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Research Insight: Comparing Chart Success Internationally Brian F. Wright PhD Student in Musicology – Case Western Reserve University Research Question: Comparing Chart Success Internationally International artists have repeatedly dominated music charts outside of their home countries. How does the success of such artists compare internationally and domestically? Is it prefigured by chart success in their home country? Do international sales affect domestic sales? Are there visible trends in the success of international artists on the US charts? Why Understanding It Would Be Useful This Research Insight examines the international chart success of musical acts originating outside of the US and UK through three separate case studies: Falco’s “Rock Me Amadeus,” Ace of Base’s “The Sign,” and the Scorpions’ “Wind of Change.” By comparing chart data from multiple countries, we can determine when each song became popular internationally and in which countries it had its biggest impact. Ultimately, with this data we may be able to draw conclusions about each song’s global impact and see what, if any, correlations exist between its domestic and international chart success. How Does Music ID Answer the Research Question Music ID aggregates chart data from ten countries, including the US, the UK, Germany, Austria, Sweden, Switzerland, and Japan. When combined, this data can provide an unprecedented look into the global popularity of a song or album. For instance, Figure 1 and Table 1 detail the international success of Falco’s mid-1980s hit “Rock Me Amadeus”:

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Figure 1 - International Success of “Rock Me Amadeus,” 15 May 1985 – 5 June 1986

Table 1 - International Success of “Rock Me Amadeus”

Unsurprisingly, the song was first successful in Falco’s home country, Austria (red line), and was quickly followed by success in Germany (blue line). After this initial bout of success, however, the song did not enter the US charts (pink line) until February 7, 1986, nearly 40 weeks after it debuted in Austria! The song’s British success (gold line) occurred even later and was perhaps spurred by the song’s US success. Looking at the song’s relative international chart success (Figure 2), it is clear that the song was most successful not in Austria or the US, but rather in Germany, where the song stayed on the charts for 23 weeks.

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Figure 2 - Relative International Success of “Rock Me Amadeus”

This contrasts greatly with the global success of “The Sign,” a 1993/1994 single by the Swedish group Ace of Base (see Figure 3 and Table 2).

Figure 3 - International Top 10 Success of “The Sign,” 11 November 1993 – 25 June 1994

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Table 2 - International Success of “The Sign”

Like “Rock Me Amadeus,” “The Sign” first gained popularity in the band’s home country (brown line) followed by success in Germany (blue line), Switzerland (red line), and Austria (purple line). The song then entered the US charts on January 1, 1994 (pink line). While still successful, the song seems to have had much less of an impact in the UK, entering the charts three months after it entered the Swedish charts and lasting only 19 weeks. When visually comparing the song’s relative international chart success (Figure 4), it is evident that the song was most successful in the US, and that its domestic success was comparatively short-lived.

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Figure 4 - Relative International Success of “The Sign”

“Wind of Change,” a 1991 hit by the German rock band the Scorpions, also had a unique trajectory of success:

Figure 5 - International Top 20 Success of “The Sign,” 17 February 1991 – 15 December 1991

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Table 3 - International Success of “Wind of Change”

As visible in Figure 5 and Table 3, “Wind of Change” first became successful in Switzerland (red line), followed by Germany (blue line), the band’s home country, and Austria (purple line). The song entered the US charts three-and-a-half months after the song entered the Swiss charts and was only mildly successful, peaking at #4.

Figure 6 - Relative International Success of “Wind of Change”

Figure 6 details the relative success of “Wind of Change” and shows that the song had very little impact in the UK and the US, but was exceedingly successful in Austria and Germany.

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Elements of the Insight That Would Not Have Been Possible Without the Data Scholars have often described the 1980s and 1990s as an era of increasing cultural globalization, a claim that is supported by the three case studies discussed in this Research Insight. However, “Rock Me Amadeus,” “The Sign,” and “Wind of Change” each had a unique trajectory of global success particular to their historical moment. The data provided by Music ID can thus offer minute insights into a song’s global popularity. International Data in Humanities Research and Education Prior to the Music ID platform, humanities scholars would likely not have had access to this sort of data. While UK and US chart success could have been reconstructed with effort, few researchers would be able to obtain similarly detailed chart data from other countries. One of the great benefits of the Music ID platform is that it allows scholars to quickly and easily access detailed chart data from ten different countries. This makes the Music ID platform a useful tool not only for scholars, but also for teachers. For example, a teacher planning a lesson on globalization or contemporary history could construct an assignment using the Music ID platform that asks their students to compare the international success of songs such as “Macarena” or “Gangnam Style.”

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