FRIDAY FEBRUARY 7, 2014 11:00 AM-7:00 PM Registration 12:30-1:00 PM

Invocation/Welcome

East Duke Parlors Baba Chuck Davis, Richard Vinesett

Re-Thinking Curricula/Shifting the Center Bring de Power: Orisha Dance as a technology of African Makeda Thomas diasporic identity-making Shuttles to Hull Studios will leave from East Duke/White Lecture Hall circle at 2 PM The Technology of the Circle: Africanist group improvisation Workshop Onye Ozizu structures as a framework for collaborative learning, performance and organizational structure. Walking with the Ancestors: Innovating Orisha Dance Theatre for Workshop/Film Alysha Higgins Empowerment and Education in Trinidad and Tobago 2:00-3:30 PM Dance, Rhythm and Consensus Building in the Urban Early Workshop Celeta Hickman Childhood Classroom: The Culturally Responsive Arts Curriculum at Work Thomas Guzman Underground Dance Masters (SCREENING 1) Screening Sanchez Shuttles to East Duke/White Lecture Hall circle will leave from Hull Studios at 3:30 PM Negotiating The Black Masculine in Contemporary Theatrical Carl Paris Dance 4:30-5:30 PM Plenary 2 “Hey Big Girl, Won’t You Back it Up!” Line Dances as a Raquel Monroe “Libratory” Queer Space?

WHITE 107

Takiyah Nur Amin

1:00-2:00 PM

Opening Plenary

Ferne Caulker Papers: Spirituality

Kathleen Turner Tony Johnson Ann Mazzocca

5:30-7:00 PM

Papers: Teaching/Resources

Christal Brown Sheron Wray Esther Terry

Papers: Transethnic Choreographies

Mario LaMothe Arif Smith

Workshop/PerformanceStacey Baldon 6:30-7:30 PM

DINNER

WHITE 107

ARK HULL/SLIPPAGE HULL/MAIN WHITE 201

WHITE 107

"African Dance: Divine Motion - An Introduction to African Dance" My Steps Have Held to Your Paths and Have Not Slipped: A Historial Review of Dance and the Black Church WHITE 107 Dancing the Spirituals Project Roots as Routes: The Sacred Tree, Movement, and Memory in the Haitian Vodou Ceremony of Souvnans Collection and Confirmation: Finding Identity Through Dancing the African Diaspora Improvisation as principled communication

EAST DUKE 209

Choreographic Epistemologies towards a Diasporic Historiography of Black Performance in the Early Modern Atlantic Between Roots and Routes: Choreographing the Contemporary WHITE 201 Body in Haiti Bomba Performance Practice and Affective Experiences in Oklahoma City Giving Voice through a "New Statement"

ARK East Duke Parlors

Reynolds Auditorium, Bryan Center, West Campus URBAN BUSH WOMEN PERFORMANCE 8:00 PM C1 DUKE shuttles to West Campus Chapel leave every 10 minutes from the East Campus Quad (note that all "C" shuttles stop at West Campus Chapel). The ride is approximately 10 minutes. We suggest you take a 7:25 PM or 7:35 PM shuttle. HILTON-DUKE shuttles run between 10-10:30 PM from West Campus Chapel. DUKE shuttles to East Campus leave every 20 minutes beginning at 9:42 PM.

SATURDAY FEBRUARY 8, 2014 8:00 AM-12:00 PM Registration

East Duke Parlors

8:00-9:00 AM

BREAKFAST

East Duke Parlors

9:00-10:00 AM

Plenary 3

Ava LaVonne Vinesett Jasmine Johnson

Crossing the Color of the Sky: Choreographing Liminality Diasporic Elsewheres: Notes on Dance Travel

WHITE 107

Papers: Africa 1

Funmi Adewole Adesola Akinleye Francesca Inglese

Towards an Africanist dance praxis (British dance) Re:Generations- mapping a legacy, British Black dance Goema Bodies: Reterritorializing the City Through Dance

EAST DUKE 204D

Clare Croft Esther Baker-Tarpaga Esailama Diouf-Henry

The US State Department Exports African Diasporic Dance Whiteness Revisited: The Africanist Affect 1966 Festival Mondial des Arts Negres (FESMAN) Embodying Circum-Atlantic Water Spirits: Dancing Altars and Dynamic Traditions in Kimberly Mullen’s Yemanja, Mother of the Deep and a Togolese Mami Wata Ritual

WHITE 107

Papers: Africa 2

Elyan Hill 10:00-11:30 AM Rachel Carrico Papers: Liminality

Greer Goff Mendy Nyama McCarthy-Brown Luis Paredes

Workshop Workshop

Marcus White Jason Aryeh

Dancing and Disaster: What Can Second Lining Teach Us about Katrina? Black Dance in Louisiana – Guardian of a Culture EAST DUKE 204B Decolonizing Dance Education One Credit At A Time Bodies of Different Colors: Afro-Peruvian Blackness and Representations of Identity “WERK!” Definitions of “Black/Queer” Dance Performance Definition of African Diaspora Dance

ARK EAST DUKE 209

11:30 AM-12:30 PM LUNCH 12:30-1:30 PM

Plenary 4

Papers: Histories and Companies 1

East Duke Parlors

Jawole Willa Jo Zollar Killian E. Manning Cynthia Oliver Charmian Wells

4:30-7:00 PM

WHITE 107

Creating Modern Dance on the Backs of Black Bodies Dancing the Black Avant Garde: When and Where We Enter Choreographing Belonging: Abdel R. Salaam’s Histories in Motion

