4 Duetti from Clavier-Übung III Duetto No. 1 in E moll

(J.S. Bach) arr. Paolo Leva

BWV 802

                          Clarinet            Bass       Clarinet         5                                 







 

9      









                  

 

 







 

                                    13             



    



 

     

   



 

      

16









  



  

  

    







 

 





           

                                          19



                                  





2

23                                            

   

















 



27                                 









      31



 













       







   

                                        35                                                               

                                                39

                                  45                     42





      



   





   

         

                   

     

                          



48







3



                                     52     









 











                                      56                     

                          59                                                                       63                                        

            

     

                                           70                            67



            









 





4 Duetti from Clavier-Übung III Duetto No. 2 in F dur

(J.S. Bach)

BWV 803

Clarinet Bass Clarinet

     

   

arr. Paolo Leva

                  









7                          

      12

  



      

    



 

               22

         



 

 

 



 

                 

17

   

   







    

    

   



  

                        

 



 



    



27                                            

               





    

2

Fine

                                                                           32

   

38

     

    

   

  

   



 

 

 

     



   

   





                                                     44

  

        51

 

   

               

  

  

 

   





    

                                              

        57

   

      

         63

  69



 

                           

            

   







                 

        



 

    



         

3 75

                                                         

80

                              





    

    

    

   

   



     

                                                          86

      

93

       



      

      

               

  

   

  

99                                                      

       

                                                                 112                                      105

D.S. al Fine

4 Duetti from Clavier-Übung III Duetto No. 3 in G dur

Clarinet Bass Clarinet

          

                                     

                   

5           

 

arr. Paolo Leva

BWV 804

3                                           



       

              

                    

                      

7                                        

                                

9                  







    11

(J.S. Bach)

          

                      

          

       

       

          

     



  

2

                                                                      13

                                                                            15

                17

 

       

                                                     19



    

    21





           

      

          

  

                                     23            

                        

                               

25                        

              

3

                                       27                            



                                                                      29

              

                                                                                      31

33                                                  

                                  35                                                                               37                                                                  

4 Duetti from Clavier-Übung III Duetto No. 4 in A moll (J.S. Bach)

BWV 805 Clarinet

  

Bass Clarinet

   

7



 





 





arr. Paolo Leva





                       













                                      12

    17    





                                   

    

         

 

 



 

   



  

                                 

22             

                 

                                                                       28

                  





2 33

                                                         





                                            39

44

       

   

   

  





                               

                                                               49

                                                                           54

60

                  

   

                                   65

   

   

   

  



 

                                           

3

70

  







                      

                        

        

76                                                               81                                                                   86                                                             91                                                              97

                103   

  

  

   



 

                                

                                               

 



 

[Clarinet_Institute] Bach 4 Duets.pdf

Page 1 of 12..... Duetto No. 1 in E moll. BWV 802. 4 Duetti from Clavier-Übung III. (J.S. Bach). arr. Paolo Leva. Clarinet. Bass. Clarinet....................... 5.......
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