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All Acting Schools Are Not the Same After all, in the professional world, you will be expected to act convincingly with models, ex-athletes, and even actors who aren’t very good at acting. Granted, these tiered systems are made so that when you get to the advanced level you are showcased with “better” actors, but I am suspicious that in some cases these actors haven’t simply paid their financial dues. In any case, this tiered system can be something to be mindful of. You need to find out how long it takes for you to advance to the next level, which teachers teach what levels , what this whole process will be worth to you, and also what it will cost you, both in cents and sense.
There is a value to having “experienced” actors around you, meaning experienced as in working, which makes the question of advancement to this level very pressing. It is one thing to hear reports back on how training has helped in audition situations, it is another to hear reports from actual studio set-experiences and hear of the applicability of various techniques.
http://www.maggieflaniganstudio.com/acting-classes-nyc/ Progress should be quantifiable as well. I was recently auditing a class when the teacher asked, “Anything new work-wise?” It was a room of almost thirty. They were usually boisterous when critiquing each-other’s work, but at this moment, not a single one of these LA actors had anything to report. No successful auditions? Not a single job landed? No one on “avail” for a commercial in Guatemala? This was in a smaller but seemingly well-regarded studio, but I also had the same experience auditing a very well known acting studio, with a teacher who drops the names of his famous clients left and right. When he asked the class about “work-news,” only one person responded that they had a student film. This was a class of over thirty people. I see this as a giant red flag. To compare, in my class of twelve people and under, nearly every person almost always has something to report. People are booking, or at least nearly booking, or they’re talking about the commercial or guest spot that just aired and how they did or didn’t like their performance. There is quantifiable motion, momentum, and most importantly, feedback.
A Studio that Boasts Many Success Stories In my opinion, it’s less about how this studio has taught Brad Pitt or the latest success stories, and more about the “little people (that’s you and I, right?).” You will have no real way of knowing whether or not the studio is the reason that celebrity got successful, or if this studio was just a passing point. Sure, some celebrities continue to use these teachers and they shout their praises to the rooftops. It’s obviously working great for them, but will it work just as well for you? My point is less on the efficacy of these star teachers. I am fully aware that some of them are considered objectively brilliant. My concern is not about the teacher, but rather in how the studio is structured for the new student who has little connections, and perhaps little understanding of what good training looks like. If the class has a structure that makes it difficult to arrive to the level where this amazing teacher is, and must slog through a year or more of paying high prices and being taught by a mediocre
http://www.maggieflaniganstudio.com/acting-classes-nyc/ apprentice teacher, all to pay his/her due, I am suspicious. If the structure of the class means that you go to class to hear the teacher dazzle everyone with stories and examples of how deep they are, leaving little time for everyone to work every class, I am suspicious. If the class seems to be populated with a larger number of actors who are not showing tangible progress (i.e. working), I am suspicious.
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