I Adagio Molto Adagio () Piccolo Flute Oboes

I, II

              

































































































(B)

I, II

                     

Bass Tuben

I, II

   



(F)

Trumpets Bass Trumpet

(B)

          



(C) I, II, III

Clarinets

(B)

Bass Clarinet

(B)

Bassoon

I, II

I, II

(F)

I, II

French Horns (F) III, IV

Tenor Tuben

Tenor Trombones Bass Trombone Contrabass Trombone

I, II

III, IV

Tuba

(A, C, E)

I

Timpani (Two Players) (B, D, F)

II

Violins

I

Violins

II

Violas Violoncellos Doublebasses

This section should build poco a poco, while the tempo remains slow, and should grow into the finish of the introduction.









 I

           II                  

     

 I                         II    

























                             









































































  













          div.   











 

 

 

 

 



-1-

Symphony I in A Major (I)

7

    Hn. (F)

B. Tub. (F)

Vcs.





 II

III





   

   

 

 

I

  

   

  

   

  



                    IV                                                                                                                    rising above              

T. Tub. (B♭)



 Db.

    

              

13

Hn. (F)

T. Tub. (B♭)

B. Tub. (F)

T. Tbn.

   

   

 

   

                                       

 

   

  

   

  

   

 

  

   

                                           

       

 

     

Tba.

Timp.

Vlas.

Vcs.

Db.

      







    slow roll        



 

  

  







 



         





  

   

                                         

B. Tbn. C.B. Tbn.

   

  

 

 

  

 









 

                   

                       pizz.             

- 2-

19

Hn. (F)

T. Tub. (B♭)

B. Tub. (F) T. Tbn. B. Tbn. C.B. Tbn. Tba.

Timp. Vlns.

        

                   

                                                                                                                                                                                    sim.                   sim.                         sim.                     

Vlns.

Vlas.

Vcs.

                                 

                         

        

                      

 

arco

Db.

    

  

   



 

- 3-

Symphony I in A Major (I)

25

Hn. (F)

T. Tub. (B♭) B. Tub. (F) B. Tpt. (B♭) T. Tbn. B. Tbn. C.B. Tbn. Tba.

Vlns. Vlns. Vlas. Vcs. Db.

               

                              

                            



       

               



  





       

     

       

   





























































































         

       







































































































































 

pizz.

 



  







   

   









  



  

 



-4-

pizz.

  pizz.     pizz.     pizz.  

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(a) Describe the demineralisation of water by ion - exchange method. (b) Mention the disadvantages of using hard water for any two industries. [12+4].

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between bearing and shaft is filled with a lubricant having a viscosity 24 Pa-s, · what power will be required to overcome the viscous resistance when the shaft.

Set No. 1
(c) Lubrication · [16] · 6. (a) Write two main differences between Hydrostatic and Hydrodynamic bearings. (b) Design a full hydrodynamic babbit bearing for a ...

Set No. 1
(a) Differentiate between XML and HTML. (b) Differentiate between DHTML and VRML. [8+8] · 8. Write short notes on the following: · (a) Write about java Applets.