THIS MONTH POINTS OF VIEW

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Salience

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In last month’s column we explored ways to encode data that enhance ‘accuracy’ when readers decode information from graphs. This month, we will focus on salience as a way to differentiate graphical symbols and improve ‘speed’ when reading graphs. b Color Size Orientation Shape Added mark Motion Grouping Salience is a visual quality that sets an object apart from its surroundings. The intent is to create contrast. Incidentally, much of design is about balancing contrasting elements, a topic we will explore in another column. Certain graphical treatments make objects seemingly pop from the page, whereas others require focused Figure 1 | Salience through visual features. (a) Certain elements can be seen in a single glance, whereas others are difficult to find. (b) Examples of attention to see the object. In Figure 1a, we can spot the ‘A’s immedivisual features that make objects distinct. ately, but ‘P’s are more difficult to find. There is insufficient contrast in shape alone for us to quickly identify the individual letters without additional visual cues. Similarly, the pair of lines at a right angle to memory for pattern assembly. Figure 2a shows a real-world example one another is easy to see, but the single oblique line takes longer to that relies on many simultaneous visual features. The amount of information presented should ideally match the locate in a field of like objects (Fig. 1a). The Nobel Prize–winning work of the neurophysiologists David question the researcher looking at the data is trying to answer. On the computer, analytical tools could allow users to customize data Hubel and Torsten Wiesel helps us understand how the brain encodings and turn off unwanted layers of information. In print, processes visual information. They discovered that individual authors can present multiple views of the same data with only certain neurons in the primary visual cortex are highly excitable by features of color, orientation, size and motion, but the neurons’ response differs parameters plotted to best communicate the message (Fig. 2b). Creating salience will facilitate the audience’s ability to quickly depending on the type of visual stimuli. Some neurons are rapidly excited when individuals are presented with lines at one angle, but process information. This is particularly useful in talks and when other cells respond best to lines at another angle. Complex patterns multiple channels of communication are used at once. Also, knowing the different ways in which contrast is created helps are processed by later stages of the visual system. avoid its inadvertent use. There are several reasons why we might want to present We explored the elements of graphing data in the first three information so that it can be immediately recognized. First, by decreasing the amount of time it takes our audience to see relevant columns. We looked at how color and shape confer accurate and patterns and trends, we lower their cognitive load. This is especially efficient reading of individual parts of graphs. Next month, I will useful for slide- and poster-based presentations in which visual and introduce the ‘Gestalt principles’ that describe how we tend to aural information typically compete for attention. Second, helping organize multiple objects into patterns to make sense of them. our audience see certain features of the data rapidly allows the visual Bang Wong cortex to simultaneously make sense of additional visual features1. 1. Ware, C. Visual Thinking for Design (Morgan Kaufmann Publishers, Burlington Massachusetts, USA, 2008). The design lesson is fairly straightforward. To make something easy to find, make it stand out by varying the object’s primary visual Bang Wong is the creative director of the Broad Institute of the Massachusetts Institute feature. For example, give the object a color, size or orientation that of Technology and Harvard and an adjunct assistant professor in the Department of is substantially different from that of the other objects on the page. Art as Applied to Medicine at The Johns Hopkins University School of Medicine. Motion is a particularly potent differentiator; consider an animated GIF or bouncing icon’s b ability to command our attention. For this a reason, we should temper our use of motion with the importance of the object being animated. Some basic visual features to create salience are shown in Figure 1b. In reality, design problems are complex. Typically we want several parameters to Cluster Cluster be easily searchable at the same time. The No mutation No mutation No mutation solution is to use noncompeting visual feaMutation 1 Mutation 1,2 Mutation 1 Mutation 2 Mutation 2 tures. However, there is a limit to how many Few Few features we can overlay onto one another Many Many because visual conjunctive search (that is, looking for a target based on two or more Figure 2 | Visual conjunctions. (a) Simultaneous use of many graphical features can impede visual visual features) takes concentration, and assembly of the data. (b) Multiple views of the same data with limited parameters plotted can better it can be difficult to retain those objects in communicate specific relationships. NATURE METHODS | VOL.7 NO.10 | OCTOBER 2010 | 773

Salience

In last month's column we explored ways to encode data that enhance. 'accuracy' when readers ... it can be difficult to retain those objects in memory for pattern ...

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