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The Art of Tebori — Creating Traditional Japanese Tattoos the Old Way Here’s how Japanese tattooists have been making body art by hand for hundreds of years. Artists in Japan have been creating body art since long before a tattoo machine was ever heard humming in a studio. For centuries, Irezumi artists have been employing a technique called tebori — making tattoos by hand. This approach to traditional Japanese tattoos, which consists of using a wooden or metal stick (known as a ​nomi​) with a set of needles fastened to its tip to insert ink into the skin, is still practiced by tattooists today. But the method dates all the way back to the Edo period (1603-1868), when the style was just beginning to take shape.

Te- means “hand” and -bori means “to carve,” which may sound like an unpleasant way to describe tattooing, but in the context of the style’s origin, it makes sense: Irezumi grew out of the imagery found in ukiyo-e, which were created by carving images into blocks of wood, dipping them in ink, and pressing them onto paper. For Japanese artists of the time, the parallels between the two mediums — the idea of carving and the use of ink — were glaringly apparent, and this informed the cultural lexicon surrounding tattooing. The job title “horishi,” for instance, can be translated as both tattooist and woodcarver, because printmakers frequently used to moonlight as tattooers or be affiliated with them.

http://www.tattoo-honolulu.com When performing tebori, artists rest the shaft of the nomi between their thumbs and index fingers to guide the needles as they use their other arm to drive it in though a series of repetitive motions. They employ a number of different techniques, using a lever-like thrust — tsuki-bori — or a feathery push-and-pull motion — hanebori. Though it’s less common today than it was in the past, some tebori artists still make their own ink by mixing sumi — a black inkstick made of soot —and water together in a suzuri (inkstone) until the desired consistency is achieved. Every horishi has their own way of doing things, whether it’s the way that they fashion their needles or prepare their ink; it all depends on their personal preference and adapting their tools to the body’s demands. When performing tebori, artists rest the shaft of the nomi between their thumbs and index fingers to guide the needles as they use their other arm to drive it in though a series of repetitive motions. They employ a number of different techniques, using a lever-like thrust — tsuki-bori — or a feathery push-and-pull motion — hanebori. Though it’s less common today than it was in the past, some tebori artists still make their own ink by mixing sumi — a black inkstick made of soot —and water together in a suzuri (inkstone) until the desired consistency is achieved. Every horishi has their own way of doing things, whether it’s the way that they fashion their needles or prepare their ink; it all depends on their personal preference and adapting their tools to the body’s demands.

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own ink by mixing sumi — a black inkstick made of soot —and water together in a suzuri (inkstone) until. the desired consistency is achieved. Every horishi has their own way of doing things, whether it's the way. that they fashion their needles or prepare their ink; it all depends on their personal preference and. adapting their ...

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