:‫מהטה מארח‬-‫הקולוקוויום של המגמה למוזיקולוגיה בביה"ס למוזיקה בוכמן‬ “Opera and migration – historical and philological approaches”

81 '‫ בחדר מ‬81:81 ‫ בשעה‬3.2 '‫יום ב‬ “Opera and Migration in 18th century Europe and their philological traces” (Prof. Dr. Dörte Schmidt)  general introduction “Editing opera” (Prof. Dr. Christine Siegert) The edition of operas usually focus on traditional works. The paper aims to present some alternatives of printed and digital editions of late 18th century Italian opera. ● Sarti’s biography, his standing and significance as successful comsmopolitan composer of operas ● editorial approaches (Old school versus non-hierarchical order of sources)

“An introduction to our sources and the context of performances: Giuseppe Sarti’s opera buffa Fra I due litiganti il terzo gode” (Dr. Martin Albrecht-Hohmaier)  example for the wide spread dissemination of one opera  performances, all in different versions  migration of arias “Giuseppe Sarti – two different versions of Giulio Sabino” (Dr. Christin Heitmann)  concrete examples for possible changes and differences in two versions of Sarti’s most successful opera seria: cuts, changes of passages, insertion arias… “Digital encoding of Sartiʼs Operas” (Kristin Herold, M. A.) ● technical aspects of the Sarti-edition ● software for online-editions (Edirom online) ● what is MEI and why and in which way it is used? ● open edition (possibilities for users and other researchers)

Research project: A Cosmopolitan Composer in Pre-Revolutionary Europe – Giuseppe Sarti Universität der Künste Berlin in cooperation with Bella Brover-Lubovsky, Hebrew University Jerusalem funded by Einstein Stiftung Berlin 2013–2016