ​lots​ ​of​ ​other heads​ ​nodding​ ​in​ ​agreement. The​ ​same​ ​actors​ ​do​ ​the​ ​scene​ ​again​ ​but​ ​there​ ​is​ ​no​ ​real​ ​difference​ ​in​ ​their​ ​work.​ ​The​ ​problems remain​ ​and​ ​no​ ​improvement​ ​is​ ​made.​ ​The​ ​first​ ​thing​ ​you​ ​will​ ​think​ ​is,​ ​“I​ ​guess​ ​those​ ​actors​ ​don’t have​ ​the​ ​ability​ ​to​ ​understand​ ​and​ ​implement​ ​what​ ​the​ ​teacher​ ​was​ ​saying.”​ ​I​ ​don’t​ ​think​ ​that’s​ ​a fair​ ​assessment.​ ​If​ ​the​ ​actors​ ​don’t​ ​improve​ ​after​ ​the​ ​teacher’s​ ​notes,​ ​why​ ​are​ ​they​ ​in​ ​the​ ​class? Are​ ​they​ ​there​ ​just​ ​to​ ​have​ ​their​ ​flaws​ ​pointed​ ​out​ ​to​ ​a​ ​group​ ​of​ ​people? CONTACT​ ​DETAILS:

Maggie​ ​Flanigan​ ​Studio

Website:​ ​http://www.maggieflaniganstudio.com Google​ ​Sites:​ ​https://sites.google.com/site/actingclassesnyc/ Google​ ​Folder​ ​http://goo.gl/g98CCc Twitter:​ ​https://twitter.com/actingclasses1

http://www.maggieflaniganstudio.com/acting-classes-nyc/

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