WHITE 107

Dancing Diaspora: Katherine Dunham's International Tours During the Cold War The Silent Treatment: Dance, Archive, and Katherine Dunham’s _Southland_ (1951)

EAST DUKE 204B

EAST DUKE 204D

Papers: History and Companies 2

Joanna Dee Das

Papers: History and Companies 3

Veta Goler Susan Manning

The Quiet Divine Work of Dianne McIntyre Reggie Wilson, Postmodern Dance and the African Diaspora

Workshop/Panel

Naomi Bragin D. Sabela Grimes Imani Kai Johnson

Making Dark Matter: Black Thought, Africanist Aesthetics, and Funkamental Movemeant

Workshop/ Performance

Sydnie Mosley

The Politics of Gender, Blackness and Urban Space: How The Window Sex Project Performs Feminist Activism in Harlem

ARK

Plenary 5

Ana "Rokafella" Garcia

All the Ladies Say (Screening and Panel) OPEN TO THE PUBLIC

WHITE 107

Screening

Thomas Guzman Sanchez

Underground Dance Masters (SCREENING 2) OPEN TO THE PUBLIC

HULL/SLIPPAGE

Tayana L. Hardin

1:30-3:00 PM

3:30-4:30 PM

The Future of Black Dance w/ Mark Anthony Neal and CADD Executive Committee

EAST DUKE 209

Shuttles to Hull Studios will leave from East Duke/White Lecture Hall circle at 4:30 PM and return at 7PM. Gregory King Papers: Queer

Nia WItherspoon Dasha Chapman Shamell Bell

5:00-6:30 PM

Papers: Urban

Ariel Osterweis Meida McNeil

Workshop/Panel

Avis HatcherPuzzo

Workshop/Screening

Claudia Brazzale

Workshop/PerformanceRobin Wilson

Life on the line; Growing up gay in Jamaica Twirling in Space; Black Queer Dance Iconographies in Jonté, The Prancing Elites, and Todrick Hall Gran Lakou: Queering Folklore and Dancing Haiti in the Break

EAST DUKE 204B

Corporeal Pedagogy: Urban Street Dance and Diasporic Tradition, Transhistorical Memory, and Desires for Freedom WHITE 107 The Black Sexual Politics of Disavowing Virtuosity Critical Utopias & Epic Cultural Memory-Notes on Chicago house Go Hard or Go Home EAST DUKE 204D Afropean Choreographies: The Circulation of Afro-Diasporic WHITE 201 Dance and Rhythm Cultures in Italy and its Economy of Desire Performing Henrietta: Reading HeLa and Mo as Africanist Dance EAST DUKE 209

PERFORMANCE SHOWCASE Michelle Grant Murray Charles O. Anderson 7:00-8:30 PM

Malcolm Low Andrea Woods Valdes Duane Cyrus John O. Perpener III

Hosted By John O. Perpener III Ancestral Dance Movement Memory: UnEarthed Restless Natives: The Book of Rufus In The Thrust Towards The Future…I Want To Leave Something ARK Of Use

A Place For Us To Exist Eleo Pomare and the Black Arts Movement

9:00 PM-MIDNIGHT RECEPTION Shuttles leave from The Ark between 8:30-9:00 PM to Tisdale Street. Shuttles return to Hilton Hotel between 11:30 PM and midnight.

SUNDAY FEBRUARY 9, 2014 8:00-9:00 AM BREAKFAST

9:00-10:00 AM

Plenary 6

East Duke Parlors Nadine George-Graves C. Kemal Nance Francesca Royster

Papers: Theatricality

Brynn Shiovitz Tara Willis

Aimee Glocke Papers: Representation 10:00-11:30 AM

Renee Kingan Chris Walker

Workshop Workshop

Everyday I’m Shufflin’: Contemporary Theatrical Deployments of Sambo WHITE 107 Baba to Sons: Chuck Davis Choreographs his Legacy with Paths Want to Be Evil: Eartha Kitt's Life Writing and Dance as SelfFashioning Exchanging “Coon” for Cork: George M. Cohan Elides Sight through Sound in Staged Minstrelsy of the Early Twentieth Century Stumbling into Place: Positionality, Minority Difference, and Mobile Resistance in post-Judson Experimental Dance

Katya Wesolowski Andre Zachery Sheila Ward Glendola Mills

Post-Blackness in Dance and Performance African-centered Dance and Culture as Tools to Practice Healthier Behaviors among African American Women

Ninoska Escobar

EAST DUKE 204D

"I Used to love H.E.R.: The Present State of Hip Hop Dance in L. A. and N.Y.C." “Samba is Power”: Framing Diaspora Dance through the Poetic EAST DUKE 204B Collaborations of Jayne Cortez Facing Home: A Phobia African diasporic dialogues in Brazilian Black dance: racial politics, racial identity, and aesthetics. Democratizing theatre: a quest for a conscious politics of the body in performance Imagining Brazil in Africa: a diasporic practice goes "home."

Agatha Oliveira Papers: Brazil

Tisdale Street House

WHITE 107

EAST DUKE 209 ARK

11:30 AM-1:00 PM

Closing Plenary Concluding Lunch

1:30 PM - 4:30 PM

Open Showings/Presentations

ARK

1:30 PM - 3:00 PM

CADD Executive Committee Meeting

East Duke Parlors

Dr. Kariamu Welsh & Thomas Defrantz

WHITE 107 East Duke Parlors

Dancing the African Diapsora 2014 Conference.pdf

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